Studio Masters – HDMusic.me

The saxophonist leads his quintet in a set of his own gnarly original compositions. With a band comprising pianist Lewis Porter, guitarist Jack DeSalvo, bassist Francois Grillot, and drummer Enrique Haneine. The music by these creative and great jazz musicians is very dynamic and expressive. They are using huge range of different musical expressions, twisting together various playing styles and playing techniques. Outstanding and impressive solos, passionate and vivacious improvisations, rigorous, loud and powerful blow outs, dynamic rhythmic and synthesis with various music styles – all these elements are the main part of the compositions. The music by these great jazz masters is based on avant-garde and experimental jazz, free improvisation, bebop, post-bop, neo-bop and other contemporary and modern jazz styles intonations. Their music always has expressive and extraordinary sound.

The music of this album has remarkable and interesting sound. Collective improvisations are based on synthesis between avant-garde and modern jazz. Very soft and mild intonations of rock music also are heard, especially in guitar section. Music is full of contrasts, colorful and impressive solos, sudden and drastic stylistic changes, original and inventive musical decisions and other similar things. Huge range of different playing techniques and expressions make an effort to rich, evocative, innovative and bright musical language of the compositions. The compositions have bright and solid melodic section and very dynamic, colorful and expressive rhythmic section. These two sections are contrasting with each other – independent and individual improvisations by each musician are organically twisted together in one place. Saxophones melodies by Chris Kelsey are based on expressive and vivacious solos. These solos bring the intonations of bebop and other modern jazz styles. Along with the moody and contrasting solos, there’s also are touching and free improvisations, spontaneous solos, very colorful background, sharp harmony and synthesis of experimental and traditional playing techniques. The most effective episodes of saxophonist improvisations are remarkable, virtuosic and impressive solos, passionate melodies and vibrant blow outs. The elements of modern jazz styles are merged together with free improvisation and avant-garde jazz. Jack DeSalvo guitar melodies have the main elements of fusion, mild intonations of rock styles, basic elements of modern jazz and free improvisation. Organic synthesis of these different and contrasting music styles create effective, colorful and expressive sound. Lewis Porter piano melodies are totally based on free improvisation – pianist masterfully mixes together passionate, expressive and remarkable solos, wild fast and virtuosic passages, traditional playing techniques and experimental ways of playing. His playing is expressive, vivacious and energetic. Pianist is the master of twisting together different elements of musical language, original ways of playing and dozens of different playing techniques. Sharp and aggressive harmony, dynamic rhythmic, turbulent and loud improvisations are contrasting with lyrical and peaceful excerpts of this music. Francois Grillot double bass melodies are filled with unusual timbres, huge variety of playing manners and sounds. His music has colorful and contrasting sound – separate and repetitive tones, deep and solid bass line is twisted together with expressive, touching, passionate and remarkable solos and free improvisations. Enrique Haneine drums section is universal – it gently and organically fits together with each instrument. Various rhythmic formulas, basic rhythms of jazz and rock styles are mixed with rapid and loud arpeggios, drum rolls, fanfars, colorful percussion and experimental ways of playing. The music of this album is made with passion and expression – it has remarkable and innovative sound.

Tracklist:
01 – Very Good Wrath
02 – Nikita’s Mizkita
03 – Corn Pone
04 – Pestimism
05 – Cowering Inferno
06 – Purple Drizzle
07 – Useless Appendage
08 – Moochie the Minor
09 – Fran’s Coy Tune

Produced by Jack DeSalvo, Engineered by Jim DeSalvo.
Recorded on June 18, 2016 at Trading 8s Studio, Paramus, NJ.
Mixed & Mastered by Jim DeSalvo at Beanstudio, Wayne, NJ.

Musicians:
Chris Kelsey – straight alto, tenor and baritone saxophones
Jack DeSalvo – guitar
Lewis Porter – piano
François Grillot – double bass
Enrique Haneine – drums

Download:

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At just 13 years old, the Québécois pianist Daniel Clarke Bouchard is already a sensation on the Montréal music scene. ATMA Classique presents Scènes d’enfants, his tailor-made debut solo recording, featuring music by Mendelssohn, Debussy, Haydn and Chopin. The hugely talented Clarke Bouchard is also a jazz enthusiast and joins his mentor — jazz great, Oliver Jones — on two jazz-inspired tracks performed on two pianos: an improvisation on Mozart’s Ah vous dirai-je maman variations, and Claude Léveillée’s Grande valse fofolle, a piece the two performed live at the 2012 Francofolies de Montréal.

Teenage piano sensation Daniel Clarke Bouchard was awarded an ADISQ Award in Quebec in 2014 for Classical Album of the Year, Soloist or Small Ensemble for this record. Bouchard became a sensation on the Montréal and world music scene, including appearances at Carnegie Hall and on the Ellen DeGeneres show, at the age of only 13. On Scenes d’enfants, his tailor-made debut solo recording, Bouchard presents this programme of music by Mendelssohn, Debussy, Haydn and Chopin. The hugely talented Clarke Bouchard is also a jazz enthusiast and joins his mentor Oliver Jones on two jazz-inspired tracks performed on two pianos: an improvisation on Mozart’s Ah vous dirai-je maman Variations and Claude Léveillée’s Grande valse fofolle.

