Studio Masters – HDMusic.me

Yes, the grandfathers of Rock N Roll are still cool and determined to maintain their reputation. An enormous discography doesn’t stop the Stones from delighting their fans with some of their legendary live performances. From The Vault − San Jose 1999 is the last episode in their series of concerts during their 1999 No Security tour throughout the United States and Europe. Well accustomed to filling out stadiums, the band wanted this tour to target more reasonably sized venues: 15,000 people nonetheless… It had been almost 25 years since the English band had stopped in San Jose, as evidenced by the audience’s reaction. The crowd was boiling with excitement! Here, the Stones offer a large selection of their hit songs (Jumpin’ Jack Flash, Honky Tonk Woman, Paint It Black, It’s Only Rock ‘n’ Roll (But I Like It), Start Me Up, Brown Sugar, Sympathy for the Devil…), ranging from the 1960s to 1997 with Saint Of Me and Out Of Control from the album Bridges To Babylon. A tremendous batch! – Clara Bismuth

Tracklist
1. “Jumpin’ Jack Flash”
2. “Bitch”
3. “You Got Me Rocking”
4. “Respectable”
5. “Honky Tonk Woman”
6. “I Got the Blues”
7. “Saint of Me”
8. “Some Girls”
9. “Paint It Black”
10. “You Got the Silver”
11. “Before They Make Me Run”
12. “Out of Control”
13. “Route 66”
14. “Get Off of My Cloud”
15. “Midnight Rambler”
16. “Tumbling Dice”
17. “It’s Only Rock ‘n’ Roll (But I Like It)”
18. “Start Me Up”
19. “Brown Sugar”
20. “Sympathy for the Devil”

Download:

https://subyshare.com/7xg6lql0zupq/TheR0llingSt0nesFr0mTheVaultN0SecuritySanJ0se1999Live20182448.part1.rar.html
https://subyshare.com/fsxltvc68dqf/TheR0llingSt0nesFr0mTheVaultN0SecuritySanJ0se1999Live20182448.part2.rar.html

Nearly a decade into their careers and with growing families, the Nashville quartet’s third album wrestles with balancing the magic of touring and the pull to get back home. Full of wistful highway anthems built on breezy three-part harmonies, Greetings from the Neon Frontier winks at some of rock’s greatest highwaymen the Eagles (“Wildfire”), the Allman Brothers (“Big Sky”), and Tom Petty (“Stand by You”) but producer Jay Joyce (Eric Church, Little Big Town) grasps onto the band’s country roots, evoking heartbreak with a devastating blend of weepy fiddle and pedal steel (“Two Broken Hearts”).

Tracklist:
01. Quittin’ Time
02. Wildfire
03. Stand By You
04. No Man’s Land
05. Two Broken Hearts
06. Golden Days
07. Big Sky
08. Hold Onto Love
09. Every Morning I Quit Drinkin’
10. Daybreaker (Into the Great Unknown)

Download:

https://subyshare.com/leae43gbw3dn/TheWildFeathersGreetingsfr0mtheNe0nFr0ntier20182448.rar.html

Recorded in 2006 at the North Sea Jazz Festival, this live record brings together the virtuosic and dynamic performances of jazz greats Tom Beek, Martijn Van Iterson, Karel Boehlee, Jeroen Vierdag, and Marcel Serierse.

“I see it as a beautiful document by five musicians who are daring, who challenge each other continuously. That’s why I called it Conversations.” – Tom Beek

Tracklist:
01. Nefertiti
02. Marathon
03. White & Blue
04. Ankara / Dream Dance
05. The Treasure
06. Mr. DJ
07. Naima
08. Grand Central

Personnel:
Tom Beek – tenor sax
Karel Boehlee – piano / fender rhodes / synthesizers
Martijn van Iterson – guitar
Jeroen Vierdag – bass
Marcel Serierse – drums

Download:

https://subyshare.com/s5rz2xf47pcj/T0mBeekQuintetC0nversati0nsLiveattheN0rthSeaJazzFestival20182444.1.rar.html

