Studio Masters – HDMusic.me

Recorded in 1958 and released on the Folkways label in 1959, this album introduced American listeners to Joseph Spence’s unique guitar and vocal styles. These field recordings by musicologist Sam Charters capture Spence in a relaxed, expansive mood—only one of the six selections in the set is under five minutes in length. Spence’s guitar style was due in part to the D tuning of his bass string, which produced a lower bass sound. Whereas many critics have called Spence’s vocal style unorthodox, they have found his guitar playing spontaneous and iconic. Some music critics have gone so far as to refer to him as the “Thelonious Monk of folk guitar.”

The vinyl reissue of Music of the Bahamas, Volume 1 includes Sam Charters’ liner notes. This reissue is part of Folkways Records’ 70th anniversary celebration series, revisiting some of the most iconic and influential albums released on the record label.

Tracklist:
1. Coming in on a Wing and a Prayer 06:02
2. There Will Be a Happy Meeting in Glory 06:07
3. Brownskin Gal 05:13
4. I’m Going to Live That Life 06:26
5. Face to Face That I Shall Know Him 04:31
6. Jump in the Line 05:32

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The American composer George Antheil (190059) enjoyed the sobriquet the Bad Boy of Music thanks to the mechanistic scores of his early career. This anthology of piano music from the last twenty years of his life reveals a muse that could also be affectionate, flirtatious and capricious but the Bad Boy occasionally re-emerged, as in the diabolical mischief of the wild, peppery, Prokofievan toccatas also recorded here. Ms. Judy Pang is increasingly on demand as an inventive solo and chamber musician with eclectic repertoire. She has established herself as a performer of works both mainstream and contemporary. Alongside her dedication to a wide-ranging selection from the canon of piano repertoire, she has continued her scholarly study of French impressionist music, on which she has given lecture recitals both in New York and Shanghai. Her numerous performances have taken her as far afield as the US, UK, Germany, Switzerland, Italy, Finland, Australia and China.

Tracklist:
1. Mother’s Day Piece 01:39
2. The Ben Hecht Valses 05:03
3. Musical Picture of a Friend 04:25
4. Carnival of the Beautiful Dresses: I. Opening Choral 00:56
5. Carnival of the Beautiful Dresses: II. À la valse 01:54
6. Carnival of the Beautiful Dresses: III. Mexicali 01:01
7. Carnival of the Beautiful Dresses: IV. Valse Passion 01:36
8. Carnival of the Beautiful Dresses: V. Habañera – Rhumba 02:06
9. Carnival of the Beautiful Dresses: VI. Love Affair Valse 00:58
10. Carnival of the Beautiful Dresses: VII. Autumn Fancy 01:01
11. Carnival of the Beautiful Dresses: VIII. Gamin Valse 01:44
12. Carnival of the Beautiful Dresses: IX. Martinique 00:58
13. Carnival of the Beautiful Dresses: X. Grand Climax 05:22
14. Carnival of the Beautiful Dresses: XI. Valse of the Female Gamin Who Fell in Love Hopelessly for a Time 02:46
15. Carnival of the Beautiful Dresses: XII. Gay American Valse 00:36
16. Carnival of the Beautiful Dresses: XIII. Finale Rhumbetta 01:17
17. 2 Toccatas: No. 1, — 02:04
18. 2 Toccatas: No. 2, — 02:28
19. Valentine Waltzes: No. 1, — 02:02
20. Valentine Waltzes: No. 2, — 01:36
21. Valentine Waltzes: No. 3, — 01:33
22. Valentine Waltzes: No. 4, — 00:55
23. Valentine Waltzes: No. 5, — 01:19
24. Valentine Waltzes: No. 6, — 00:38
25. Valentine Waltzes: No. 7, — 01:42
26. Valentine Waltzes: No. 8, — 02:11
27. Valentine Waltzes: No. 9, — 01:13
28. Valentine Waltzes: No. 10, — 01:42
29. Valentine Waltzes: No. 11, — 02:27
30. Piano Sonata No. 5: III. Allegro 04:31
31. Waltzes from Volpone 06:44
32. Berceuse for Thomas Montgomery Newman 02:18

Personnel:
Judy Pang, piano

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Manhattan in the Sixties. Every day, at the corner of 54th and Sixth, stood an imposing blind man with a druidic beard, dressed and helmeted like a Viking. Every day, he played music with home-made percussion instruments and declaimed poems. A simple eccentric or picturesque figure? No. Louis Thomas Hardin, called ‘Moondog’, was one of the true geniuses of his time. And even one of the geniuses of all time, prolific and visionary, capable of linking Bach, jazz and Amerindian rhythms, writing mini-symphonies, madrigals, piano pieces, highbrow makeshifts… His art? A rare treasure accessible to all, as unique as it is universal. His life? A solitary odyssey strewn with encounters – from Philip Glass to Charlie Parker (to whom he dedicated Bird’s Lament, his best-known song), and from Leonard Bernstein to Stephan Eicher. This extraordinary career ended in Germany, at the heart of this Europe where he always felt like a child in exile. As time went on, Moondog’s admirers would include Igor Stravinsky, Arturo Toscanini, Paul Simon, Frank Zappa, Janis Joplin, John Zorn, Sophie Calle, Damon Albarn, Jarvis Cocker, Philippe Starck, Antony Hegarty, Riad Sattouf et al.

Katia Labèque thus presents a selection of pieces rearranged with the group Triple Sun (David Chalmin, Massimo Pupillo and Raphaël Séguinier) These performances, both free and respectful, never lose sight of the author’s quest for rigor and balance and demonstrate to what degree Moondog’s music is also, quite simply, an appeal to constant motion.

