Minetti Quartet – Mendelssohn & Schubert: String Quartets (2018)
FLAC (tracks) 24 bit/48 kHz  | Time – 01:03:15 minutes | 627 MB | Genre: Classical
Studio Masters, Official Digital Download | Booklet, Front Cover | © Haenssler Classic

The connection between the life and work of the composer seems hardly more compelling than in the case of Mendel ssohn’s String Quartet no. 6 in F minor op. 80. Nothing seems more able to demystify a work of music than death itself. The title page of the manuscript of the String Quartet in D minor bears the date ‘In March 1824’ in Schubert’s own hand. And indeed, in the previous year Schubert did experience tragedy: professional failure and private disappointments tormented the composer in 1823.

Tracklist:
1. String Quartet No. 6 in F Minor, Op. 80, MWV R37: I. Allegro vivace assai 07:37
2. String Quartet No. 6 in F Minor, Op. 80, MWV R37: II. Allegro assai 04:33
3. String Quartet No. 6 in F Minor, Op. 80, MWV R37: III. Adagio 07:38
4. String Quartet No. 6 in F Minor, Op. 80, MWV R37: IV. Finale. Allegro molto 05:55
5. String Quartet No. 14 in D Minor, D. 810 “Death and the Maiden”: I. Allegro 11:35
6. String Quartet No. 14 in D Minor, D. 810 “Death and the Maiden”: II. Andante con moto 13:07
7. String Quartet No. 14 in D Minor, D. 810 “Death and the Maiden”: III. Scherzo. Allegro molto 03:45
8. String Quartet No. 14 in D Minor, D. 810 “Death and the Maiden”: IV. Presto 09:15

Download:

https://subyshare.com/54mxzm6s17p9/MinettiQuartetMendelss0hnSchubertStringQuartets20182448.rar.html

Min-Jung Kym – Beethoven: Piano Concerto No. 4 & Mendelssohn: Double Concerto (2018)
FLAC (tracks) 24 bit/192 kHz  | Time – 01:13:24 minutes | 2,54 GB | Genre: Classical
Studio Masters, Official Digital Download | Booklet, Front Cover | © Signum Records

Pianist Min-Jung Kym makes her recording debut on Signum Records, leading the Philharmonia Orchestra under conductor Clemens Schuldt in performances of Beethoven’s Piano Concerto No. 4, and alongside Zsolt-Tihamer Visontay for Mendelssohn’s Double Concerto for Violin, Piano and String Orchestra in D Minor.Steinway Artist Min-Jung Kym has acquired an internationally recognised reputation performing with some of the world’s leading orchestras and musicians, including collaborations with (amongst others) Barry Wordsworth, Alison Balsom, the Haffner Ensemble, Pierre Amoyal, Leon Bosch, Joy Farrall, Andrew Haveron, Sergey Levitin, Adrian Brendel, Thomas Carroll, Mats Lidstrom and the soprano Susan Bickley. Min-Jung was the ‘pianist of choice’ for the masterclasses of the legendary violinist Ruggiero Ricci. “Min-Jung is an exceptionally talented pianist, with a wonderfully controlled and even technique, combined with a highly sensitive approach to the music.” Ruggiero Ricci

Tracklist:
1. Piano Concerto No. 4 in G Major, Op. 58: I. Allegro Moderato 19:38
2. Piano Concerto No. 4 in G Major, Op. 58: II. Andante con moto 04:51
3. Piano Concerto No. 4 in G Major, Op. 58: III. Rondo – Vivace 10:28
4. Concerto for Violin, Piano and String Orchestra in D Minor, MWV O 4: I. Allegro moderato 19:06
5. Concerto for Violin, Piano and String Orchestra in D Minor, MWV O 4: II. Adagio 09:48
6. Concerto for Violin, Piano and String Orchestra in D Minor, MWV O 4: III. Allegro molto 09:33

Personnel:
Min-Jung Kym (piano)
Zsolt-Tihamér Visontay (violin)
Philharmonia Orchestra
Clemens Schuldt (conductor)

Download:

https://subyshare.com/1m2qyxhkjag7/MinJungKymBeeth0venPian0C0ncert0N0.4Mendelss0hnD0ubleC0ncert0201824192.part1.rar.html
https://subyshare.com/qqan1fr1rh1l/MinJungKymBeeth0venPian0C0ncert0N0.4Mendelss0hnD0ubleC0ncert0201824192.part2.rar.html
https://subyshare.com/2c4jdhu4vy7j/MinJungKymBeeth0venPian0C0ncert0N0.4Mendelss0hnD0ubleC0ncert0201824192.part3.rar.html

Nine Inch Nails – Bad Witch (2018)
FLAC (tracks) 24 bit/48 kHz  | Time – 30:15 minutes | 336 MB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © The Null Corporation

“Conclusion.  Shadows on the cave wall.” ~NIN.com

“On Bad Witch, Trent Reznor and Atticus Ross conclude the conceptual narrative arc started on 2016’s Not the Actual Events and continued on 2017’s Add Violence…  Bad Witch reveals itself as the most cohesive and enveloping experience of this period. As Reznor noted in interviews, Events focused on self-reflection and self-destruction, while Violence searched for answers from a broken world. Bad Witch concludes that we’re the problem and humanity is doomed. That nihilistic blood courses through these six songs.” ~Allmusic.com