In the 1960s, Tom Fogerty had already shaken up American music with his brother John in the band Creedence Clearwater Revival, one of the most important and popular American bands of his time. When he left the group in 1970, mainly because of rising tensions, he was quickly taken by a nostalgia for music and met Merl Saunders who put the wind back in his sails. In 1972, Tom Fogerty recorded Excalibur with John Kahn (bass), Bill Vitt (drums), Jerry Garcia (guitar and pedal steel) and Merl Saunders (piano) on the label Fantasy Records. Fogerty composed eight of the ten tracks and confirmed his talent as a songwriter. Unsurprisingly, there are a few Creedence styles which resurface, but also some more country sonorities that could be Merle Haggard or Buck Owens. He even reworks Rocky Road Blues by the pope of bluegrass, Bill Monroe. With Forty Years as the opening track, the eldest of the Fogerty’s already sets the bar high with a country melody accompanied by Garcia’s pedal steel guitar and bitter lyrics about hard labour. Tom Fogerty also knows how to mix together different sounds like on Get Funky where the piano groove prevails, whereas it’s an archaic melody on the synthesizer that imposes itself on Sign Of The Devil. Whether it’s more conventional rock such as Black Jack Jenny or a bluesy tribute to Fats Domino with a cover of Sick and Tired, Tom Fogerty’s talent lies in harmonizing this medley of influences to perfection. A new edition of Excalibur to enjoy in a remastered version. – Clara Bismuth

Tracklist:
01. Forty Years
02. Black Jack Jenny
03. Rocky Road Blues
04. Faces, Places, People
05. Get Funky
06. Sick And Tired
07. Sign Of The Devil
08. Straight And Narrow
09. Next In Line
10. (Hold On) Annie Mae

Personnel:
Tom Fogerty – guitar, harmonica, vocals
Jerry Garcia – guitar
Merl Saunders – keyboards
John Kahn – bass
Bill Vitt – drums

Download:

https://subyshare.com/ngt0l4v14oy6/T0mF0gertyExcaliburRemastered1972201824192.part1.rar.html
https://subyshare.com/fl3ar50c3vap/T0mF0gertyExcaliburRemastered1972201824192.part2.rar.html

Second Glance is the new album by Tom McGuinness – guitarist with Manfred Mann, The Blues Band and McGuinness Flint. Featuring twelve songs written by Tom including three in collaboration with Grammy award-winning songwriter, Graham Lyle. The songs draw on Tom’s many musical influences, but the underlying core of the music is always the blues.

Tracklist:
01. Not in My Name
02. Ain’t It Strange How Things Can Change?
03. For a Woman Like You
04. Catwalk
05. Respect My Space
06. Acting on Impulse
07. Once Bitten Twice Shy
08. The Happy Blues
09. How Lucky Can One Man Be?
10. Blue O’clock
11. Long Hard Road
12. Keep on Keeping On

Download:

https://subyshare.com/bbsyzuib3750/T0mMcGuinnessSec0ndGlance20182444.1.rar.html

Sing For The Day! showcases Styx guitarist/vocalist Tommy Shaw’s rousing 2016 solo turn with the Cleveland-based Contemporary Youth Orchestra, under the direction of principal conductor/founder Liza Grossman. Alongside guitarist/musical director Will Evankovich and backed by the next generation of the finest high-school-aged musicians in Ohio, Shaw also celebrates the tenth anniversary of Styx’s triumphant 2006 One With Everything performance with the CYO. Here, the CYO & Chorus bring new life to many classic band and solo tracks in front of an enthusiastic audience at the intimate Waetjen Auditorium in Cleveland, including “Blue Collar Man,” “Girls With Guns,” “High Enough,” “Too Much Time on My Hands,” “Crystal Ball” (featuring the debut of its never-recorded lost verse), and most especially “Renegade,” highlighted by an epic guitar/violin duel between Shaw and a noted CYO alum. “It was so much bigger and more everlasting than any of us imagined it would be,” marvels Shaw – now see and hear just how magical Sing was for yourself.

Tracklist:
01. Overture
02. Girls With Guns
03. Too Much Time On My Hands
04. Fooling Yourself
05. Diamond
06. Crystal Ball
07. Boat On The River
08. Sing For The Day
09. Renegade
10. Man In The Wilderness
11. Come Again
12. High Enough
13. Blue Collar Man

Download:

https://subyshare.com/x8zqkpoqo66e/T0mmyShawSingF0rTheDayLive20182496.part1.rar.html
https://subyshare.com/vqzhir0gqofg/T0mmyShawSingF0rTheDayLive20182496.part2.rar.html

John Duffey’s influence on bluegrass cannot be overstated. His contributions to legendary bands The Country Gentlemen and The Seldom Scene helped transform the genre from a regional Appalachian music to a sophisticated, urban sound, resulting in a legion of new fans the world over. On Epilogue, the bluegrass music community comes together to create a marvelously fitting tribute to “the father of modern bluegrass.” Sam Bush, John Cowan, Bela Fleck, Bruce Molsky, Tim O’Brien, Don Rigsby, and so many more it’s a rare and special all-star cast. Their eagerness and passion to record the album attest to how profoundly Duffey impacted them and countless other musicians today.