“This CD has been carefully planned and executed so as to show young Daniel at his best, playing repertoire that suits him at this stage of his life. “Scènes d’enfants” is the title of the album: Scenes from Childhood, after the Schumann piano work by the same name. Though all the pieces chosen are youthful in spirit, it does not mean they are intended to be played by students. On the contrary, some of them are very difficult indeed. Daniel understands this music, and he is more than equal to every technical challenge.” (La Scena Musicale)

Tracklist:
01 – Mozart: Fantasia for 2 Pianos on Mozart’s 12 Variations in C Major on Ah vous dirai-je, maman, K. 265
02 – Schubert: 4 Impromptus, Op. 90, D. 899: No. 2 in E-Flat Major
03 – Mendelssohn: Rondo capriccioso in E Major, Op. 14, MWV U67
04 – Beethoven: Rondo a capriccio in G Major, Op. 129, “Rage over a lost penny”
05 – Haydn: Keyboard Sonata No. 47 in B Minor, Hob.XVI:32: II. Menuet
06 – Haydn: Keyboard Sonata No. 47 in B Minor, Hob.XVI:32: III. Finale: Presto
07 – Mozart: Piano Sonata No. 12 in F Major, K. 332: I. Allegro
08 – Mozart: Piano Sonata No. 12 in F Major, K. 332: II. Adagio
09 – Mozart: Piano Sonata No. 12 in F Major, K. 332: III. Allegro assai
10 – Schumann: Kinderszenen (Scenes of Childhood), Op. 15: No. 1. Von fremden Landern und Menschen (Of Foreign Lands and People)
11 – Debussy: Children’s Corner: I. Doctor Gradus ad Parnassum
12 – Claude Léveillée: La Grande valse fofolle with two pianos

Produced and Edited by Johanne Goyette.
Recorded in September 2013 at Salle Françoys-Bernier, Domaine Forget, Saint-Irénée, (Québec) Canada.
Salle Pierre-Mercure (Centre Pierre-Péladeau), Montréal, (Québec), Canada.

Musicians:
Daniel Clarke Bouchard – piano
Oliver Jones – piano

Download:

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“Virtuous Circles Of Miles Davis” is the story of a journey through which the music of Miles continues to live in the hearts and minds of these musicians, a “virtuous circle”, in fact, within which the Davisian work relives, inspires and it transforms; once again regenerated, it continues to live and excite the present of these artists. More than a tribute to Miles, “Virtuous Circles Of Miles Davis” is a declaration of love towards a precise period of the life of these musicians, a historical and intimate moment in which Miles and his work were both inspirational and witnesses. The fact that in the quintet of Malvisi there is not a trumpet player speaks volumes about the genuine honesty of this artistic affection.

Come si affronta nel jazz, musica dell’attimo, la questione del repertorio, che poi è anche la questione del passato? Un passato che è solo in minima parte (fortunatamente) codificato in pagine immutabili, ma che è invece largamente individuale, dipendente dal vissuto di tutti noi? Fare musica improvvisata è anche questo, riflettere sul passato, perchè ogni suono, ogni linea melodica, ogni timbroha una storia che risuona diversamente in ciascuno degli ascoltatori. La svolta “elettrica” di Miles del 1969, annunciata da una serie di esperimenti compiuti negli anni precedenti, mise a subbuglio il mondo del jazz. Come, il maestro della sfumatura e dell’understatement che aveva creato le delicatissime atmosfere di Kind of Blue si dava ai suoni aspri e colorati delle chitarre elettriche, ai muscolari ritmi del funk, alle elaborazioni elettroniche delle tastiere? A rileggerle oggi sono polemiche che fanno sorridere, tanto è evidente il profondo legame tra tutta la carriera di Miles e quelle soluzioni degli anni Settanta. Questo disco racconta dell’impatto che la musica di Miles Davis degli anni Ottanta – soprattutto “Tutu” e “Decoy” – ha avuto su un gruppo di giovani musicisti toscaniche in essa si riconobbero percependone al di là di barriere linguistiche, razziali, nazionali e musicali le potenzialità espressive/eversive, e di come questa musica sia ancora oggi capace di emozionare e ispirare la creazione. L’inte sa qualità personale di questo album, per certi versi una serie di pagine di diario rilette oggi, è sottolineata dall’uso della voce di Miles nel suo significato puramente musicale, perfetto contrappunto all’assenza di una tromba nel gruppo dedicato al grande trombettista in un dialogo con la memoria. E l’aura di effetti elettronici creata da Leonardo Cincinelli (omonimo ma non parente di uno dei due chitarristi del gruppo) accentua la dimensione onirica, la profondità temporale di questa musica reinterpretata a distanza di decenni dai tempi in cui il Miles “elettrico” dava scandalo a chi confonde l’aspetto esteriore delle cose con la loro sostanza artistica.