“Some nights are the work of a genius. This one for the evening devoted to Moondog at the ‘Nuits de Fourvière’ [festival in Lyon], was to have given free rein to Katia Labèque in the second half, with the group Triple Sun…. Her version takes on its full meaning only after the evocation, as original as it is faithful and ambitious, of the first half with Ensemble Minisym of Amaury Cornut, 28, biographer (Moondog, Le Mot et le reste) and activist of operations for the centenary of the angel of the bizarre.” (Le Monde)

Tracklist:
1. Lullaby (2 West 46th Street) 04:22
2. Oboe Round 05:26
3. Bird’s Lament 04:45
4. All Is Loneliness 06:33
5. Elf Dance 03:16
6. Bumbo 03:25
7. To A Sea Horse 01:49
8. Tugboat Toccata 04:45
9. New Amsterdam 06:36

Personnel:
Katia Labèque, pianoforte
Triple Sun:
Massimo Pupillo, bass, vocals
David Chalmin, guitar, electronics, vocals
Raphaël Séguiner, drums, vocals

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From the exuberant, singular American composer Forrest Pierce comes a collection of glittering major works for strings and voice. His subjects are the sheen of dragonflies, sacred birch bark scrolls, and the cataclysmic nature of ecstatic mystical experience, interpreted by renowned cellist Kivie Cahn-Lipman and an all-star roster of musicians. At the center of the album is The Dante Samadhi, the epic setting of Canto XXXIII from Dante’s Paradiso, a Western account of enlightenment made vivid with echoes of Monteverdi, Britten, and Pierce’s own ecstatic melodic language and searing vision of tonality. Blistering, virtuosic passagework and hankering emptiness share the stage in Silver Birch Scroll for solo cello with Aspen trees, and in the fiery string trio Lord of June. The Sun and Other Stars reveals a masterful, passionate compositional voice in service of a vision of unbridled joy, unlike that of any other composer.

Tracklist:
1. Silver Birch Scroll 15:20
2. Lord of June 17:27
3. The Dante Samadhi 24:51

Download:

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She’s had much to learn from. It takes strength, determination and gold-plated talent to turn a tale like Kovacs’ – full of rejection, discouragement, ex-lovers and absent fathers – into an award-winning international success story. But via a lifetime of hard knocks, this shaven-headed enigma hiding the voice of a soul legend beneath her fluffy bear hood has forged her own unique path through life’s twists and tangles, and made, in her second album ‘Cheap Smell’, one of the most open, honest and inspired future soul albums of the decade.

Tracklist:
01. Priceless
02. Adickted
03. It’s The Weekend
04. Freakshow
05. Mama & Papa
06. I Better Run
07. Cheap Smell
08. Oblivion
09. Midnight Medicine
10. Play Me
11. Love Song
12. Black Spider
13. Foolish
14. Skyscraping
15. Final Song

Download:

https://subyshare.com/r5fnjcyq4qu7/K0vacsCheapSmell2018WEBFLAC2444.1.rar.html

Called ‘the God of the Indian violin’, Lakshminarayana Subramaniam has collaborated with leading representatives of Indian and Western classical traditions, from Ravi Shankar to Yehudi Menuhin. But with a strong belief in music as a universal language he is also a leading figure in fusion music, collaborating with musicians of all genres and nationalities, from Stephane Grappelli or George Harrison to Stevie Wonder and Herbie Hancock.

Dr.Subramaniam first met the Norwegian tubaist Øystein Baadsvik in 2014, during his own Lakshminarayana Global Music Festival, where Baadsvik was performing. The encounter developed into a recording project, which grew to involve Subramaniam’s regular percussionist D S R Murthy, his son Ambi (also on the violin), the Latvian keyboardist Toms Mikāls, and in the opening and closing numbers on the disc the Norwegian Trondheim Symphony Orchestra conducted by Jaakko Kuusisto from Finland. Together they perform four works by L. Subramaniam himself, including a double concerto for violin and tuba written for the occasion. In Eclipse they are also joined by Kavita Krishnamurti, one of India’s most celebrated playback singers, who has recorded some 15.000 songs for use in soundtracks to countless Indian films.

Tracklist:
1. Concerto for Indian Violin & Tuba: I. — 09:58
2. Concerto for Indian Violin & Tuba: II. — 10:08
3. Concerto for Indian Violin & Tuba: III. — 13:28
4. Journey 10:01
5. Eclipse 07:45
6. A Tribute to Bach 06:18

Personnel:
Lakshminarayanan Subramaniam, violin
Øystein Baadsvik, tuba
Trondheim Symphony Orchestra
Jaakko Kuusisto, conductor

Download:

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First world premiere on disc for these three Symphonies from Anton Zimmermann (1741-1781), a contemporary composer of Haydn, who unfortunately passed away at 39—because when listening to those gems, we wonder where he would have stopped had he lived up until, let’s say, 1810 for example… We notice straightaway that Zimmermann thumbs his nose at every standard: in the use of keys (in 1771, a symphony in E-minor was kind of a rarity: Haydn himself, a great experimenter, has only one under his belt), in the architecture—the order and type of movements are somewhat knocked over—and in the instrumentality too. Reckon that the Symphony in B-flat major uses wood instruments as well as as many soloists independent of the string instruments; and that in the splendid Symphony in C minor, beginning with a singular adagissimo, he doesn’t hesitate to include trombones. In 1770! An era when, at best, trombones were used for special effects at the opera, or to increase the solemnity of a piece of sacred music, but never in the symphonic field. Additionally, he doesn’t hesitate to finish two of these symphonies on an appeased pianissimo tone, where usually people end resoundingly. We eagerly await to discover the thirty-six other symphonies from this strange character. Icing on the cake, many of his works were long attributed to Haydn, because we couldn’t imagine so much bravery and genius being issued from a simple Zimmermann… The Arte del mondo performs in an exemplary way, conducted by Werner Ehrhardt.