It’s already been over twenty years since John Duffey, one of the best bluegrass and folk musicians, passed away. Having become an icon and a source of inspiration for many artists, the album Epilogue: A Tribute to John Duffey was a long awaited tribute. The lone tenor with his unique and innovative mandolin technique successfully managed to make bluegrass more popular and approachable. A founding member of the bands The Country Gentlemen and The Seldom Scene, he won over many hearts with his musical style and pulled off a true artistic transmission. Released on the label Smithsonian Folkways Recordings, the album features a myriad of talents to give a second life to John Duffey and the bluegrass he loved so. Lou Reid and Randy Waller start it off with Sad and Lonesome Day, enthusiastically accompanied by the banjo and guitar. The whole piece is just one surprise after another, with contributions from the likes of Amanda Smith, Jonathan Edwards, Dudley Connell, and Tim O’Brien. It breathes the fragrances of America, with traditional country music tuned to more contemporary voices in great classics like If I Were a Carpenter or the unrecognizable Girl from the North Country, interpreted by Steve Gulley. The languid and melancholic ballad of Cash and Dylan has morphed under the sway of the banjo and mandolin as Bruce Molsky plays around on Chim-Chim-Cher-Ee. Then the old friends close out this tribute. John Starling, a former member of Seldom Scene, is mesmerizing when he tells the story of Mary with his strings and accompanied by a choir on the ballad Bringing Mary Home. An album that ends with Akira Otsuka’s mandolin solo that brings a reverent hearing for a perfect homage to John Duffey. – Clara Bismuth

Tracklist:
01. Randy Waller – Sad and Lonesome Day
02. Amanda Smith – If That’s the Way You Feel
03. Jonathan Edwards – If I Were a Carpenter
04. Dudley Connell – Lonesome River
05. Sam Bush – Sunrise
06. James King – Going to the Races
07. John Cowan – Some Old Day
08. Steve Gulley – Girl from the North Country
09. Dudley Connell – He Was a Friend of Mine
10. Tim O’Brien – Poor Ellen Smith
11. Fred Travers – Reason for Being
12. Don Rigsby – Ain’t Gonna Work Tomorrow
13. Bruce Molsky – Chim-Chim-Cher-Ee
14. Ronnie Bowman – Cold Wind a Blowin’
15. John Duffey Tribute All-Stars – Christmas Time Back Home
16. John Starling – Bringing Mary Home
17. Akira Otsuka – First Tear

Download:

https://subyshare.com/azrzdzjufu1h/VAEpil0gueaTributet0J0hnDuffey20182444.1.rar.html

No need to go back to the various faces displayed by Leonard Bernstein, conductor, composer, educator, presenter, writer, etc. Like Gershwin, Bernstein has tackled all musical genres and has also influenced them himself! To the point that his music has become some sort of American soundtrack, from Broadway to pop to jazz. Talking about jazz. In the middle of the celebration of Bernstein’s centenary, the label Decca offers to compile the love of the greatest musicians and singers of yesterday and today for the art of the author of West Side Story. The interest of this Jazz Loves Bernsteinmostly lies in the gathering of classics and less-known pieces. From Billie Holliday in Big Stuff (from Fancy Free) to Diana Krall and Mark Whitfield for Some Other Time (from the musical On the Town), the spectrum is quite large. You will find here gems such as Tonight from West Side Story performed with much warmth by Billy Eckstine, or, from the same work, Maria and I Feel Pretty magnified by Sarah Vaughan. Other big names like Oliver Nelson, Oscar Peterson in trio, Bobby Scott, Eric Reed, Mel Tormé, Carmen McRae, Bill Charlap, Maynard Ferguson and Bob James cover in their own way songs and themes that have entered the American Heritage to appropriate them. Just like Lucky To Be Me, performed by Swedish singer Monica Zetterlund helped by pianist Bill Evans. – Marc Zisman