Tracklist:
1. Shit Mirror
2. Ahead of Ourselves
3. Play the Goddamned Part
4. God Break Down the Door
5. I’m Not from This World
6. Over and Out

Download:

https://subyshare.com/18z4wxqge0xe/NineInchNailsBadWitch20182448.rar.html

Quatuor Debussy – Shostakovich: String Quartets (2015)
FLAC (tracks) 24 bit/96 kHz  | Time – 01:09:45 minutes | 1,23 GB | Genre: Classical
Studio Masters, Official Digital Download | Booklet, Front Cover | © Evidence

This recording from the Quatuor Debussy offers a comparative look at teh works for string quartet by Dmitri Shostakovich. The programme features String Quartet No. 5 [1952], No. 8 [1960] and No. 11 [1966]: one from each of the composer’s three creative periods, presented in reverse chronological order. The fifth and eighth quartets share a five note motif that also appears in Symphony No. 10.

The Quatuor Debussy were the first signing to new label Evidence Classics back in 2014. Founded by Nicolas Bartholomée, who also created founded Ambroisie, Aparté and Little Tribeca, and Emmanuel Chollet, the creator of label Fiat Lux and ex EMI / Virgin France, Timpani Records and Believe Digital, Evidence is intended to be based on the greatest French and foreign virtuosos but also young talents who will have the freedom to explore many different directories and musical genres.

The Debussy Quartet plays assuredly and expressively throughout, with moments of fizzing energy. – BBC Music Magazine, December 2016,

The Debussy Quartet plays assuredly and expressively throughout, with moments of fizzing energy. – BBC Music Magazine, December 2016

Tracklist:
Dmitri Schostakowitsch (1906–1975)
01. Elegie: Adagio
02. String Quartet No. 11 in F Minor, Op. 122: I. Introduction
03. String Quartet No. 11 in F Minor, Op. 122: II. Scherzo
04. String Quartet No. 11 in F Minor, Op. 122: III. Recitative
05. String Quartet No. 11 in F Minor, Op. 122: IV. Etude
06. String Quartet No. 11 in F Minor, Op. 122: V. Humoresque
07. String Quartet No. 11 in F Minor, Op. 122: VI. Elegie
08. String Quartet No. 11 in F Minor, Op. 122: VII. Final
09. String Quartet No. 8 in C Minor, Op. 110: I. Largo
10. String Quartet No. 8 in C Minor, Op. 110: II. Allegro molto
11. String Quartet No. 8 in C Minor, Op. 110: III. Allegretto
12. String Quartet No. 8 in C Minor, Op. 110: IV. Largo
13. String Quartet No. 8 in C Minor, Op. 110: V. Largo
14. String Quartet No. 5 in B-Flat Major, Op. 92: I. Allegro non troppo
15. String Quartet No. 5 in B-Flat Major, Op. 92: II. Andante
16. String Quartet No. 5 in B-Flat Major, Op. 92: III. Moderato-Allegretto-Andante

Download:

https://subyshare.com/f67uexp6ibjq/Quatu0rDebussySh0stak0vichStringQuartets20152496.part1.rar.html
https://subyshare.com/4ge8pe2h10br/Quatu0rDebussySh0stak0vichStringQuartets20152496.part2.rar.html

Quatuor Girard – Beethoven: Quatuor No. 2, Op. 59 – Hersant: Quatuor No. 4 ” The Starry Sky” (2018)
FLAC (tracks) 24 bit/96 kHz  | Time – 57:57 minutes | 1,09 GB | Genre: Classical
Studio Masters, Official Digital Download | Booklet, Front Cover | © Paraty

Word Premier Recording – Fourth Quartet “The Starry Sky”The title of Philippe Hersant’s 4th Quartet, The Starry Sky immediately informs the listener that this piece alludes to Beethoven, since the starry sky is an emblematic Beethovenian topos. It appears in the following quote by Kant “the moral law within us and the starry sky above our heads” which Beethoven wrote in his personal journal in 1820 (aphorism No. 146). It is explicitly or implicitly present in many of his pieces, such as the song Abendlied Unterm gestirnten Himmel (Evening Song under the Starry Sky) and in the slow movement of his Eighth Quartet, Opus 59 No. 2 which, according to one of Beethoven’s confessions to Schindler, would be a “meditation under the starry sky”. Perhaps it is not a coincidence that these two pages are written in the key of E major, which Beethoven seemed to consider a mystical key.

Tracklist:
01. Quatuor No. 2, Op. 59: I. Allegro
02. Quatuor No. 2, Op. 59: II. Molto adagio
03. Quatuor No. 2, Op. 59: III. Allegretto
04. Quatuor No. 2, Op. 59: IV. Presto
05. Quatuor No. 4 “The Starry Sky”

Download:

https://subyshare.com/a4ryyneurql0/Quatu0rGirardBeeth0venQuatu0rN0.20p.59HersantQuatu0rN0.4TheStarrySky20182496.part1.rar.html
https://subyshare.com/sf369b4gechb/Quatu0rGirardBeeth0venQuatu0rN0.20p.59HersantQuatu0rN0.4TheStarrySky20182496.part2.rar.html

Quatuor Ruggieri – George Onslow: String Quartets (2015)
FLAC (tracks) 24 bit/88,2 kHz  | Time – 01:02:12 minutes | 981 MB | Genre: Classical
Studio Masters, Official Digital Download | Booklet, Front Cover | © Aparté

Referred to as the „French Beethoven“, George Onslow (1784-1853) lived through the First Empire and the Restoration, imposing himself by clearing the way, to a degree, for chamber music, which was little practiced in France at the time.