Tracklist:
01. Symphony in E Minor: I. Allegro
02. Symphony in E Minor: II. Andantino (con expressione)
03. Symphony in E Minor: III. Menuet & Trio
04. Symphony in E Minor: IV. Finale. Allegro
05. Symphony in B-Flat Major: I. Adagio-Allegro
06. Symphony in B-Flat Major: II. Allegretto scherzando
07. Symphony in B-Flat Major: III. Finale. Tempo di Menuetto
08. Symphony in C Minor: I. Adagissimo
09. Symphony in C Minor: II. Allegrissimo
10. Symphony in C Minor: III. Andante
11. Symphony in C Minor: IV. Finale. Allegro moderato

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This new LSO recording only available in digital format marks the start of a new recorded cycle by the London Symphony Orchestra with their current principal guest conductor, Gianandrea Noseda. Recorded at a public concert on 22 September 2016, thisFifth by Shostakovich fulfils the promise of the score. Under a venomous barrage from Pravda on the orders of the dread you-know-who, which brought down his 1936 opera Lady Macbeth, the luckless composer withdrew the work from the programme of the orchestra which was set to perform it, and the symphony was only brought back out in 1962. By way of response to accusations of bourgeois opacity, anti-Soviet deviation and all manner of other bullsh– er, communist epithets, Shostakovich threw himself into his Fifth, which he finished in July 1937. The creation of the work took place in the wake under the baton of Evgeni Mravinski and met with great success, not only in the USSR, but right across the music world, which lapped up the work. Yes, the language is clearer, and less esoteric than the Fourth, but anyone looking for optimism and good cheer is barking up the wrong tree. The Scherzo is a sinister flight forward by a tortured clown, and the Largo is what it is – anguished. As for the final movement, it alternates between Rossinian farce and Mahlerian snarling, ending with two minutes of the kind of joy that one feels after having been run over by a division of Soviet tanks. Conductor Gianandrea Noseda and the members of the London Symphony Orchestra knew how to project this dual atmosphere and really capture the enigmatic feel of the final two minutes. This symphony is the response of the composer to the Stalinist murderers, all the while declaring in Pravda that the piece was “a Soviet artist’s practical response to well-deserved criticism”. Comments that some musicologists recuse, considering that they would have been commissionned from the high places of politics. Whatever it is, what a mockery by the composer through his symphony!

Personnel:
London Symphony Orchestra
Gianandrea Noseda, conductor

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Although it was written at a time of great optimism in the Soviet Union with the Nazis in retreat, Shostakovich’s Eighth Symphony is imbued with a deep sense of sorrow and fear of the future. Whereas the authorities expected a victorious anthem, Shostakovich appeared too affected by the bloody cost of the war. Mstislav Rostropovich again proved that no other conductor is able to so intimately understand the feelings of his dear friend.

“[Rostropovich] must have been amazed and moved by the playing of the LSO. You can only sit and wonder whether, in terms of pity and terror, musical expression could possibly go further.” (BBC Music Magazine)

“All the searing intensity, perceptiveness and magnificent playing that made this such a memorable performance survives on this recording. No one has a more intimate knowledge of Shostakovich’s musical psyche that his long-time friend Rostropovich and that insight exudes from every pore of his interpretation … this must surely be the benchmark for this shattering work.” (The Daily Telegraph, UK)

“A performance that grips at every moment, with orchestral playing to match.” (Classic FM Magazine)

Tracklist:
1. Symphony No. 8 in C Minor, Op. 65: I. Adagio – Allegro non troppo 26:35
2. Symphony No. 8 in C Minor, Op. 65: II. Allegretto 06:45
3. Symphony No. 8 in C Minor, Op. 65: III. Allegro non troppo 07:07
4. Symphony No. 8 in C Minor, Op. 65: IV. Largo 12:01
5. Symphony No. 8 in C Minor, Op. 65: V. Allegretto 16:14

Personnel:
London Symphony Orchestra
Mstislav Rostropovich, conductor

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Who Am I Now? – in the beginning there was a feeling of dissatisfaction. And although Matt Gresham’s life was all about life: living in a surfing paradise in southwestern Australia, he celebrated his first successes with his music and was selected for his track “Whiskey” 2014 as “Song Of The Year” by the WAMAs (West Australian Music Award) – incidentally, he was able to pursue his second passion, skateboarding. Actually, it was perfect for the 29 year old. But that’s the point: Matt Gresham felt trapped in paradise – “I have to get out of here. I want to grow! See new things! “

With a one-way ticket and his acoustic guitar, he explored the US, Asia and Europe. Live days, sometimes weeks, even months in the same country. A warm-hearted and open person like Matt Gresham can experience a lot there. Thanks to his debut album, we can now participate in it. In August, Who am I Now will be his musical travelogue, full of self-reflection and insightful songs.

“I have experienced orchestral music in Europe, Electro in Berlin, hip-hop music in New York …” These influences can also be found on Who Am I Now, an impressively eclectic singer-songwriter album featuring Hip-Hop quotes -Hop, Soul and Electronica are just as obvious as samples from stations that Matt Gresham picked up on his phone, or sound scraps of conversations with friends.

So Matt Gresham can sing enthralling, write strong songs and travel well – reasons enough to invite him to Germany for a tour. Surprise: Here he was of course already, lived and filmed music videos in Berlin or opened his own concerts at the Reeperbahn Festival 2016 with “Moin, Moin!”. In September 2018 he will appear again there and in the whole republic.