Tracklist:
01. Billie Holiday – Big Stuff (Prologue / From Fancy Free)
02. Manny Albam – America / I Feel Pretty / One Hand, One Heart
03. Bobby Scott – New York, New York
04. Billy Eckstine – Tonight
05. Bill Charlap Trio – A Quiet Girl (From Wonderful Tree)
06. Oliver Nelson – Cool
07. Bob James – My Love
08. Monica Zetterlund & Bill Evans Trio – Lucky To Be Me
09. Eric Reed – Maria
10. Bill Charlap Trio – It’s Love
11. Mel Tormé – Lonely Town [feat. The Marty Paich Orchestra]12. Manny Albam – Something’s Coming
13. The Oscar Peterson Trio – Somewhere
14. Sarah Vaughan – I Feel Pretty (Live At Tivoli Garden, Copenhagen/1963)
15. Bobby Scott – Ya Got Me
16. The Oscar Peterson Trio – Something’s Coming
17. Carmen McRae – It’s Love
18. Bill Charlap Trio – Jump
19. Bobby Scott – I Can Cook Too
20. Sarah Vaughan – Maria (Live At Tivoli Garden, Copenhagen/1963)
21. The Oscar Peterson Trio – Jet Song
22. Bobby Scott – It Must Be So
23. Manny Albam – Tonight
24. Maynard Ferguson – Lonely Town
25. The Oscar Peterson Trio – I Feel Pretty
26. Bill Charlap Trio – Ohio (From Wonderful Town)
27. Mark Whitfield – Some Other Time

Download:

https://subyshare.com/vwjacs6tmjc4/VAJazzL0vesBernstein20182444.1.part1.rar.html
https://subyshare.com/sji6labnfobc/VAJazzL0vesBernstein20182444.1.part2.rar.html

Formed in 1968 in Kent, England, the band is probably best remembered for the hit songs “Early In the Morning” and “Hitchin’ A Ride”, which both became gold in the USA and reached the Top Ten. “Hitchin A Ride” actually became a hippy anthem and dance craze. Going against the heavy acid rock trend of the late sixties with their brilliant melodies and harmonic singing, the band, still active today, is one of the true forgotten gems of the era.

Tracklist:
01. Early in the Morning
02. In My Lonely Room
03. Music, Music, Music
04. Man Child
05. I Live for the Sun
06. Hitchin’ a Ride
07. Highway of Dreams
08. (I Remember) Summer Morning
09. Four Strong Winds
10. You Made Me Love You
11. Hey Baby

Download:

https://subyshare.com/s6sfigx6sxfi/VanityFareEarlyintheM0rning197020182496.rar.html

Frisson Sextet, the second album from the saxophonist/composer Vernau Mier, is an introspective work summarizing his personal experiences during the last months in Barcelona before starting a new chapter in Switzerland. It is through his compositions that he reflects on the experience of being detached from a place and a life and migrating to an unknown place. Looking forward to new opportunities with the freedom to explore new frontiers while dealing with the frisson caused by the beginning of a new life.

Frisson Sextet merges different sounds of the jazz tradition, from a straight-ahead approach to free-jazz and odd meters. Although the arranged parts have a lot of importance on an ensemble like this, the improvisation and interaction are very present in almost every second.

Tracklist:
01. The Spunky Beginning of a New Life
02. Na Carreira
03. Freedom Rhythm
04. La Bossa De L’encarnacio
05. Vaya Turca!
06. Aspiration of a Painless Distance
07. Wo Isch De Blues
08. Zenzero

Personnel:
Pol Omedes – trumpet
Vernau Mier – alto saxophone
Albert Carrique – soprano/tenor sax & bass clarinet
Joan Codina – trombone
Manel Fortià – doublebass
Andreu Pitarch – drums

Download:

https://subyshare.com/bosis6c9xiid/VernauMierFriss0nSextetVernauMierFriss0nSextet20182444.1.rar.html

Still Run is the new album from Brooklyn, NY based alternative band Wet, and is the follow up to the band’s critically acclaimed debut album Don’t You from 2016. Still Run shows Wet with a more upbeat and pop driven sound than their debut. The band’s new sound and new outlook, is informed by lead singer and songwriter Kelly Zutrau taking more creative control of the project. Much of Wet’s shift stems from Zutrau’s more forceful vocals, which allow her direct, yet poetic lyrics to resonate more deeply, and which leap out of the sunnier production. Producers like Rostam (Haim, Solange), Andrew Sarlo (Big Thief), and John Hill (Santigold, M.I.A.) assisted primary producer and Wet band member Joe Valle, who brings a new comfort level to his production style, presenting dark lyrics in a brighter way that highlights their innate intensity and lets Zutrau’s songwriting shine. “There are a million ways to make a good song sound good,” she says. “But what matters to me most in the end are the vocal, and the songwriting, and whatever serves those best.” Wet is recognized for their deeply-hued emotional pop, well documented by the New York Times, Spin, and NPR among many others. Rolling Stone noted that Wet “set themselves apart with music that combines the elegant ache of Nineties R&B with the raw honesty of indie pop…”. Still Run is a testament to taking that control and pursuing one’s artistic vision and it also shows how any hiccups that might crop up along the way can make the vision’s eventual realization more satisfying.