Tracklist:
01 – Nardis
02 – Milestones (New)
03 – Solara
04 – Milestones (Old)
05 – Jean Pierre
06 – Pfrancing (No Blues)
07 – What it is
08 – Blue in green

All composed by Miles Davis. Arrangements by Daniele Malvisi.
Recordings, Mix & Mastering by Paolo Corsi.

Musicians:
Daniele Malvisi – Tenor & soprano sax
Giovanni Conversano – Guitar
Andrea Cincineli – Guitar
Gianmarco Scaglia – Double bass
Paolo Corsi – Drums & percussions
Leonardo Cincineli – Live electronics

Download:

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Living jazz legend David Friedman is one of the most influential vibraphonists in the history of the instrument. “Thursday” is not only the first release of Friedman’s brand new Generations Trio, but also the very first release of his new label “Malletmuse Records”. The Generations Trio provides a musical example of intuitive communication and intense interaction, resulting in an audible process of music-making, which speaks directly to the listening audience. These three generations, with shooting star Tilo Weber on drums, in demand sideman Oliver Potratz on bass, and retired Jazz Professor David Friedman on vibes, develop an amazingly orchestral band sound, which is fresh and hip, while firmly rooted in the deep tradition of Jazz.

Tracklist:
01 – Bistro
02 – Deer Fall
03 – Recycling
04 – Thursday Lines
05 – Thursday Session
06 – Turn Left
07 – In Hop
08 – Small Talk
09 – Gliding
10 – Sogni D’oro

Produced by David Friedman.
Recorded in September 2014 by Falko Duczmal at Scoring Stage Babelsberg.
Mixed by Falko Duczmal. Mastered by Klaus Scheuermann.

Musicians:
David Friedman – vibes
Oliver Potratz – bass
Tilo Weber – drums

Download:

https://subyshare.com/wnwq6mgwipyu/DavidFriedmanGenerati0nsTri0Thursday2018Q0buz24441.rar.html

The New Orleans brass band continuum stretches from the 19th century through to the present in a tradition passed on from father to son through the generations. Hired to accompany funerals, ceremonies, and street festivals, the music these bands played “just touch your heart, they were so beautiful”, reminisced Louis Armstrong. From the early 1900’s on, bands led by such legends as Freddy Keppard and the great Joe ’King’ Oliver employed the moniker ‘Olympia’ in their band name. Oliver’s drummer Arnold du Pass set up the Olympia Serenaders, a band saxophonist Harold Dejan played with in the 20’s. Dejan studied under Albert Nicholas, and plied the Mississippi with one of the great riverboat orchestras, the Original Tuxedo Orchestra. From 1960 on he led what was considered New Orleans’ top marching band, the Original Olympia Brass Band, thus heralding in a brass band renaissance. Featuring some of the Crescent City’s top players, the band is augmented by several dedicated English and German players who journeyed to the the Big Easy at one time or another to experience the joy of playing with some of the music’s greats. This album has all the ‘live’ exuberance of a N.O. street parade and features a cross-section of classic brass band repertoire – the religious hymn Glory Land the upbeat the funeral dirges, Leave Me Lord Me and In the Upper Garden, the folksy Lilly of the Valley and the up-beat jazzy pieces We Shall Walk Through the Streets, Take Your Burden to the Lord, Shake It and Break It and Olympia Special. A classic of the genre.

Tracklist:
01 – We Shall Walk Through the Streets to the City
02 – Take Your Burden to the Lord
03 – In the Upper Garden
04 – Glory Land
05 – Shake It and Break It
06 – Olympia Special
07 – Leave Me Savior Me
08 – Lilly of the Valley

Produced by Joachim E. Berendt.
Recorded on August 12, 1968 in Berlin.
Digitally Remastered.

Musicians:
Harold Dejan – saxophone
Andrew Jefferson – snare drum
Trevor Richard – snare drum
Emmanuel Paul – tenor saxophone
Frank R. Naundorf – trombone
Paul Crawford – trombone
Andy Anderson – trumpet
Clive Wilson – trumpet
Milton Batiste – trumpet
Klaus Einfeld – tuba

Download:

https://subyshare.com/ctxyzkvixb8e/Dejans0lympiaBrassBandNew0rleansStreetParade19682017Q0buz24882.rar.html

From the Chicago choir that won the 2012 Verizon How Sweet the Sound search for the Best Church Choir in America, “Hope” is a confident declaration of soul comfort sung from within the everlasting arms of the LORD.