Tracklist:
1. Home (03:33)
2. Say You Don’t (03:59)
3. Ghost (03:08)
4. Let Her Know (03:34)
5. Lover (03:26)
6. Open (feat. Talib Kweli) (03:35)
7. Second Street (02:40)
8. Small Voices (02:59)
9. Survive on Love (03:40)
10. Lost in Bologna (03:57)
11. Floating (03:31)
12. Rising Up (03:19)
13. Who Am I Now (03:25)
14. The Beat (04:27)
15. When We Were Kids (03:48)
16. Wither on the Vine (03:38)
17. High Wire (03:14)

Download:

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Yes, at the opera, when the tenor and the soprano stubbornly want to make eyes at each other, there is always a baritone or a bass to sow some discord, sometimes in vain—Osmin, Pizzarro, Caspar—, sometimes successfully—the various Mephisto, Nick Shadow Lindorf-Dapertutto-Miracle. The American bass-baritone Kevin Short offers here, accompanied by an Orchestre Philharmonique de Marseille in great shape, a compendium of very, very bad characters, roles he has already sung more or less on the whole lyrical scene. Reckon that he has already performed at the MET in New York, at the operas in Chicago, Houston Los Angeles and Washington, at the Opéra Comique in Paris, in Cologne, Stuttgart, Bologna; in the festivals in Santa Fe, Bregenz, Baden-Baden, Aix-en-Provence. Not forgetting, obviously, his intense participation in the concertante field with the orchestras of Boston, Philadelphia, San Francisco, Cleveland, the one from the RAI, from Radio France and so many others of that kind. Purists (who are absolutely right), fear not: Kevin Short perfectly masters the French pronunciation, as well as the German one and the Italian one. As a “bonus”, he offers a tune from his compatriot Gordon Getty, Mephistopheles to Faust. For your information, Getty indeed bears the name of the famous petroleum dynasty, but Gordon much prefers to compose music—some excellent pieces, incidentally.

Tracklist:
1. Faust, CG 4 (Excerpts): Le veau d’or est toujours debout 02:17
2. Faust, CG 4 (Excerpts): Vous qui faites l’endormie 03:10
3. Mefistofele (Excerpts): Son lo Spirito che nega 03:53
4. Mefistofele (Excerpts): Ecco il mondo 02:43
5. 6 Songs, Op. 75: No. 3, Aus Goethes Faust (Arr. D. Shostakovich for Voice & Orchestra) 02:13
6. Fidelio, Op. 72: Ha! Welch ein Augenblick! 03:27
7. Die Entführung aus dem Serail, K. 384 (Excerpts): Wer ein Liebchen hat gefunden 02:19
8. Die Entführung aus dem Serail, K. 384 (Excerpts): O, wie will ich triumphieren 03:44
9. Der Freischütz, J. 277: Schweig! Damit dich niemand warnt 03:17
10. Les contes d’Hoffmann (Excerpts): Prologue. Dans les rôles d’amoureux langoureux 02:41
11. Les contes d’Hoffmann (Excerpts): Scintille, diamant 02:40
12. I Lombardi alla prima crociata: Sciagurata! 05:02
13. La damnation de Faust, Op. 24, H. 111 (Excerpts): Voici des roses 02:37
14. La damnation de Faust, Op. 24, H. 111 (Excerpts): Devant la maison “Serenade of Mephistopheles” 02:21
15. Mephistopheles to Faust (Version for Voice & Orchestra) 03:00
16. Mephistopheles’s Song in Auerbach’s Cellar “Song of the Flea” (Arr. I. Stravinsky for Voice & Orchestra) 03:09
17. The Rake’s Progress: I Burn, I Burn! I Freeze! 01:49
18. Robert le diable: Voici donc les débris du monastère antique 03:08
19. Das Rheingold, WWV 86A: Bin ich nun frei “Alberich’s Curse” 03:31

Personnel:
Kevin Short, bass-baritone
Orchestre Philharmonique de Marseille
Lawrence Foster, conductor

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https://subyshare.com/q8949wccxzm8/Mephist0pheles0therBadGuys20182496.part2.rar.html

Marking the 70th birthday of Misha Maisky, comes a very personal album recorded with his children, pianist Lily and violinist Sascha, with collaborations with Martha Argerich, Janine Jansen and Julian Rachlin. All repertoire is newly recorded and encompasses relaxing and inspiring popular melodies perfect for streaming in the relaxing/peaceful classics space.

Tracklist:
1. Symphony No. 5 in C-Sharp Minor / Pt. 3 : 4. Adagietto (Arr. for Cello and Harp by Mischa Maisky)
2. Concerto in D minor, BWV 974 : 2. Adagio (Arr. for Cello and Piano by Mischa Maisky)
3. Concerto for Harpsichord, Strings, and Continuo No. 5 in F Minor, BWV 1056 : 2. Largo (Arr. for Cello and Piano by Sam Franco)
4. Die Zauberflöte, K. 620 / Act 2 : “Ach ich fühl’s, es ist entschwunden” (Arr. for Cello and Piano by Mischa Maisky)
5. Samson et Dalila, Op. 47, R. 288 / Act 2 : “Mon coeur s’ouvre a ta voix” (Arr. for Cello and Piano by George Trinkaus)
6. Thaïs / Act 2 : Méditation (Arr. for Violin and Piano by Martin Marsick, Adapted for Cello and Piano by Mischa Maisky)
7. The Seasons, Op. 37a, TH 135 : 10. October – Autumn Song (Arr. for Cello and Piano by Joachim Stutschewsky and Isco Thaler)
8. 6 Pieces, Op. 51, TH. 143 : 6. Valse sentimentale (Arr. for Cello and Piano by Viktor Kubatsky)
9. 12 Etudes For Piano, Op. 8 : 11. Etude in B Flat Minor (Arr. for Cello and Piano by Gregor Piatigorsky)
10. Scriabin: Romance (Arr. for Cello and Piano by Steven Isserlis)
11. Peer Gynt, Op. 23 / Act 3 : Solveig’s Song (Arr. for Cello and Piano by Georg Goltermann)
12. Schubert: Notturno in E Flat Major, Op. 148, D. 897