Tracklist:
01. Still Run (feat. Starchild & The New Romantic)
02. There’s a Reason
03. You’re Not Wrong
04. Lately
05. Softens
06. 11 Hours
07. This Woman Loves You
08. Out of Tune
09. Visitor
10. Love is Not Enough

Download:

https://subyshare.com/3vwkppzxg79z/WetStillRun20182448.rar.html

The classic piano trio is one of Tatge’s preferred formats, and it is in this context that he has presented his music more frequently over the years.

Tatge’s first record as leader, Mutable Enclosures, was released in 2009 by Reflexio and features Piero Borri on drums and Gabriele Evangelista on bass. The recording received excellent reviews on All About Jazz and The Jazz Review.

In 2014 Tatge formed a New York based trio featuring Nick Anderson on drums and Pablo Menares on bass. Their new album General Cargo is being released by Brooklyn Jazz Underground Records.

Tracklist:
01. Illegal Machines
02. The Lay of the Land
03. Hidden Agenda
04. Civilization
05. Mother of Nothing
06. Have You Seen Robert Boston
07. Sentinel

Download:

https://subyshare.com/m7put16v21qi/WilliamTatgeGeneralCarg020182496.part1.rar.html
https://subyshare.com/heywzkc6nt8r/WilliamTatgeGeneralCarg020182496.part2.rar.html

Extravaganza Fantasi – walking towards new interesting directions and understand changes as an importent and necessary part of life and cultural development. Perhaps this could be the meaning of these words. Music can connect people and cultures. The musicians Yordan Kostov (Macedonia) and Andreas Günther (Germany) first met in Shanghai. Now they follow this idea and play concerts around the world featuring international artists.

Tracklist:
01. Again
02. Shaman Ljuki
03. Ne Lafi!
04. Quo Vadis
05. Gipsy Birds
06. In the Kitchen
07. Another Gipsy Bird
08. White Potato

Download:

https://subyshare.com/o9wx3g47fdhn/Y0rdanK0st0vAndreasGntherExtravaganzaFantasi20182448.rar.html

On her new album “Russian Light”, Olga Peretyatko presents favourite arias and songs from her homeland Russia — by Glinka, Rimsky-Korsakov, Rachmaninov, Stravinsky and Shostakovich. Many of them are well known (Rachmaninov’s Vocalise) but there are also unknown rare jewels on the album like the songs from Rachmaninov or the opera arias by Shostakovich. She teamed with the Ural Philharmonic Orchestra, one of the best orchestras in Russia, and excellent for this kind of repertoire with conductor Dimitry Liss, specialist for this repertoire.

The main focus of “Russian Light” falls on excerpts from operas that have left a deep imprint on Russia’s national music. Among these are Glinka’s Ruslan and Ludmila as well as Rimsky-Korsakov’s The Golden Cockerel, The Snow Maiden and The Tsar’s Bride. The latter piece represents a personal triumph for Ms Peretyatko, for she sang the role of Marfa under Daniel Barenboim to open the 2013 season at the Berlin State Opera. With her silvery timbre and solid mastery of coloratura she thrilled not only the audience but the critic of Der Tagespiegel: “Olga Peretyatko projects Marfa as a being so delicate and other-worldly that it strikes the knowledgeable listener to the core.”

Other excerpts on “Russian Light” are taken from operas by Stravinsky and Shostakovich that likewise accompanied Ms Peretyatko on her rise to stardom. In 2009 she stepped in at short notice for an indisposed colleague to sing the role of Lidochka in Shostakovich’s operetta Moscow, Cheryomushki at the Opra de Lyon. Though she had only two days’ time before the premire, she won acclaim for her breathtaking character depiction. In 2010 she sang The Nightingale in Stravinsky’s like-named opera (Le Rossignol) at the festival in Aix-en-Provence. When the production was mounted in New York and Canada the North American critics went wild about her effortless presentation and the “fresh sound of her voice”.