Tracklist:
01 – The Lord’s Prayer
02 – All Power (feat. Jazmine Jones)
03 – If Any Man Be In Christ
04 – God Will Make A Way (feat. Joshua Jones)
05 – Be OK (feat. LaFayette E. Young Jr.)
06 – I’m In Christ
07 – Lord I Need You (feat. Latina Cunningham )
08 – I’m Saved
09 – My Hope Is In You (feat. Charlz Kay)
10 – Joy
11 – God’s Got Me (feat. Min. Tim White )
12 – For The Rest Of My Life (feat. Venus Young)
13 – Lord You Brought Me (feat. B.Slade)
14 – Supernatural God
15 – Supernatural God ((Bionic Choir Remix) [feat. B.Slade]

Produced by Percy Bady.

Download:

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A longtime student of jazz piano history, Dick Hyman has previously recorded the works of Eubie Blake, Jelly Roll Morton, James P. Johnson, Fats Waller, Duke Ellington and other early jazz pianists. Some of the greatest jazzmen from the Swing Era have been brought together for this exceptional album including Phil Bodner, Urbie Green, Milt Hinton, Butch Miles, Bucky Pizzarelli, Joe Temperly, Frank Wess and Joe Wilder.

As the title implies, this is very much a swing set. Pianist Dick Hyman (a master of all pre-bop styles) has little difficulty emulating Teddy Wilson, Art Tatum and Count Basie (among others) plus his own style in an octet also featuring trumpeter Joe Wilder, trombonist Urbie Green, altoist-clarinetist Phil Bodner, baritonist Joe Temperley, rhythm guitarist Bucky Pizzarelli, bassist Milt Hinton, drummer Butch Miles and (on three tunes) altoist Frank Wess. The opening and closing numbers are ad-lib blues both titled “From the Age of Swing”; sandwiched in between are ten swing-era standards plus a couple of obscure Duke Ellington items. Among the highlights are “Topsy,” “Them There Eyes,” “Rose Room” and “Mean to Me.” No real surprises occur, but mainstream fans should like this swinging set.

Tracklist:
01 – From the Age of Swing
02 – You’re Driving Me Crazy – Moten Swing
03 – Topsy
04 – Moonglow
05 – Them There Eyes
06 – Dooji Wooji
07 – Soft Winds
08 – What Is ThereTo Say
09 – ‘Deed I Do
10 – Rose Room
11 – I Know What You Do
12 – Mean To Me
13 – I’m Getting Sentimental Over You
14 – From the Age of Swing (Alternate take)

Recorded on May 24 & 25, 1994 at Concert Hall ‘A’, State University Of New York, Purchase, New York.
Recorded natively in the PCM format at 176.4 kHz/24 bit and converted to DSD using the best equipment available.

Musicians:
Dick Hyman – piano
Phil Bodner – alto saxophone, clarinet
Frank Wess – alto saxophone
Joe Temperley – baritone saxophone
Joe Wilder – trumpet, flugelhorn
Urbie Green – trombone
Bucky Pizzarelli – guitar
Milt Hinton – acoustic bass
Butch Miles – drums

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Dick Hyman, one of the most accomplished and versatile musicians of our time, is especially known as an authority on early jazz. After a lifetime of playing and studying the music of Bix Beiderbecke, Hyman recorded this solo program of music associated with Bix, including all five original pieces Bix wrote for piano. Hyman arranged other numbers Bix performed with various groups and plays and improvises upon these in his distinctive, brilliant style. Thinking About Bix was recorded at Skywalker Sound in California using custom-made microphones, electronics and high-resolution digital converters.

Long an admirer of cornetist/composer Bix Beiderbecke, Dick Hyman pays tribute to the gifted but short-lived jazz legend by interpreting the songs Bix recorded in a series of piano solos, mixing transcriptions of Beiderbecke’s solos (and occasionally, others’ as well) with his own improvisations. One exception is Hyman’s original composition “Thinking About Bix,” a warm, easygoing piece that captures the spirit of the era. The pianist’s buoyant setting of “Singin’ the Blues” and playful rendition of “Ostrich Walk” prove captivating, while his jaunty interpretation of “‘Tain’t So, Honey, ‘Tain’t So” is lots of fun. But the obvious high points of this CD, recorded not long before Hyman’s 81st birthday, are Beiderbecke’s rarely performed works for solo piano. The shimmering impressionist air of “Candlelights,” the subtlety of “In the Dark,” the Gershwin-flavored “In a Mist,” the constantly shifting “Flashes,” and the loping treatment of “Davenport Blues” all glisten in Hyman’s gifted hands. Stride pianist Mike Lipskin (a protégé of stride pianist Willie “The Lion” Smith) joins Hyman in a lively duo rendition of “You Took Advantage of Me”.

Tracklist:
01 – Thinkin
02 – Singin
03 – Ostrich
04 – Virginia
05 – Jazz Me Blues
06 – Candlelights
07 – Taint So
08 – My Best Gal
09 – In The Dark
10 – Clementine
11 – Lonely Melody
12 – In a Mist
13 – Sweet Sue
14 – Wringin and Twistin
15 – Flashes
16 – Davenport
17 – Took Advantage

Recorded on February 25-26, 2008 at Skywalker Sound, Nicasio, CA.
Recorded natively in the PCM format at 176.4 kHz/24 bit and converted to DSD using the best equipment available.