Personnel:
Mischa Maisky, cello
Lily Maisky, piano

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Hailed as the new vanguard of indie rock following the breakout success of 2016’s Puberty 2, Mitski returns with Be The Cowboy. Mitski’s carefully crafted songs have often been portrayed as emotionally raw, overflowing confessionals from a fevered chosen girl, but in her fifth album, Mitski introduces a persona who has been teased before but never so fully present until now-a woman in control. “For this new record, I experimented in narrative and fiction,” comments Mitski. Though she hesitates to go so far as to say she created full-on characters, she reveals she had in mind “a very controlled icy repressed woman who is starting to unravel. Because women have so little power and showing emotion is seen as weakness, this ‘character’ clings to any amount of control she can get. Still, there is something very primordial in her that is trying to find a way to get out.” In Be The Cowboy, Mitski delves into the loneliness of being a symbol and the loneliness of being someone, how it can feel so much like being no one. Lead single “Geyser” introduces us to a woman who can’t hold it all in any more. She’s about to burst and unleash a torrent of desire and passion that has been building up inside. While recording the album with her long-time producer Patrick Hyland, the pair kept returning to “the image of someone alone on a stage, singing solo with a single spotlight trained on them in an otherwise dark room. For most of the tracks, we didn’t layer the vocals with doubles or harmonies, to achieve that campy ‘person singing alone on stage’ atmosphere.”

Tracklist:
1. Geyser (02:23)
2. Why Didn’t You Stop Me? (02:21)
3. Old Friend (01:52)
4. A Pearl (02:36)
5. Lonesome Love (01:50)
6. Remember My Name (02:15)
7. Me and My Husband (02:17)
8. Come into the Water (01:32)
9. Nobody (03:13)
10. Pink in the Night (02:16)
11. A Horse Named Cold Air (02:03)
12. Washing Machine Heart (02:08)
13. Blue Light (01:43)
14. Two Slow Dancers (03:59)

Download:

https://subyshare.com/biyjm1gwink3/Mitski2018BetheC0wb0y2444FLAC.rar.html

Michael Barenboim, Yulia Deyneka, Kian Soltani & Daniel Barenboim – Mozart: Piano Quartets (Live At Pierre Boulez Saal) (2018)
FLAC (tracks) 24 bit/96 kHz | Time – 01:06:47 minutes | 1,19 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Deutsche Grammophon (DG)

When he wrote his two unique quartets for piano, violin, alto and cello, in 1785 and 1786 respectively—the era of The Marriage of Figaro—Mozart was brilliantly inaugurating a genre which, much later, would inspire others, and not the least: Brahms, Mendelssohn, Schumann, Dvořák and Fauré, Saint-Saëns and Chausson. Not the big crowd then, because it is true that the format causes balance problems, that Mozart has overcome with his usual mastery (the others too, be reassured). Because the risk and the temptation are huge to make it some kind of mini-concerto for piano with three string accompaniments, and the composer took great pain to avoid that: yes, he often sets the piano against the three strings, but the exchange remains balanced and never are the strings only there to only act as support. In this, Mozart is the true precursor. On piano, Daniel Barenboim has surrounded himself with three musicians coming from his famous East-West Divan Orchestra: his son Michael B. on violin, the Russian violist Yulia Deyneka and Persian cellist Kian Soltani, great soloists whose value hasn’t awaited the passing of years to blossom in the light of day. Let’s note that these recordings have been made in a public concert in March 2017.

Tracklist:
1. Piano Quartet No. 1 in G minor, K. 478 : 1. Allegro 14:35
2. Piano Quartet No. 1 in G minor, K. 478 : 2. Andante 07:08
3. Piano Quartet No. 1 in G minor, K. 478 : 3. Rondo (Allegro moderato) 07:52
4. Piano Quartet No. 2 in E flat major, K. 493 : 1. Allegro 14:41
5. Piano Quartet No. 2 in E flat major, K. 493 : 2. Larghetto 12:58
6. Piano Quartet No. 2 in E flat major, K. 493 : 3. Allegretto 09:33

Personnel:
Daniel Barenboim, piano
Michael Barenboim, violin
Yulia Deyneka, viola
Kian Soltani, cello

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NDR Elbphilharmonie Orchestra & Krzysztof Urbański – Shostakovich: Symphony No. 5 in D Minor, Op. 47 (2018)
FLAC (tracks) 24 bit/48 kHz | Time – 46:56 minutes | 436 MB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Alpha

“Shostakovich’s Fifth is without doubt one of the greatest symphonies ever written, and it is also one of my personal favorites. This genuine masterpiece represents a mirror image of the world around Shostakovich: in it he depicted in music the reality of life in Leningrad in 1937 from his own perspective. For him this was the ‘worst of times’. After the premiere of Lady Macbeth of Mtsensk and the official denunciation of the opera prompted by Stalin’s stormy reaction to the work, the composer was closely watched by the Party.

(…) This sense of threat however did not silence his need to compose. He had to find a way to cope with the sense of pressure, and to create new music which would please the authorities and keep the danger of public criticism at a safe distance. His Fourth Symphony had been denounced for its dissonances, its bleak atmosphere, and its ending, fading away into silence. So for his Fifth Symphony the composer deliberately simplified his musical language in order to produce a work that might be considered ‘accessible’ by the Party: one that would be perceived as full of positive spirit, with a resoundingly triumphant conclusion.

One might imagine that such dubious circumstances could have destroyed the talented young composer, and turned him into a Soviet propagandist. For on the surface, the piece appears to be full of orchestral bravura, optimistic, ‘happy’. On the contrary, I believe the symphony to be actually extremely tragic…” Krzysztof Urbański

Tracklist:
01. Symphony No. 5 in D Minor, Op. 47: I. Moderato
02. Symphony No. 5 in D Minor, Op. 47: II. Allegretto
03. Symphony No. 5 in D Minor, Op. 47: III. Largo
04. Symphony No. 5 in D Minor, Op. 47: IV. Allegro non troppo

Personnel:
NDR Elbphilharmonie Orchestra
Krzysztof Urbański, conductor

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Howard Shore – The Lord Of The Rings: The Fellowship Of The Ring – The Complete Recordings (2005/2018)
FLAC (tracks) 24 bit/48 kHz | Time – 03:00:33 minutes | 1,44 GB | Genre: Soundtrack
Studio Masters, Official Digital Download | Front Cover | © Rhino – Warner Bros.