The Rachmaninov songs suit that lower register particularly well; the famous Vocalise is luxuriantly attractive, and Don’t Sing, My Beauty sensuously nostalgic…she closes with two songs from Shostakovich’s determinedly chirpy musical Moscow Cheryomushki…Peretyatko brings out their faux-naif charm, to round off a very enjoyable programme – BBC Music Magazine, September 2017

Tracklist:

1.Ruslan and Lyudmila: Lyudmila’s Cavatina, ‘Grustno mne, roditel’ dorogoy!’ – 7:58
2.The Golden Cockerel: Hymn to the Sun, ‘Otvet’ mne, zorkoye svetilo!’ – 5:21
3.The Snow Maiden: Snow Maiden’s Aria, ‘S podruzhkami po yagodu khodit’ – 3:43
4.Sadko: Volkhova’s Lullaby, ‘Son po berezhku khodil’ – 4:18
5.The Tsar’s Bride: Marfa’s Aria, ‘Ivan Sergeich, khochesh’, v sad poydyom’ – 5:42
6.Plenivshis’ rozoj, solovey, Op. 2, No. 2 – 3:18
7.Eshchyo v polyakh beleyet sneg, Op. 14, No. 11 – 2:18
8.Vocalise, Op. 34, No. 14 – 6:10
9.Ne poy, krasavica, Op. 4, No. 4 – 4:40
10.Zdes’ Khorosho, Op. 21, No. 7 – 2:33
11.The Nightingale: Nightingale’s Song, ‘Akh! Serdce dobroye’ – 3:49
12.Moscow, Cheryomushki, Op. 105: Lidochka’s Song, ‘Ya v shkolu kogda-to khodila’ – 2:41
13.Moscow, Cheryomushki, Op. 105: Lidochka’s Song, ‘Chasy na ploshchadi zazhglis’ – 2:20

Download:

https://subyshare.com/4wwtxuw6izhy/0lgaPeretyatk0RussianLight20179624.rar.html

Ce n’est pas la premire fois qu’Olivier Ker Ourio taquine la chanson franaise. L’harmoniciste avait notamment repris Le Grisbi dans Central Park Nord. Il fait un pas supplmentaire avec ce French Songs dont le titre donne trs explicitement le programme. Encore ne prcise-t-il pas qu’il s’agit, entre Et maintenant et autres Champs-Elyses , de tubes de la chanson franaise.

Le rsultat est ingal. Comment pourrait-il en tre autrement ? Nous connaissons tellement toutes ces chansons que le jugement est ncessairement trs svre. Reste que certaines rinterprtations sont vritablement agrables, dont Le Mtque ou le chaloup bicyclette . La version de Toulouse est trs proche de celle de Nougaro et, derrire la patte d’Olivier Ker Ourio, on voit toujours poindre le trottoir ventr sur les tuyaux du gaz . Le sens de la mlodie chez l’harmoniciste est, comme d’habitude, dlicieux et la participation de Sylvain Luc est indniablement un plus.

Ce disque frais et agrable nous invite retrouver au son de l’harmonica des tubes qu’on connat tous et qu’on se surprend siffler. Et, franchement, siffler avec Olivier Ker Ourio, c’est la classe.

Tracklist:

1.Et maintenant – 5:20
2.Dans mon île – 5:42
3.A bicyclette – 5:09
4.Toulouse – 5:43
5.Le métèque – 4:04
6.L’eau à la bouche – 4:22
7.Isabelle – 3:52
8.Comme ils disent – 6:07
9.17 ans – 4:39
10.Champs-Élysées – 3:47
11.Les divorcés – 2:47

Download:

https://subyshare.com/fllthmw9d8pw/0livierKer0uri0FrenchS0ngs20179624.part1.rar.html
https://subyshare.com/oa7wdxbdq93m/0livierKer0uri0FrenchS0ngs20179624.part2.rar.html

“The opening years of the twenty-first century can justifiably lay claim to being a new golden age for choral music. I wanted to embark on a series of recordings to reflect this and to showcase some of today’s best contemporary composers, placing their works in direct relief with masterpieces from previous ages. This recording, the second in our ‘Renaissance gems and their reflections’ series, looks at the music of Thomas Tallis, and we are delighted to have commissioned a number of talented composers to offer their personal reflections on his works. I hope that these new pieces, like Tallis’ originals, will find their way into the repertoire of other vocal groups, delighting audiences both now and in the future.”

Tracklist:

1.Archbishop Parker’s Psalter: I. Man Blest No Doubt – 1:01
2.Archbishop Parker’s Psalter: II. Let God Arise – 0:55
3.O sacrum convivium – 3:24
4.Three New Motets: II. O sacrum convivium – 3:03
5.If ye love me – 1:57
6.Reflection on Thomas Tallis’ If Ye Love Me – 2:37
7.Archbishop Parker’s Psalter: III. Why Fum’th in Sight – 0:58
8.Archbishop Parker’s Psalter: IV. O Come in One to Praise the Lord – 1:09
9.Videte Miraculum (Vespers respond) – 9:53
10.Videte miraculum – 10:35
11.Loquebantur – 4:00
12.Many are the Wonders – 4:44
13.Archbishop Parker’s Psalter: V. E’en Like the Hunted Hind – 1:00
14.Archbishop Parker’s Psalter: VI. Expend, O Lord, my Plaint – 1:17
15.O nata lux – 1:56
16.O Light of Light – 2:30
17.Te lucis ante terminum – 2:02
18.Night Prayer – 3:02
19.Archbishop Parker’s Psalter: VII. Why Brag’st in Malice High – 0:46
20.Archbishop Parker’S Psalter: VIII. God Grant With Grace – 1:12
21.Archbishop Parker’s Psalm 150 – 4:19
22.Archbishop Parker’s Psalter: Ordinal. Come Holy Ghost – 0:38
23.Tallis Canon – 2:32
24.Archbishop Parker’s Psalter: Appendix. Why Fum’th in Sight – 5:00