A contemporary of Berlioz and Paganini, Onslow would lend credibility to this genre that did not find an audience in Paris until 1814, when his good friend the violinist Pierre Baillot led a series of chamber concerts.
Amongst the hundreds of works he wrote, his string quartets in particular stand out for their spirit of invention, sometimes visionary and always surprising. Beginning with his youthful quartets (Opp. 8, 9 and 10), Onslow innovated in both content and form, experimenting with a French style that lay within the heritage of the Mozartian and Beethovenian quartet. To this was often added a virtuosic – typically Parisian – dimension that contributed a spectacular aspect to the quality of the ideas.

Tracklist:
George Onslow (1784-1853)
01. Quatuor No. 1 en Ut Mineur, Op. 8: I. largo-allegro agitato
02. Quatuor No. 1 en Ut Mineur, Op. 8: II. adagio
03. Quatuor No. 1 en Ut Mineur, Op. 8: III. minuetto allegretto
04. Quatuor No. 1 en Ut Mineur, Op. 8: IV. finale presto
05. Quatuor No. 3 en Mi Bémol Majeur, Op. 10: I. largo-allegro con brio
06. Quatuor No. 3 en Mi Bémol Majeur, Op. 10: II. andantino sostenuto
07. Quatuor No. 3 en Mi Bémol Majeur, Op. 10: III. minuetto allegro (air de danse des montagnes d’auvergne)
08. Quatuor No. 3 en Mi Bémol Majeur, Op. 10: IV. allegro vivace
09. Quatuor No. 3 en La Majeur, Op. 8: I. allegro
10. Quatuor No. 3 en La Majeur, Op. 8: II. andante non troppo lento
11. Quatuor No. 3 en La Majeur, Op. 8: III. minuetto allegro
12. Quatuor No. 3 en La Majeur, Op. 8: IV. finale vivace

Personnel:
Quatuor Ruggieri:
Gilone Gaubert-Jacques, violin
Charlotte Grattard, violin
Delphine Grimbert, viola
Emmanuel Jacques, cello

Download:

https://subyshare.com/7ngbrpvp63zm/Quatu0rRuggieriGe0rge0nsl0wStringQuartets20152488.2.rar.html

Rachel Barton Pine & Jory Vinikour – J.S. Bach: The Sonatas for Violin & Harpsichord (2018)
FLAC (tracks) 24 bit/96 kHz  | Time – 01:39:24 minutes | 2,08 GB | Genre: Classical
Studio Masters, Official Digital Download | Booklet, Front Cover | © Cedille

Violinist Rachel Barton Pine and harpsichordist Jory Vinikour, critically acclaimed artists of international renown- and also close friends-record together for the first time on this album of J.S. Bach’s complete sonatas for violin and harpsichord. The artists approach these works as Bach intended: as trio sonatas with equally important roles for the violin and the harpsichord’s treble and bass lines. In addition to the six Sonatas, the album offers the remarkable and ravishingly poetic Cantabile, BWV 1019a, a free-standing work that Bach originally conceived as a movement of the Sonata, BWV 1019. Cedille’s audiophile engineering and the intimate acoustics of Evanston, Illinois’ Nichols Hall allow the complex trio textures to blossom with detail. In all, the album sets a new standard for a body of work that Bach’s son, CPE, considered among his father’s finest compositions. Rachel Barton Pine is a Billboard chart-topping artist. Her 2016 album ‘Testament’, comprising JS Bach’s Sonatas and Partitas for solo violin entered the Billboard Classical Chart in the No. 1 position, as did her 2013 Cedille album ‘Violin Lullabies’. Making his Cedille label debut, Vinikour received Grammy Award nominations in the category of Best Solo Instrumental Recording for his 2013 album of modern American music for harpsichord and his 2012 release of Rameau’s complete harpsichord works.

Tracklist:
CD1
01. Violin Sonata No. 1 in B Minor, BWV 1014: I. Adagio
02. Violin Sonata No. 1 in B Minor, BWV 1014: II. Allegro
03. Violin Sonata No. 1 in B Minor, BWV 1014: III. Andante
04. Violin Sonata No. 1 in B Minor, BWV 1014: IV. Allegro
05. Violin Sonata No. 2 in A Major, BWV 1015: I. Dolce
06. Violin Sonata No. 2 in A Major, BWV 1015: II. Allegro
07. Violin Sonata No. 2 in A Major, BWV 1015: III. Andante un poco
08. Violin Sonata No. 2 in A Major, BWV 1015: IV. Presto
09. Violin Sonata No. 3 in E Major, BWV 1016: I. (Adagio)
10. Violin Sonata No. 3 in E Major, BWV 1016: II. (Allegro)
11. Violin Sonata No. 3 in E Major, BWV 1016: III. Adagio ma non tanto
12. Violin Sonata No. 3 in E Major, BWV 1016: IV. Allegro
CD2
01. Violin Sonata No. 4 in C Minor, BWV 1017: I. Siciliano. Largo
02. Violin Sonata No. 4 in C Minor, BWV 1017: II. Allegro
03. Violin Sonata No. 4 in C Minor, BWV 1017: III. Adagio
04. Violin Sonata No. 4 in C Minor, BWV 1017: IV. Allegro
05. Violin Sonata No. 5 in F Minor, BWV 1018: I. Largo
06. Violin Sonata No. 5 in F Minor, BWV 1018: II. Allegro
07. Violin Sonata No. 5 in F Minor, BWV 1018: III. Adagio
08. Violin Sonata No. 5 in F Minor, BWV 1018: IV. Vivace
09. Violin Sonata No. 6 in G Major, BWV 1019: I. Allegro
10. Violin Sonata No. 6 in G Major, BWV 1019: II. Largo
11. Violin Sonata No. 6 in G Major, BWV 1019: III. Allegro (Cembalo solo)
12. Violin Sonata No. 6 in G Major, BWV 1019: IV. Adagio
13. Violin Sonata No. 6 in G Major, BWV 1019: V. Allegro
14. Violin Sonata No. 6 in G Major, BWV 1019a: I. Cantabile, ma un poco adagio