Musicians:
Dick Hyman – piano
Mike Lipskin – piano

DSD64

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Don McLean is one of America’s most enduring singer-songwriters and forever associated with his classic hits “American Pie”, “Vincent (Starry Starry Night)”, “Castles in the Air”, “And I Love You So” and “Crying”. Since first hitting the charts in 1971, Don has amassed over 40 gold and platinum records world-wide and, in 2004, was inducted into the Songwriters’ Hall of Fame. Moving forwards in 2018, Don McLean has a new record deal with BMG for the release of his latest album “Botanical Gardens”, supported by international touring including live dates in UK in April and May with dates in Ireland in May and June 2018.

One never knows what Don McLean will do next or when, for that matter. Botanical Gardens is his first studio album since 2009’s Addicted To Black. So it has been a while for McLean but it has been well worth the wait. It is also his 21st album, and the man keeps on finding new things to sing about, and new ways in which to express himself. A true artist.

“I’ll leave you the noise, and the dark city canyons.”, and the album and title track, “Botanical Gardens” have begun. Opening with a standard rock sound, not noisy, but loud, which is an interesting juxtaposition with the subject material of the song. The song, and the album, are a look inwards. This seems to be the overall theme of the album. McLean may look inwards, but the theme and mini themes of this album are universal. Love, relationships, mortality, peace, a troubled world, all get their turns in this garden, and he comes at each topic with typical McLean honesty, wit and humility. He does not have the answers but he does have the questions and the issues to be addressed. Not every song is a manifesto, some are just fun country/rock songs (“Rock ‘n’ Roll Your Baby”) while others are somewhat painful, yet paired with a relatively happy bluesy melody (“I’ve Cried All The Tears I Have”) . There is a lot going on in his Botanical Gardens. “Grief and Hope” is a wonderful song that one could imagine Hank Williams writing had he lived. Well structured, melodic and brilliant lyrics. That is the thing with this album, he writes so incredibly well that the listener almost takes the songs for granted. “When July Comes” is a highlight of the album, a painfully personal song, that is done in the best McLean style, and is the one song that harkens back to his singer/songwriter past. It is a haunting, piano based song with a wonderful string arrangement and I think the best vocals McLean has ever performed. Some of the songs found on this album have been around for a while. He has performed some during his last few tours, but here they sound fresh, and he breathes such life into them that all the songs sound custom made for this release. The album finishes with a beautiful cover of a song made famous by Sinatra, “Last Night When We Were Young”, a beautiful, melancholy song, reflecting on life, age and companionship. It is a beautiful way to end the album and a beautiful bookend with “Botanical Gardens”.

Botanical Gardens is a brilliant album. With McLean embarking on a tour to promote the album, one can only hope that it is not another eight years for a new album from him. In the meantime, there is a lot on this album to enjoy and dig into.

Tracklist:
01 – Botanical Gardens
02 – The Lucky Guy
03 – A Total Eclipse of the Sun
04 – Waving Man
05 – When July Comes
06 – You’re All I Ever Had
07 – Rock and Roll Your Baby
08 – I’ve Cried All the Tears That I Have
09 – Ain’t She a Honey
10 – The King of Fools
11 – Grief and Hope
12 – You’ve Got Such Beautiful Eyes
13 – Last Night When We Were Young

Download:

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Thirteen new MacLeod originals highlight this richly detailed recording by GRAMMY Award-winning engineer Keith Johnson. MacLeod is one of blues’ greatest guitarists. He is joined by longtime bassist Denny Croy and Jimi Bott, one of the most recorded, awarded and respected blues drummers in the world. The trio performs with scintillating precision and synergy.

Doug MacLeod is a unique, powerful guitarist with a rich and soulful voice, singing original songs based on his life and experiences. This is genuine original acoustic music at its very best! Thirteen new Doug MacLeod originals highlight this richly detailed trio recording by Grammy-winning engineer Keith Johnson, done at Skywalker Sound in Marin County, CA. Doug uses four strikingly different guitars: three National Reso-Phonic instruments, including a 12-string, and his old Gibson C-100, the guitar he calls Lil Bit because each time he plays her a little bit more of her falls off.

Over 29 years, 19 studio albums, several live records, compilations, a blues guitar instructional DVD, and a live performance DVD, Doug has consistently earned raves. His songs have been covered by many artists including Albert King, Albert Collins, Joe Louis Walker, and Eva Cassidy.