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https://subyshare.com/tza6weds5a22/0RAManyaretheW0nders201744.124.rar.html

The Orchestra Luna album began the musical legacy of Rick Berlin, the composer/singer who goes by his birth name, Richard Kinscherf, on this Epic Records debut in 1974. The seven-piece ensemble was truly groundbreaking in a world that doesn’t take kindly to innovation. Where the Who were content to write rock operas, Kinscherf and his band put opera to rock. This adventurous mix of songs, written as if they were Broadway show tunes backed by a rock band with jazz and classical influences, might sound like a bit much, and 11 minutes and 53 seconds of “Doris Dreams” never had a chance of Top 40 success, or an edit that could get it there, but that idiosyncrasy is part of what makes this album so daring, and special. Co-produced by Rupert Holmes, the man who gave us “Escape (The Pina Colada Song,” a monster smash in 1979, and the cannibal anthem “Timothy” in 1971, the choice might not seem appropriate on the surface. But Holmes’ unheralded work for Barbara Streisand and the Broadway musical Drood actually makes him a perfect choice to oversee this project. “Miss Pamela” has wonderful Randy Roos guitars blending with Rick Kinscherf’s pretty keyboards, keyboards that could have inspired Billy Joel, sounding very much like his 1978 hit “Just The Way You Are.” It’s when Kinscherf’s expressive vocal kicks in that all comparisons to traditional pop go out the window. The cover of the Adler/Ross classic (you gotta have) “Heart” is a standout here, as it was in their live show. Seven of the nine tracks are penned by Rick Kinscherf, and themes that resound in “Fay Wray” (the heroine from the epic King Kong) travel throughout the artist’s career. This album may be tough for some to take, but the Tom Werman liner notes put things in a nice perspective. They opened for Roxy Music in Boston when this album was released, and were even more avant-garde than the legendary headliner. The band dropped the “Orchestra” from their name and became the original Luna, releasing a 45, “Hollywood,” while the rest of their album was held up in litigation. They re-emerged as Berlin Airlift, then Rick Berlin: The Movie. In 2001, the former Rick Kinscherf, known as Rick Berlin, fronted the Shelley Winters Project. That sound has little in common with the early pictures painted by the exquisite “Love Is Not Enough” or musically bizarre “Boy Scouts” off this album (“Back in the boy scout camp/the moon was very full”). These themes, like the references and inspiration from films, continued to flavor Berlin’s music through the years, although the Peter Barrett narrations would fall away. Moody and impressive in its gamble, this is also noteworthy in that guitarist extraordinaire Randy Roos can be heard in his formative years. ~ Joe Viglione

Tracklist:

1.Itämerengue – 1:27
2.Karibou – 6:08
3.The Truth – 6:21
4.Luna 17B – 8:51
5.Anastasia Anastaa Sian – 6:06
6.First Visions – 8:28
7.Nostalgie d’un absolu – 5:32
8.Begemot – 10:30
9.Ankkuri – 5:35

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A virtuoso on the trumpet, Al Hirt was often “overqualified” for the Dixieland and pop music that he performed. He studied classical trumpet at the Cincinnati Conservatory (1940-1943) and was influenced by the playing of Harry James. He freelanced in swing bands (including both Tommy and Jimmy Dorsey, and Ray McKinley) before returning to New Orleans in the late ’40s and becoming involved in the Dixieland movement. He teamed up with clarinetist Pete Fountain on an occasional basis from 1955 on, and became famous by the end of the decade. An outstanding technician with a wide range, along with a propensity for playing far too many notes, Hirt had some instrumental pop hits in the 1960s. He also recorded swing and country music, but mostly stuck to Dixieland in his live performances. He remained a household name throughout his career, although one often feels that he could have done so much more with his talent. Hirt’s early Audiofidelity recordings (1958-1960) and collaborations with Fountain are the most rewarding of his long career; he died at his home in New Orleans on April 27, 1999. –Artist Biography by Scott Yanow