The Lord of the Rings is one of most successful trilogies in film history earning 17 Academy Awards® including three for its music. Beyond critical acclaim, the music from the films also enjoyed wide commercial success, collectively selling 7 million copies. Directed by Peter Jackson,The Lord of the Rings films are based on the popular J.R.R. Tolkien novel of the same name.

The music for all three films was composed, orchestrated and conducted by Howard Shore. The music he wrote for The Fellowship of the Ring was performed by the London Philharmonic Orchestra, with contributions by the New Zealand Symphony Orchestra, the London Voices and the London Oratory School Schola. The soundtrack also highlights two original songs written and performed by Enya: “May It Be” and “Aníron (Theme for Aragorn and Arwen).” The soundtrack was certified platinum in the U.S. alone, and sold extremely well around the world. It won the Academy Award ® for Best Original Score, as well as the Grammy® for Best Score Soundtrack Album.

“Appropriately enough for the film adaptation of one fantasy literature’s most enduring favorites, Howard Shore’s score for Peter Jackson’s Lord of the Rings is traditional and majestic, using sweeping strings, brass, and choral sections to create moments of fire-and-brimstone menace as well heroic triumph. An ominous, bombastic feel runs through much of the score, particularly on pieces like “A Journey in the Dark,” “Flight to the Ford,” and “A Knife in the Dark,” but Shore also includes respites such as the sweetly elfin, Celtic-tinged “Concerning Hobbits” and the stately “Many Meetings.” The vibrant “Bridge of Khazad Dum” and “Amon Hen” combine the score’s major themes into dazzling climaxes, while Enya’s contributions, “Council of Elrond” and “May It Be,” add a subtle serenity that gives the score balance. While it’s not a particularly melodic score, Lord of the Rings nevertheless does an excellent job of conveying the film’s moods through music and has more than enough presence to be appreciated outside of the film’s context.” (Heather Phares, AMG)

“This is the perfect album to just sit back, relax and lose yourself in. From the folksy textures of Hobbit music to the pounding tribal rhythms inspired by Saruman and his fearsome Uruk-Hai The Fellowship of the Ring: The Complete Recordings is one of them to enjoyable soundtracks ever to exist. Containing the rare ability to co-exist successfully outside of just the film, this captivating album deserves only the highest regards.” (sputnikmusic.com)

Tracklist:
1. Glamdring 03:49
2. Elven Rope 02:18
3. Lost In Emyn Muil 04:14
4. My Precious 02:56
5. Uglúk’s Warriors 01:41
6. The Three Hunters 06:12
7. The Banishment of Éomer 03:54
8. Night Camp 02:50
9. The Plains Of Rohan 04:14
10. Fangorn 05:13
11. The Dead Marshes 05:08
12. “Wraiths On Wings” 02:07
13. Gandalf the White 06:47
14. The Dreams of Trees 01:54
15. The Heir of Númenor 06:50
16. Ent-draught 02:55
17. Edoras 04:33
18. The Court of Meduseld 03:10
19. Théoden King / “The Funeral of Théodred” (feat. Miranda Otto) 06:11
20. The King’s Decision 02:07
21. Exodus From Edoras 05:42
22. The Forests Of Ithilien 06:37
23. One of the Dúnedain / “Evenstar” (feat. Isabel Bayrakdarian) 07:13
24. The Wolves of Isengard 04:22
25. Refuge At Helm’s Deep 04:00
26. The Voice Of Saruman 01:10
27. Arwen’s Fate / “The Grace of the Valar” (feat. Sheila Chandra) 03:58
28. The Story Foretold 03:38
29. Sons Of The Steward 06:03
30. Rock And Pool 02:54
31. Faramir’s Good Council 02:26
32. Aragorn’s Return 02:10
33. War Is Upon Us 03:35
34. “Where Is The Horse And The Rider?” 06:15
35. The Host Of The Eldar 02:50
36. The Battle Of The Hornburg 02:52
37. The Breach Of The Deeping Wall 03:03
38. The Entmoot Decides 02:06
39. Retreat / “Haldir’s Lament” (feat. Elizabeth Fraser) 04:40
40. Master Peregrin’s Plan 02:31
41. The Last March of the Ents (feat. Ben Del Maestro) 02:31
42. The Nazgûl Attack 02:45
43. Théoden Rides Forth (feat. Ben Del Maestro) 05:48
44. The Tales That Really Matter 12:01
45. “Long Ways to Go Yet” / “Gollum’s Song” (feat. Emiliana Torrini) 08:04

Digitally remastered

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Howard Shore – The Lord Of The Rings: The Two Towers – The Complete Recordings (2006/2018)
FLAC (tracks) 24 bit/48 kHz | Time – 03:08:17 minutes | 1,86 GB | Genre: Soundtrack
Studio Masters, Official Digital Download | Front Cover | © Rhino – Warner Bros.