Tracklist:
01 – Rosa Lee
02 – Black Nights
03 – The Up Song
04 – My Inlaws Are Outlaws
05 – The Entitled Few
06 – A Ticket Out
07 – Run With The Devil
08 – St. Elmo’s Rooms And Pool
09 – I’ll Be Walking On
10 – East Carolina Women
11 – The Night Of The Devil’s Road
12 – Dubb’s Talking Religion Blues
13 – Ghost

Produced by Doug MacLeod and Janice Mancuso.
Recorded on May 23-24, 2012 at Skywalker Sound in Marin County, CA.
Recording and Mastering engineer: Keith O. Johnson.

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Glenn Robertson Yarbrough was an American folk singer and guitarist. He was the lead singer (tenor) with the Limeliters from 1959 to 1963. He also had a prolific solo career, recording on various labels. There were numerous obscure attempts, most of them commercially and artistically unsuccessful, by folk revival veterans to move into folk-rock-pop in the last half of the 1960s. This 1968 release considers all sides of romance, with songs by David Gates, Hoyt Axton and Glen Campbell among others. Includes Face in the Crowd; Alamo Junction; Sunshine, Lollipops and Rainbows; I’ll Be There; When Flora Was Mine, and more.

Tracklist:
01 – Face In the Crowd
02 – Times Gone By
03 – The Hurtin’
04 – A Quiet Tear
05 – When Flora Was Mine
06 – Time and Chance
07 – Sunshine, Lollipops and Rainbows
08 – I’ll Be There
09 – One By One
10 – Come Kiss Me Love
11 – Alamo Junction

Produced by Al Schmitt, Neely Plumb. Recorded in Hollywood, CA.
Engineers: Dave Hassinger, Dick Bogert, Ivan Fisher.

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If Carmine has burnt all the stages becoming one of the most original European accordionists in this record of great proof of design and visionary intelligence construction of a story that becomes music and word as well as gesture and sign. Four years after the first album “Solo”, Campania accordionist and composer Carmine Ioanna released the second album “Soli in Viaggio” for the French Bonsai Music (Egea distribution) on June 8th.

The title can be read both as referring to people in the path of their existence (and the song One in Venus is dedicated to the companion of Ioanna) and to solar entities (astrology is the great passions of Ioanna, in fact many of the songs originals have a spatial reference in the title, one above all the song Laika, dedicated to the dog sent into space and destined to death)

The cover image is only 3 depicting the musician and his family, the smallest sun represents the child born recently and the recent birth came the idea of using a drawing as if it had been made by a child.

The record is recorded in quartet with Francesco Savoretti on percussion, Daniele Castellano on guitar and Alex Gorbi on bass and sees the participation as guests of Luca Aquino on trumpet and Rosa D’Agnese on vocals and actress Claudia D’Amico.

Musically it is the first time that electronics are applied to the accordion for an unprecedented sound experimentation in which the look to the future is balanced by an affirmation of their roots with the version of the popular song Sulillo Mio, song of the tradition of Montemarano , village of Irpinia, sung by local women to work in the fields that invoked the end of the hard day, punctuated by the rhythm of the sun, all filtered through the multiple musical influences ranging from folk and ethnic music, to jazz, to blues , to rock.

Tracklist:
01. Apollo 11 (feat. Luca Aquino) (Instrumental)
02. L’una in Venere (Instrumental)
03. La nana rossa (Instrumental)
04. La danza delle cicogne (Instrumental)
05. Nebulose (Instrumental)
06. Due anelli per Saturno (Instrumental)
07. Sulillo mio (feat. Rosa d’Agnese & Claudia D’Amico)
08. Laika (Instrumental)
09. L’orizzonte degli eventi (Instrumental)
10. Warmhole (Instrumental)
11. Welcome to Trappist (Instrumental)
12. No Gravity (feat. Ketty Teriaca) (Instrumental)

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Taking their name from a Steely Dan song, Deacon Blue were one of the best unknown bands in Scotland. Formed in 1985, the group performed its first concert as the opening act for the Waterboys’ premier show in England. With the vocals of singer/songwriter Ricky Ross backed by jazz and soul-inspired melodies, Deacon Blue recorded several British hits in the late ’80s. Their success, however, failed to carry over to American audiences. Frustrated by the inability to secure international popularity, the group disbanded in the summer of 1994.

Although he launched a solo career, Ross had no greater success than he had as frontman for Deacon Blue. In May 1999, the group re-formed for a series of concerts in Great Britain and Europe. As of November 1999, the group featured Ross and other original bandmembers bassist Ewen Vernal, guitarist Graeme Kelling, keyboardist James Prime, and drummer Dougie Vipond, along with second vocalist Lorraine McIntosh (who had become Ross’ wife after joining the band). Their first new album in five years, the ballads collection Walking Back Home, was released that year, and the full-length studio album Homesick followed in spring 2001.