Tracklist:

1.Hard Times Are Gone – 2:24
2.The Gypsi – 2:57
3.Creole Clarinet – 2:07
4.Hey! Short Legs – 1:59
5.La Playa – 2:58
6.Leroy’s Tune – 2:32
7.Tansy – 2:25
8.Oa Hu (Wa Hoo) – 2:28
9.Golden Earrings – 2:03
10.Blue Clarinet – 2:21
11.Chimuahua – 2:05
12.Ebb Tide – 2:15

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https://subyshare.com/my2xqq27if16/PeeWeeSpiteleraPeeWeePlaysPretty196619224.part2.rar.html

Tracklist:

1.Bulerias – 2:46
2.Malaguena – 2:55
3.Sevillanas – 3:20
4.Panaderos – 1:58
5.Alegrias – 3:04
6.Soleares – 3:24
7.Danza Mora – 4:14
8.Guajiras – 2:14
9.Farruca – 3:02
10.Fandangos De Huelva – 3:04
11.Granadinas – 4:48

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French indie pop band Phoenix returns after a four-year absence with Ti Amo, inspired by and intended to conjure up images of summer and Italian discos. The lead single J-Boy built up anticipation for the album, further fuelled by the second single and title track, described as “buoyant” by Rolling Stone.

Billboard 200 – #42, 2017

“… (the title track is) buoyant … following the glitchy, electro-pop single J-Boy, on Ti Amo singer Thomas Mars professes his love in multiple languages above a pulsing, dance-y beat …”
– Rolling Stone

“… (the title track) has a harder edge compared to the shimmery J-Boy … there’s a hooky, repetitive chorus … and a head-snapping disco breakbeat which would make Daft Punk proud.”
– Consequence of Sound

Tracklist:

1.J-Boy – 4:07
2.Ti Amo – 3:26
3.Tuttifrutti – 3:53
4.Fior Di Latte – 4:04
5.Lovelife – 2:31
6.Goodbye Soleil – 3:56
7.Fleur De Lys – 3:44
8.Role Model – 4:36
9.Via Veneto – 2:42
10.Telefono – 3:43

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https://subyshare.com/8ld9ub3p0rjg/Ph0enixTiAm0201788.224.rar.html

The Rolling Stones – From the Vault: No Security – San Jose 1999 (2018) [Official Digital Download 24bit/48kHz]

The Wild Feathers – Greetings from the Neon Frontier (2018) [Official Digital Download 24bit/48kHz]

Tom Beek Quintet – Conversations (Live at the North Sea Jazz Festival) (2018) [Official Digital Download 24bit/44,1kHz]

Tom Fogerty – Excalibur (1972/2018) [Official Digital Download 24bit/192kHz]

Tom McGuinness – Second Glance (2018) [Official Digital Download 24bit/44,1kHz]

Tommy Shaw – Sing For The Day! (2018) [Official Digital Download 24bit/96kHz]

Various Artists – Epilogue: a Tribute to John Duffey (2018) [Official Digital Download 24bit/44,1kHz]

Various Artists – Jazz Loves Bernstein (2018) [Official Digital Download 24bit/44,1kHz]

Vanity Fare – Early in the Morning (1970/2018) [Official Digital Download 24bit/96kHz]

Vernau Mier & Frisson Sextet – Vernau Mier – Frisson Sextet (2018) [Official Digital Download 24bit/44,1kHz]

Wet – Still Run (2018) [Official Digital Download 24bit/48kHz]

William Tatge – General Cargo (2018) [Official Digital Download 24bit/96kHz]

Yordan Kostov & Andreas Gunther – Extravaganza Fantasi (2018) [Official Digital Download 24bit/48kHz]

Olga Peretyatko, Ural Philharmonic Orchestra, Dmitry Liss – Russian Light (2017) [Official Digital Download 24bit/96kHz]

Olivier Ker Ourio – French Songs (2017) [Official Digital Download 24bit/96kHz]

ORA – Many are the Wonders (2017) [Official Digital Download 24bit/44,1kHz]

Orchestra Nazionale della Luna – Orchestra Nazionale della Luna (2017) [Official Digital Download 24bit/44,1kHz]

Pee Wee Spitelera – Pee Wee Plays Pretty (1966/2016) [Official Digital Download 24bit/192kHz]

Peter Evans – An American in Spain (1965/2015) [Official Digital Download 24bit/96kHz]

Phoenix – Ti Amo (2017) [Official Digital Download 24bit/88,2kHz]