Personnel:
Rachel Barton Pine, violin
Jory Vinikour, harpsichord

Download:

https://subyshare.com/v3rns0l3f9jd/RachelBart0nPineJ.S.BachTheS0natasf0rVi0linHarpsich0rd20182496.part1.rar.html
https://subyshare.com/axst6x3ogytf/RachelBart0nPineJ.S.BachTheS0natasf0rVi0linHarpsich0rd20182496.part2.rar.html
https://subyshare.com/15sovw2lwzxh/RachelBart0nPineJ.S.BachTheS0natasf0rVi0linHarpsich0rd20182496.part3.rar.html

Rachel Kolly d’Alba, Christian Chamorel & Spektral Quartet Chicago – Franck & Chausson: Fin de siècle (2015)
FLAC (tracks) 24 bit/96 kHz  | Time – 01:08:46 minutes | 1,21 GB | Genre: Classical
Studio Masters, Official Digital Download | Booklet, Front Cover | © Aparté

This new album by Rachel Kolly d’Alba takes us to the heart of this Fin de Siècle and we learn all its secrets. Accompanied for the occasion by his partner of always: Christian Chamorel, and Spektral Quartet Chicago. A glowing interpretation, deep and visionary!

Few works of the period are more recognizable than César Franck’s magnificent Violin Sonata. The work has been transcribed for nearly every instrument on the planet and is a permanent staple of the repertoire. Franck’s influence on Ernest Chausson’s Concerto is unmistakable. A late-Romantic hybrid, the work blends elements of piano quintet and string quintet styles.

Rachel Kolly d’Alba signed worldwide with Warner Classics in 2010. Her first release of six sonatas by composer Eugène Ysaÿe burst onto the musical scene receiving unanimously high praise from international press. Her Wigmore Hall debut in April last year was reviewed in Musical Opinion as ‘virtuosity of the most brilliant and effortless kind, with Christian Chamorel, time and again, proving himself to be a truly exceptional partner’.

Tracklist:
César Franck (1822-1890)
01. Sonata in A Major for Violin and Piano: I. Allegretto ben moderato
02. Sonata in A Major for Violin and Piano: II. Allegro
03. Sonata in A Major for Violin and Piano: III. Recitativo-Fantasia (ben moderato)
04. Sonata in A Major for Violin and Piano: IV. Allegretto poco mosso
Ernest Chausson (1855-1899)
05. Concert for Violin, Piano and String Quartet in D Major, Op. 21: I. Décidé
06. Concert for Violin, Piano and String Quartet in D Major, Op. 21: II. Sicilienne
07. Concert for Violin, Piano and String Quartet in D Major, Op. 21: III. Grave
08. Concert for Violin, Piano and String Quartet in D Major, Op. 21: IV. Finale: Très animé
09. Poème de l’amour et de la mer: Interlude

Personnel:
Rachel Kolly d’Alba, violin
Christian Chamorel, piano
Spektral Quartet Chicago

Download:

https://subyshare.com/t8byuz84w6qo/RachelK0llydAlbaChristianCham0relSpektralQuartetChicag0FranckChauss0nFindesicle20152496.part1.rar.html
https://subyshare.com/dbvkv7adb3s9/RachelK0llydAlbaChristianCham0relSpektralQuartetChicag0FranckChauss0nFindesicle20152496.part2.rar.html

Ramin Bahrami – The Well-Tempered Clavier Book I (2018)
FLAC (tracks) 24 bit/96 kHz  | Time – 02:01:33 minutes | 1,85 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Decca

“Bahrami shows fine technique and crisp articulation in the fast passagework.” – BBC Music Magazine
“Technically, the playing is highly accomplished and Bahrami’s touch is infallible.” – Classic FM