Guitarist Kelling died of pancreatic cancer in June 2004; Deacon Blue nevertheless vowed to carry on and continued to make intermittent festival appearances through the end of the decade. In 2012, Deacon Blue scheduled a nationwide tour in celebration of their 25th anniversary, and later that year they released their sixth album, The Hipsters, which was produced by Paul Savage (King Creosote, Malcom Middleton, Mogwai). Their seventh studio album, A New House, arrived in 2014. Produced once again by Savage, the album reached the U.K. Top 20 upon its release. The more politically charged Believers appeared in September of 2016, and received positive reviews. The following year Deacon Blue put out Live at the Glasgow Barrowlands, a live set recorded at their hometown’s prestigious venue during the 2016 Believers tour. The performance was significant to the band and its fans, since Deacon Blue played their farewell show at the Barrowlands 22 years previously, prior to their re-formation five years later in 1999. ~ Craig Harris

Tracklist:
1. The Believers
2. This Is A Love Song
3. I Will and I Won’t
4. Meteors
5. Gone
6. What I Left Out
7. A Boy
8. Birds
9. You Can’t Know Everything
10. Delivery Man
11. Come Awake
12. B Boy

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Tales from Home, the debut album from Eleanor Tomlinson star of the PBS series Poldark, is an enchanting collection of folk-influenced songs. The album is long-awaited by fans of the series after they watched her stunning performances on the hit TV show. Tales from Home features classic hits from Simon & Garfunkel ( Homeward Bound ), Carole King ( Tapestry ) and Bonnie Raitt ( I Can t Make You Love Me ). Also included on the album are a number of Irish and Scottish folk songs such as The Spinning Wheel. The album is produced by Poldark soundtrack composer and Academy Award®-winner Anne Dudley who has previously recorded with the likes of Elton John, Tina Turner and Robbie Williams.

Eleanor Tomlinson is best known for her roles as Demelza Poldark in Poldark, Lady Isabel Neville in The White Queen and Princess Isabelle in Jack the Giant Slayer. Tomlinson has recently starred in the 2018 Academy Award® nominated film Loving Vincent with Saoirse Ronan, Douglas Booth and Chris O Dowd. She will also be featured in the upcoming film Colette with Keira Knightley and Dominic West as well as the BBC s adaptation of Agatha Christie s Ordeal By Innocence.

Tracklist:
01. Homeward Bound
02. I Can’t Make You Love Me
03. If You Could Read My Mind
04. She Moved Through the Fair 5
05. Tapestry
06. The Spinning Wheel
07. Who Knows Where the Time Goes?
08. Hushabye Mountain
09. The Wild Mountainside
10. The House Carpenter
11. The Water Is Wide
12. I Find Your Love

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This was Iggy in his truest form, climbing up from the bottom. There was something about the way he screamed “I got a right” that let you know, he certainly did and he worked it for all it was worth. Maybe not the best production of it’s time but still the most honest. this guy was possessed. Music was a drag and then there was glam. Iggy Pop walked that fine line between them, he spit off to the side

Tracklist:
1. TV Eye
2. Funtime
3. Sixteen
4. I Got A Right
5. Lust For Life
6. Dirt
7. Nightclubbing
8 I Wanna Be Your Dog

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With Nuances, pianist Jeremy Hababou gives us an album of stripped-down, sometimes minimalist, pieces, the reflection of an aesthetic profoundly rooted in his personality. As he likes to say, ” technical mastery of an instrument does not suffice for becoming an artist. Being an artist precedes artistic discipline. Above all, it is a necessity, a sensibility, another way of looking at the world, a quest.”

Tracklist:
01. Désir
02. Tristesse
03. Le penseur
04. Chanson d’hiver
05. Eclaircie
06. Le chant du chameau (feat. Chris Jennings, Lukmil Perez & Sgtéphane Chausse)
07. Pantin (feat. Chris Jennings, Lukmil Perez & Stéphane Chausse)
08. Chanson pour Anne
09. Chanson d’hiver (Solo)

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https://subyshare.com/hayodore124z/JrmyHabab0uNuances20182488.2.rar.html

Composed by Jon Lord and the German composer and conductor Eberhard Schoener, ‘Windows’ was recorded live on June 1st, 1974 at the Herkulessaal of the Munich Residenz with the Orchestra of the Munich Chamber Opera conducted by Eberhard Schoener. The band for this special occasion is star-studded with musicians like Jon Lord’s former bandmates David Coverdale and Glenn Hughes as well as Tony Ashton, Ray Fenwick and Pete York. Windows consists of two parts. “Continuo on B. A. C. H” is based on an unfinished fugue by J. S. Bach, which was based on a scale using the notes represented by his own name. Lord and Schoener interpreted and ‘finished’ it. “Window” is based on the idea of a form of chain poetry called Renga, developed during the 14th century in Far-East, where a group of poets co-writing would lock themselves away, writing each verse in turn and continue until the finished product emerged. The recording was re-mastered by Rob Cass at Abbey Road Studios and the artwork was reinterpreted.