Howard Shore’s themes for Peter Jackson’s Lord of the Rings trilogy are often considered as some of the greatest accomplishments in the history of movie soundtracks. By virtue of its operatic length, first: just for this second volume (available here in its entirety), the listener can enjoy this music for more than three hours! But first and foremost, we have to highlight here the extremely rich and inventive artistic performance of the composer of the movies of David Cronenberg, as well as Ed Wood, After Hours and Mrs. Doubtfire. For this second episode released in 2002 (called The Two Towers), the Canadian composer reuses here and there the epic and moving themes from the first volume, by injecting into them more darkness and ambiguity, as proven by the opening track (Glamdring, with Maori choruses), as well as tracks associated to Gollum that skillfully blend shadow and light (My Precious). This soundtrack is also filled with new themes like the one, epic and majestic, devoted to the Rohirrim, the riders of Middle-earth (The Plains of Rohan). But Shore’s score wouldn’t be complete without this Celtic flavor that the composer scatters with subtlety throughout this titanic partition—thus reminding that one of the influences of Tolkien, the author of the novels, was Irish mythology. Dermot Crehan (violin) and the great flutist James Galway (tin and low whistle) are usually responsible for bringing to this score this particular color (Edoras ; Ent-draught). In this regard, it is worth noting the impressive number of soloists inside Shore’s partition, something quite rare for a so-called “symphonic” partition. Naturally, throughout his work, the composer endeavors to respect to the letter the narrative and visual world of Tolkien and Jackson, thus intending it for the fans of the saga. But this rich and subtle original soundtrack proves in a blatant way that Howard Shore also wanted to speak to the heart of every music lover, whether they knew Tolkien’s fantastical world or not. – Nicolas Magenham

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Howard Shore – The Lord Of The Rings: The Return Of The King – The Complete Recordings (2018)
FLAC (tracks) 24 bit/44,1 kHz | Time – 03:49:02 minutes | 2,28 GB | Genre: Soundtrack
Studio Masters, Official Digital Download | Front Cover | © Rhino – Warner Bros.

For this third and final part of The Lord of the Rings (released in 2003 and adapted from Tolkien’s famous book), Howard Shore once again benefited from the exceptional opportunity to create 3h50m of music, which covers 90% of the film! Other than the London Philharmonic Orchestra, there is a wide variety of choirs and prestigious soloists. The latter are sometimes even actors in the films: The Green Dragon is an Irish-inspired tune, performed by the actor Billy Boyd, a.k.a. Pippin. Other soloists (both actors and not) include the famous flautist James Galway, as well as Viggo Mortensen and Renée Fleming. All three are present in The Fellowship Reunited.

On the instrumental side of things, we hear several leitmotifs, some of which are already known (and sometimes developed), others completely new. One of the most beautiful phrases related to the ring appears in the first track, Roots and Beginnings, and evokes Richard Wagner’s own ring theme from the opera Der Ring des Nibelungen. The simplicity of this short melodic phrase (only nine notes long) shows that Howard Shore wanted to personify the ring and not the stakes that it represents. Far from the strange calm of this music, we also encounter more epic, even horrific pieces, such as the amazing Shelob’s Lair. Howard Shore is David Cronenberg’s appointed composer, and in this respect, an undeniable specialist in the field. Finally, it’s worth listening to the majestic song Into the West as the closing credits roll, with Annie Lennox on mic. – Nicolas Magenham

Tracklist:
01. Roots and Beginnings (6:31)
02. Journey to the Cross-roads (2:17)
03. The Road to Isengard (2:18)
04. The Foot of Orthanc (4:45)
05. Return to Edoras (1:51)
06. The Chalice Passed (1:51)
07. The Green Dragon (0:34)
08. Gollum’s Villainy (2:10)
09. Éowyn’s Dream (1:25)
10. The Palantír (3:10)
11. Flight from Edoras (2:19)
12. The Grace of Undómiel (6:21)
13. The Eyes of the White Tower (4:33)
14. A Coronal of Silver and Gold (8:27)
15. The Lighting of the Beacons (9:04)
16. Osgiliath Invaded (8:47)
17. The Stairs of Cirith Ungol (2:41)
18. Allegiance to Denethor (3:20)
19. The Sacrifice of Faramir (feat. “The Edge of Night”) (4:09)
20. The Parting of Sam and Frodo (4:04)
21. Marshalling at Dunharrow (4:57)
22. Andúril – Flame of the West (3:27)
23. The Passing of the Grey Company (4:11)
24. Dwimorberg – The Haunted Mountain (2:26)
25. Master Meriadoc, Swordthain (1:40)
26. The Paths of the Dead (6:22)
27. The Siege of Gondor (9:01)
28. Shelob’s Lair (8:54)
29. Merry’s Simple Courage (1:59)
30. Grond – The Hammer of the Underworld (1:32)
31. Shelob the Great (5:13)
32. The Tomb of the Stewards (3:58)
33. The Battle of the Pelennor Fields (4:10)
34. The Pyre of Denethor (3:00)
35. The Mûmakil (0:57)
36. Dernhelm in Battle (2:06)
37. “A Far Green Country” (1:28)
38. Shieldmaiden of Rohan (5:07)
39. The Passing of Théoden (2:16)
40. The Houses of Healing (2:58)
41. The Tower of Cirith Ungol (4:41)
42. The Last Debate (feat. “Asëa Aranion”) (4:21)
43. The Land of Shadow (6:30)
44. The Mouth of Sauron (8:15)
45. “For Frodo” (3:17)
46. Mount Doom (4:09)
47. The Crack of Doom (4:02)
48. The Eagles (2:23)
49. The Fellowship Reunited (12:18)
50. The Journey to the Grey Havens (7:34)
51. Elanor (1:28)
52. Days of the Ring (feat. “Into the West”) (11:10)
53. Bilbo’s Song (2:59)

Digitally remastered

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British rock band Marillion, founded in 1979, have become one of the most commercially successful neo-progressive rock bands of the 1980s and are still one of the most outstanding representatives of their genre. Throughout a celebrated career that has spanned almost four decades they have released 18 studio albums and sold over 15 million copies worldwide. On October 13, 2017, Marillion played at the Royal Albert Hall for the very first time. The concert was sold out in a split second and the audience, travelling from all over the world, was rewarded with an incredible Marillion show. In two parts, “All One Tonight” firstly showcases the band s acclaimed 2016 studio album “F E A R” in full. Accompanied by an awe-inspiring light show and films, Marillion perform their incisive and era-defining zeitgeist with unparalleled passion and power. The second half introduces “In Praise Of Folly” and guests, a string quartet with flute and French horn that throughout the rest of the show inject an extra depth and emotion to some of Marillion s best-loved live material. The concert film was directed and edited by Tim Sidwell and recorded and mixed by Michael Hunter.