Tracklist:
Johann Sebastian Bach (1685-1750)
01. J.S. Bach: The Well-Tempered Clavier: Book 1, BWV 846-869-Prelude I In C Major BWV 846
02. J.S. Bach: The Well-Tempered Clavier: Book 1, BWV 846-869-Fugue I In C Major BWV 846
03. J.S. Bach: The Well-Tempered Clavier: Book 1, BWV 846-869-Prelude II In C Minor BWV 847
04. J.S. Bach: The Well-Tempered Clavier: Book 1, BWV 846-869-Fugue II In C Minor BWV 847
05. J.S. Bach: The Well-Tempered Clavier: Book 1, BWV 846-869-Prelude III In C Sharp Major BWV 848
06. J.S. Bach: The Well-Tempered Clavier: Book 1, BWV 846-869-Fugue III In C Sharp Major BWV 848
07. J.S. Bach: The Well-Tempered Clavier: Book 1, BWV 846-869-Prelude IV In C Sharp Minor BWV 849
08. J.S. Bach: The Well-Tempered Clavier: Book 1, BWV 846-869-Fugue IV In C Sharp Minor BWV 849
09. J.S. Bach: The Well-Tempered Clavier: Book 1, BWV 846-869-Prelude V In D Major BWV 850
10. J.S. Bach: The Well-Tempered Clavier: Book 1, BWV 846-869-Fugue V In D Major BWV 850
11. J.S. Bach: The Well-Tempered Clavier: Book 1, BWV 846-869-Prelude VI In D Minor BWV 851
12. J.S. Bach: The Well-Tempered Clavier: Book 1, BWV 846-869-Fugue VI In D Minor BWV 851
13. J.S. Bach: The Well-Tempered Clavier: Book 1, BWV 846-869-Prelude VII In E Flat Major BWV 852
14. J.S. Bach: The Well-Tempered Clavier: Book 1, BWV 846-869-Fugue VII In E Flat Major BWV 852
15. J.S. Bach: The Well-Tempered Clavier: Book 1, Bwv 846-869-Prelude VIII In D Sharp Minor Bwv 853
16. J.S. Bach: The Well-Tempered Clavier: Book 1, Bwv 846-869-Fugue VIII In D Sharp Minor, Bwv 853
17. J.S. Bach: The Well-Tempered Clavier: Book 1, BWV 846-869-Prelude IX In E Major BWV 854
18. J.S. Bach: The Well-Tempered Clavier: Book 1, BWV 846-869-Fugue IX In E Major BWV 854
19. J.S. Bach: The Well-Tempered Clavier: Book 1, BWV 846-869-Prelude X In E Minor BWV 855
20. J.S. Bach: The Well-Tempered Clavier: Book 1, BWV 846-869-Fugue X In E Minor BWV 855
21. J.S. Bach: The Well-Tempered Clavier: Book 1, BWV 846-869-Prelude XI In F Major BWV 856
22. J.S. Bach: The Well-Tempered Clavier: Book 1, BWV 846-869-Fugue XI In F Major BWV 856
23. J.S. Bach: The Well-Tempered Clavier: Book 1, BWV 846-869-Prelude XII In F Minor BWV 857
24. J.S. Bach: The Well-Tempered Clavier: Book 1, BWV 846-869-Fugue XII In F Minor BWV 857
25. J.S. Bach: The Well-Tempered Clavier: Book 1, Bwv 846-869-Prelude XIII In F Sharp Major Bwv 858
26. J.S. Bach: The Well-Tempered Clavier: Book 1, Bwv 846-869-Fugue XIII In F Sharp Major Bwv 858
27. J.S. Bach: The Well-Tempered Clavier: Book 1, BWV 846-869-Prelude XIV In F Sharp Minor BWV 859
28. J.S. Bach: The Well-Tempered Clavier: Book 1, BWV 846-869-Fugue XIV In F Sharp Minor BWV 859
29. J.S. Bach: The Well-Tempered Clavier: Book 1, BWV 846-869-Prelude XV In G Major BWV 860
30. J.S. Bach: The Well-Tempered Clavier: Book 1, BWV 846-869-Fugue XV In G Major BWV 860
31. J.S. Bach: The Well-Tempered Clavier: Book 1, BWV 846-869-Prelude XVI In G Minor BWV 861
32. J.S. Bach: The Well-Tempered Clavier: Book 1, BWV 846-869-Fugue XVI In G Minor BWV 861
33. J.S. Bach: The Well-Tempered Clavier: Book 1, Bwv 846-869-Prelude XVII In A Flat Major Bwv 862
34. J.S. Bach: The Well-Tempered Clavier: Book 1, Bwv 846-869-Fugue XVII In A Flat Major Bwv 862
35. J.S. Bach: The Well-Tempered Clavier: Book 1, Bwv 846-869-Prelude XVII In A Flat Minor Bwv 863
36. J.S. Bach: The Well-Tempered Clavier: Book 1, Bwv 846-869-Fugue XVII In A Flat Minor Bwv 863
37. J.S. Bach: The Well-Tempered Clavier: Book 1, BWV 846-869-Prelude XIX In A Major BWV 864
38. J.S. Bach: The Well-Tempered Clavier: Book 1, BWV 846-869-Fugue XIX In A Major BWV 864
39. J.S. Bach: The Well-Tempered Clavier: Book 1, BWV 846-869-Prelude XX In A Minor BWV 865
40. J.S. Bach: The Well-Tempered Clavier: Book 1, BWV 846-869-Fugue XX In A Minor BWV 865
41. J.S. Bach: The Well-Tempered Clavier: Book 1, BWV 846-869-Prelude XXI In B Flat Major BWV 866
42. J.S. Bach: The Well-Tempered Clavier: Book 1, BWV 846-869-Fugue XXI In B Flat Major BWV 866
43. J.S. Bach: The Well-Tempered Clavier: Book 1, Bwv 846-869-Prelude Xxii In B Flat Minor Bwv 867
44. J.S. Bach: The Well-Tempered Clavier: Book 1, Bwv 846-869-Fugue Xxii In B Flat Minor Bwv 867
45. J.S. Bach: The Well-Tempered Clavier: Book 1, Bwv 846-869-Prelude Xxiii In B Major Bwv 868
46. J.S. Bach: The Well-Tempered Clavier: Book 1, Bwv 846-869-Fugue Xxiii In B Major Bwv 868
47. J.S. Bach: The Well-Tempered Clavier: Book 1, Bwv 846-869-Prelude Xxiv In B Minor Bwv 869
48. J.S. Bach: The Well-Tempered Clavier: Book 1, Bwv 846-869-Fugue Xxiv In B Minor Bwv 869