Tracklist:
01.Continuo On B.A.C.H.
02.Window

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Second disc of the tent the Roaring, Of human and animal crosses the question of the border between the man and the animal: from the jungle to the city, rhythms and sounds of the nature to the instrumental melody, of the wild trance with intimate nostalgia. Mixing orchestral compositions inspired by ancient Greek music, black Africa or Bali, and songs on texts by contemporary authors (Didier-Georges Gabily, Romain Maron)

Tracklist:
01. Le visage
02. Second hymne delphique à Apollon
03. Manifeste
04. Dérive à la mer
05. Arrossendo – à bout de feu
06. Premier hymne delphique à Apollon
07. Au ciel qu’on ne voit plus
08. Dans la jungle des villes
09. Arrossendo – à bout de sang
10. Enfonçures – I. Qu’as tu cueilli
11. Enfonçures – II. L’idiot
12. Enfonçures – III. Chœur
13. Enfonçures – IV. D’humain et d’animal
14. Enfonçures – V. Tête au ciel
15. Enfonçures – VI. Des hommes, des respirants
16. Enfonçures – VII. Inchangés

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This is an incredible “live” recording of Pete Fountain in a small group setting. His creativity shines through on each song. Of particular note are the title track, Lazy River, Blues For Ziggy (a true masterpiece), and The Saints. This CD is a New Orleans Jazz masterpiece, by the greatest clarinetist in the world!

Tracklist:
01. Living Brass – Do You Know What It Means to Miss New Orleans (03:08)
02. Living Brass – Muskrat Ramble (01:58)
03. Living Brass – Medley: That’s a Plenty / ‘Way Down Yonder In New Orleans (03:32)
04. Living Brass – Tin Roof Blues (02:37)
05. Living Brass – Medley: Original Dixieland One-Step / When the Saints Go Marching In (03:08)
06. Living Brass – Medley: Fidgety Feet / Oh! Dem Golden Slippers (02:54)
07. Living Brass – Medley Fidgety Feet Oh! Dem Golden Slippers (02:25)
08. Living Brass – Dixiebelle Blues (03:16)
09. Living Brass – High Society (02:34)
10. Living Brass – Down South Blues (02:58)

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Vienna – New York-Berlin: Austrian singer Maria Christina has an exciting trip behind herself and one hears this. Their voice is the expression of a highly sensitive, frank soul, her songs have to tell a lot.

Tracklist:
1. Morning Swim 04:54
2. Ocean Song 04:58
3. Blank Canvas 04:06
4. Love And Rage 04:21
5. Eternally Collapsing 03:52
6. Closest To Home 04:33
7. Spreading Love 03:13
8. Back To White 03:53
9. Lullaby For Richey 04:37
10. One By One 02:58

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Chris Kelsey – Chris Kelsey Quintet (2018) [Official Digital Download 24bit/88,2kHz]

Daniel Clarke Bouchards – Scenes d’enfants (2013) [Official Digital Download 24bit/96kHz]

Daniele Malvisi Six Group – Virtuous Circles Of Miles Davis (2015/2017) [Official Digital Download 24bit/96kHz]

David Friedman Generations Trio – Thursday (2018) [Official Digital Download 24bit/44,1kHz]

Dejan’s Olympia Brass Band – New Orleans Street Parade (1968/2017) [Official Digital Download 24bit/88,2kHz]

Dexter Walker & Zion Movement – Hope (2018) [Official Digital Download 24bit/44,1kHz]

Dick Hyman – From The Age Of Swing (1994/2013) [Official Digital Download DSF DSD64/2.82MHz + FLAC 24bit/176,4kHz]

Dick Hyman – Thinking About Bix (2008/2009) [Official Digital Download DSF DSD64/2.82MHz + FLAC 24bit/176,4kHz]

Don McLean – Botanical Gardens (2018) [Official Digital Download 24bit/44,1kHz]

Doug MacLeod – There’s A Time (2013) [Official Digital Download DSF DSD64/2.82MHz]

Glenn Yarbrough – The Bitter And The Sweet (1968/2018) [Official Digital Download 24bit/192kHz]

Carmine Ioanna – Soli in viaggio (2018) [Official Digital Download 24bit/96kHz]

Deacon Blue – Believers (2016) [Official Digital Download 24bit/96kHz]

Eleanor Tomlinson – Tales from Home (2018) [Official Digital Download 24bit/44,1kHz]

Iggy Pop – TV Eye: 1977 Live (2017) [Official Digital Download 24bit/192kHz]

Jeremy Hababou – Nuances (2018) [Official Digital Download 24bit/88,2kHz]

Jon Lord – Windows (2017) [Official Digital Download 24bit/96kHz]

Les Rugissants feat. Gregoire Letouvet – D’humain Et D’Animal (2018) [Official Digital Download 24bit/44,1kHz]

Living Brass – Do You Know What It Means to Miss New Orleans (1968/2018) [Official Digital Download 24bit/192kHz]

Maria Christina with Federico Casagrande – Morning Swim (2018) [Official Digital Download 24bit/96kHz]