Tracklist:
1. El Dorado (Live at the Royal Albert Hall) 19:55
2. Living in F E a R (Live at the Royal Albert Hall) 09:10
3. The Leavers (Live at the Royal Albert Hall) 20:07
4. White Paper (Live at the Royal Albert Hall) 07:42
5. The New Kings (Live at the Royal Albert Hall) 16:48
6. Tomorrow’s New Country (Live at the Royal Albert Hall) 01:46
7. The Space (Live at the Royal Albert Hall) 08:33
8. Afraid of Sunlight (Live at the Royal Albert Hall) 07:48
9. The Great Escape (Live at the Royal Albert Hall) 11:11
10. Easter (Live at the Royal Albert Hall) 07:05
11. Go! (Live at the Royal Albert Hall) 08:59
12. Man of a Thousand Faces (Live at the Royal Albert Hall) 09:20
13. Waiting to Happen (Live at the Royal Albert Hall) 06:44
14. Neverland (Live at the Royal Albert Hall) 12:29
15. The Leavers: V. One Tonight (Live at the Royal Albert Hall) 06:25

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The Classics You Know is a brand-new collection of recordings performed by the Royal Philharmonic Orchestra. Whether you are a fan of classical music or not, we guarantee that when you hear this music you will not be able to stop yourself from humming along!

Every track on the album is a classical hit, written by the world’s greatest composers, including Beethoven, Bach, Tchaikovsky and many more. Furthermore, each track is well recognised through popular culture – on film, adverts, television and more.

You may not know the official names of these pieces and like many, you may refer to them as…

Tracklist:
1. Prokofiev: Romeo and Juliet, Op. 64 / Act 1 – 13. Dance Of The Knights ((The Apprentice))
2. Grieg: Peer Gynt Suite No. 1, Op. 46 – 4. In The Hall Of The Mountain King ((Alton Towers))
3. Rossini: William Tell – Overture ((Lone Ranger))
4. Barber: Adagio For Strings, Op. 11 ((Platoon))
5. Tchaikovsky: Swan Lake, Op. 20, TH. 12 / Act 2 – No. 10 Scène (Moderato) ((Swan Lake))
6. J.S. Bach: Orchestral Suite No. 3 in D Major, BWV 1068 – 2. Air ((Hamlet Cigars))
7. Debussy: Suite bergamasque, L. 75 – 3. Clair de lune ((Twilight))
8. Puccini: Turandot / Act 3 – “Nessun dorma” ((1990 World Cup))
9. Verdi: La forza del destino – Overture (Sinfonia) ((Stella Artois))
10. Boccherini: Quintet in E Major, Op.11, No.5, G.275 – 3. Minuetto ((Ferris Bueller’s Day Off))
11. Delibes: Lakmé / Act 1 – Viens, Mallika, … Dôme épais (Flower Duet) ((British Airways))
12. Coates: The Dam Busters (March) (The Dam Busters)

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Joseph Spence – Bahaman Folk Guitar: Music of the Bahamas, Vol. 1 (2018) [Official Digital Download 24bit/96kHz]

Judy Pang – Antheil: Piano Music, Vol. 1 (2018) [Official Digital Download 24bit/44,1kHz]

Katia Labeque & Triple Sun – Moondog (2018) [Official Digital Download 24bit/88,2kHz]

Kivie Cahn Lipman – Forrest Pierce: Cello Works (2018) [Official Digital Download 24bit/96kHz]

Kovacs – Cheap Smell (2018) [Official Digital Download 24bit/44,1kHz]

Lakshminarayana Subramaniam, Øystein Baadsvik & Jaakko Kuusisto – Journey (2018) [Official Digital Download 24bit/96kHz]

L’arte del mondo & Werner Ehrhardt – Anton Zimmermann: Symphonies (2018) [Official Digital Download 24bit/48kHz]

London Symphony Orchestra & Gianandrea Noseda – Shostakovich: Symphony No. 5 (2018) [Official Digital Download 24bit/96kHz]

London Symphony Orchestra & Mstislav Rostropovich – Shostakovich: Symphony No. 8 (2005/2018) [Official Digital Download 24bit/96kHz]

Matt Gresham – Who Am I Now (2018) [Official Digital Download 24bit/44,1kHz]

Kevin Short – Mephistopheles & Other Bad Guys (2018) [Official Digital Download 24bit/96kHz]

Mischa Maisky & Lily Maisky – Adagietto (2018) [Official Digital Download 24bit/48kHz]

Mitski – Be the Cowboy (2018) [Official Digital Download 24bit/44,1kHz]

Michael Barenboim, Yulia Deyneka, Kian Soltani & Daniel Barenboim – Mozart: Piano Quartets (Live At Pierre Boulez Saal) (2018) [Official Digital Download 24bit/96kHz]

NDR Elbphilharmonie Orchestra & Krzysztof Urbanski – Shostakovich: Symphony No. 5 in D Minor, Op. 47 (2018) [Official Digital Download 24bit/48kHz]

Howard Shore – The Lord Of The Rings: The Fellowship Of The Ring – The Complete Recordings (2005/2018) [Official Digital Download 24bit/48kHz]

Howard Shore – The Lord Of The Rings: The Two Towers – The Complete Recordings (2006/2018) [Official Digital Download 24bit/48kHz]

Howard Shore – The Lord Of The Rings: The Return Of The King – The Complete Recordings (2018) [Official Digital Download 24bit/44,1kHz]

Marillion – All One Tonight (Live at the Royal Albert Hall) (2018) [Official Digital Download 24bit/96kHz]

Royal Philharmonic Orchestra – The Classics You Know (2018) [Official Digital Download 24bit/96kHz]