Personnel:
Ramin Bahrami (piano)

Download:

https://subyshare.com/6i4gcya4btfr/RaminBahramiTheWellTemperedClavierB00kI20182496.part1.rar.html
https://subyshare.com/w06g3k40wred/RaminBahramiTheWellTemperedClavierB00kI20182496.part2.rar.html

Ray Chen – The Golden Age (2018)
FLAC (tracks) 24 bit/96 kHz  | Time – 52:58 minutes | 986 MB | Genre: Classical
Studio Masters, Official Digital Download | Booklet, Front Cover | © Decca

In dubbing his album “The Golden Age” violinist Ray Chen wanted to evoke an era when violinists Fritz Kreisler and Jascha Heifetz travelled the world, and when the ink was barely dry on the works of Claude Debussy, Erik Satie, Max Bruch, Cyril Scott and George Gershwin. Chen thought of his bouquet as a great big spray bordered by smaller flowers whose size hides an often exquisite perfection. And so it is that Max Bruch’s First Concerto a major work, and musically a classic, dating from 1866, is hemmed around with a few pearls from Gershwin, Ponce and Scott re-written by Heifetz et Kreisler, not to forget a few delightful winks from Stephan Koncz (born 1984) at Satie in The New Satiesfaction or Debussy in his revision of Clair de lune. It’s Stephan Koncz himself, who is also the cellist of the Berlin Philharmonic, who holds down the cello role in the revisions for string quartet. Ray Chen won the 2008 Menuhin Competition and the following year won the Queen Elisabeth Competition in Brussels: two big door-openers for the great international career which he has enjoyed since, with a constant companion in the form of a Stradivarius which had belonged to Joseph Joachim.

Tracklist:
1. Satie, Koncz: A New Satiesfaction (Gymnopédie No. 1) 04:31
2. Kreisler: Syncopation 02:03
3. Ponce: Estrellita (Arr. Heifetz) 03:31
4. Violin Concerto No. 1 in G minor, Op. 26 : 1. Vorspiel (Allegro moderato) 08:43
5. Violin Concerto No. 1 in G minor, Op. 26 : 2. Adagio 09:24
6. Violin Concerto No. 1 in G minor, Op. 26 : 3. Finale (Allegro energico) 07:37
7. Suite bergamasque, L. 75 : 3. Clair de lune (Arr. Koncz) 04:32
8. Kreisler: Schön Rosmarin 02:17
9. Porgy and Bess : Summertime (Arr. Heifetz) 01:55
10. Scott, Kreisler: Lotus Land (Arr. Kreisler) 05:09
11. Traditional: Waltzing Matilda (Arr. Koncz) 03:16

Personnel:
Ray Chen, violin
London Philharmonic Orchestra
Robert Trevino, conductor

Download:

https://subyshare.com/ptnrzvhvqgbe/RayChenTheG0ldenAge20182496.rar.html

René Jacobs – J.S. Bach: St Matthew Passion (2013) {5.1 Edition}
FLAC (tracks) 5.1 Surround  24 bit/96 kHz | Time – 02:38:30 minutes | 6,61 GB | Genre: Classical
Studio Master, Official Digital Download  | Booklet, Front Cover | © harmonia mundi

It has haunted René Jacobs since childhood: first as a boy soprano in Ghent, then as a countertenor, he has constantly frequented the supreme masterpiece that is the ‘St Matthew Passion’. Jacobs uses the layout of the Good Friday Vesper service from Bach’s time, with choirs front and back, rather than side-by-side. He also gives us extra soloists to complete the bi-choral effect. For Bach, the two halves were 28 metres apart. At that distance, coordination difficulties begin to appear between the speed of light, and the speed of sound, and we cannot determine how Bach dealt with this problem. However the wonders of SACD multichannel surround sound can at last give an impression of what Bach intended for St Thomas’ Church in Leipzig.

As ever, harmonia mundi’s production values are such that we are given several essays on the concept of the layout in Bach’s time, reflections on the new recording by René Jacobs, full texts and biographies in a 176 page booklet, with sumptuous packaging. This is, somewhat surprisingly, René Jacobs’ first recording of ‘St Matthew’.

„Jacobs has a magnificent vocal presence of soloists from Choir I – led by the polished and increasinly believable Evangelist of Werner Güra…and a Christus in Johannes Weisser who is intensely human, even febrile as he confronts the terrible events one by one…Jacobs’s attention to texture and matters of accentuation is what defines his most compelling short-term characterisation“ (Gramophone Magazine)

„the novelty lies in Jacobs’ games with acoustics and space in his studio location in Berlin…this spatial separation keeps you listening intently and listening afresh. Jacobs’s Passion is intimate, dramatic, conducted with audible love…Güra’s Evangelist makes a compelling guide; Fink is most eloquent, with Johannes Weiss solid as Jesus“ (The Times)

Tracklist:
Johann Sebastian Bach (1685 – 1750)
CD1
01. Erster Teil, 1. Chorus I & II Kommt, ihr Töchter, helft mir klagen
02. Erster Teil, 2. Evangelista, Jesus Da Jesus diese Rede vollendet hatte
03. Erster Teil, 3. Choral Herzliebster Jesu, was hast du verbrochen
04. Erster Teil, 4a. Evangelista Da versammleten sich die Hohenpriester 4b. Chorus I & II Ja nicht auf das Fest 4c. Evangelista Da nun Jesus war zu Bethanien 4d. Chorus I Wozu dienet dieser Unrat 4e. Evangelista, Jesus Da das Jesus merkete
05. Erster Teil, 5. Recitativo (Alt) Du lieber Heiland du
06. Erster Teil, 6. Aria (Alt) Buß und Reu
07. Erster Teil, 7. Evangelista, Judas Da ging hin der Zwölfen einer
08. Erster Teil, 8. Aria (Sopran) Blute nur, du liebes Herz
09. Erster Teil, 9a. Evangelista Aber am ersten Tage der süßen Brot 9b. Chorus I Wo willst du, daß wir dir bereiten 9c. Evangelista, Jesus Er sprach: Gehet ihn in die Stadt 9d. Evangelista Und sie wurden sehr betrübt 9e. Chorus I Herr, bin ich’s
10. Erster Teil, 10. Choral Ich bin’s, ich sollte büßen
11. Erster Teil, 11. Evangelista, Jesus, Judas Er antwortete und sprach
12. Erster Teil, 12. Recitativo (Sopran) Wiewohl mein Herz in Tränen schwimmt
13. Erster Teil, 13. Aria (Sopran) Ich will dir mein Herze schenken
14. Erster Teil, 14. Evangelista, Jesus Und da sie den Lobgesang gesprochen hatten
15. Erster Teil, 15. Choral Erkenne mich, mein Hüter
16. Erster Teil, 16. Evangelista, Petrus, Jesus Petrus aber antwortete
17. Erster Teil, 17. Choral Ich will hier bei dir stehen
18. Erster Teil, 18. Evangelista, Jesus Da kam Jesus mit ihnen zu einem Hofe
19. Erster Teil, 19. Recitativo a doi Cori (Tenor) O Schmerz! hier zittert das gequälte Herz
20. Erster Teil, 20. Aria a doi Cori (Tenor) Ich will bei meinem Jesu wachen
21. Erster Teil, 21. Evangelista, Jesus Und ging hin ein wenig
22. Erster Teil, 22. Recitativo (Baß) Der Heiland fällt vor seinem Vater nieder
23. Erster Teil, 23. Aria (Baß) Gerne will ich mich bequemen
24. Erster Teil, 24. Evangelista, Jesus Und er kam zu seinen Jüngern
25. Erster Teil, 25. Choral Was mein Gott will, das g’scheh’ allzeit
26. Erster Teil, 26. Evangelista, Jesus, Judas Und er kam und fand sie aber schlafend
27. Erster Teil, 27a. Aria a doi Cori (Sopran, Alt) So ist mein Jesus nun gefangen 27b. Chorus I & II Sind Blitze, sind Donner in Wolken verschwunden
28. Erster Teil, 28. Evangelista, Jesus Und siehe, einer aus denen
29. Erster Teil, 29. Choral O Mensch, bewein’ dein Sünde groß
30. Erster Teil, 30. Aria (Alt, Chorus I & II) Ach! nun ist mein Jesus hin
31. Zweiter Teil, 31. Evangelista Die aber Jesum gegriffen hatten
32. Zweiter Teil, 32. Choral Mir hat die Welt trüglich gericht’t
33. Zweiter Teil, 33. Evangelista, Testis I & II, Pontifex Und wiewohl viel falsche Zeugen herzutraten
34. Zweiter Teil, 34. Recitativo (Tenor) Mein Jesus schweigt zu falschen Lügen stille
35. Zweiter Teil, 35. Aria (Tenor) Geduld, Geduld!
36. Zweiter Teil, 36a. Evangelista, Pontifex, Jesus Und der Hohepriester antwortete 36b. Chorus I & II Er ist des Todes schuldig 36c. Evangelista Da speieten sie aus in sein Angesicht 36d. Chorus I & II Weissage uns, Christe
37. Zweiter Teil, 37. Choral Wer hat dich so geschlagen

CD2
01. Zweiter Teil, 38a. Evangelista, Ancilla I & II, Petrus Petrus aber saß draußen im Palast 38b. Chorus II-Evangelista, Petrus Wahrlich, du bist auch einer von denen
02. Zweiter Teil, 39. Aria (Alt) Erbarme dich
03. Zweiter Teil, 40. Choral Bin ich gleich von dir gewichen
04. Zweiter Teil, 41a. Evangelista, Judas Des Morgens aber hielten alle Hohenpriester 41b. Chorus I & II Was gehet uns das an 41c. Evangelista, Pontifex I & II Und er warf die Silberlinge in den Tempel
05. Zweiter Teil, 42. Aria (Baß) Gebt mir meinen Jesum wieder
06. Zweiter Teil, 43. Evangelista, Pilatus, Jesus Sie hielten aber einen Rat
07. Zweiter Teil, 44. Choral Befiehl du deine Wege
08. Zweiter Teil, 45a. Evangelista, Pilatus, Uxor Pilati, Chorus I & II Auf das Fest aber hatte der Landpfleger 45b. Chorus I & II Laß ihn kreuzigen!
09. Zweiter Teil, 46. Choral Wie wunderbarlich ist doch diese Strafe
10. Zweiter Teil, 47. Evangelista, Pilatus Der Landpfleger sagte
11. Zweiter Teil, 48. Recitativo (Sopran) Er hat uns allen wohlgetan
12. Zweiter Teil, 49. Aria (Sopran) Aus Liebe will mein Heiland sterben
13. Zweiter Teil, 50a. Evangelista Sie schrieen aber noch mehr 50b. Chorus I & II Laß ihn kreuzigen! 50c. Evangelista, Pilatus Da aber Pilatus sahe 50d. Chorus I & II Sein Blut komme über uns 50e. Evangelista Da gab er ihnen Barrabam los
14. Zweiter Teil, 51. Recitativo (Alt) Erbarm es Gott
15. Zweiter Teil, 52. Aria (Alt) Können Tränen meiner Wangen
16. Zweiter Teil, 53a. Evangelista Da nahmen die Kriegsknechte 53b. Chorus I & II Gegrüßet seist du, Judenkönig 53c. Evangelista Und speieten ihn an
17. Zweiter Teil, 54. Choral O Haupt voll Blut und Wunden
18. Zweiter Teil, 55. Evangelista Und da sie ihn verspottet hatten
19. Zweiter Teil, 56. Recitativo (Baß) Ja! freilich will in uns das Fleisch und Blut
20. Zweiter Teil, 57. Aria (Baß) Komm, süßes Kreuz
21. Zweiter Teil, 58a. Evangelista Und da sie an die Stätte kamen 58b. Chorus I & II Der du den Tempel Gottes zerbrichst 58c. Evangelista Desgleichen auch die Hohenpriester 58d. Chorus I & II Andern hat er geholfen 58e. Evangelista Desgleichen schmäheten ihn
22. Zweiter Teil, 59. Recitativo (Alt) Ach, Golgatha, unsel’ges Golgatha
23. Zweiter Teil, 60. Aria (Alt, Chorus II) Sehet Jesus hat die Hand
24. Zweiter Teil, 61a. Evangelista, Jesus Und von der sechsten Stunde 61b. Chorus I Der rufet dem Elias 61c. Evangelista Und bald lief einer unter ihnen 61d. Chorus II Halt, laß sehen 61e. Evangelista Aber Jesus schriee abermals laut
25. Zweiter Teil, 62. Choral Wenn ich einmal soll scheiden
26. Zweiter Teil, 63a. Evangelista Und siehe da, der Vorhang im Tempel zerriß 63b. Chorus I & II Wahrlich, dieser ist Gottes Sohn gewesen 63c. Evangelista Und es waren viel Weiber da
27. Zweiter Teil, 64. Recitativo (Baß) Am Abend da es kühle war
28. Zweiter Teil, 65. Aria (Baß) Mache dich, mein Herze, rein
29. Zweiter Teil, 66a. Evangelista Und Joseph nahm den Leib 66b. Chorus I & II Herr, wir haben gedacht 66c. Evangelista, Pilatus Pilatus sprach zu ihnen
30. Zweiter Teil, 67. Recitativo (Sopran, Alt, Tenor, Baß, Chorus I & II) Nun ist der Herr zur Ruh gebracht
31. Zweiter Teil, 68. Chorus I & II Wir setzen uns mit Tränen nieder
32. Anhang 56. Recitativo Ja! freilich will in uns (Fassung für Gambe)
33. Anhang 57. Aria Komm, süßes Kreuz (Fassung für Gambe)

Personnel:
Werner Güra, tenor
Johannes Weisser, baritone
Sunhae Im, soprano
Bernarda Fink, mezzo-soprano
Topi Lehtipuu, tenor
Konstantin Wolff, baritone
Staats- und Domchor Berlin
RIAS Kammerchor
Akademie für Alte Musik Berlin
Rene Jacobs, direction

Download:

https://subyshare.com/dsvaxnlx5v3h/RenJac0bsJ.S.BachStMatthewPassi0nditi0n5.120135.12496.part1.rar.html
https://subyshare.com/kgj1b6uvxa6t/RenJac0bsJ.S.BachStMatthewPassi0nditi0n5.120135.12496.part2.rar.html
https://subyshare.com/pabp2q9uz9s9/RenJac0bsJ.S.BachStMatthewPassi0nditi0n5.120135.12496.part3.rar.html
https://subyshare.com/s3agla6ctfyl/RenJac0bsJ.S.BachStMatthewPassi0nditi0n5.120135.12496.part4.rar.html
https://subyshare.com/uyd1qo8jku7n/RenJac0bsJ.S.BachStMatthewPassi0nditi0n5.120135.12496.part5.rar.html
https://subyshare.com/0znb0cmil2li/RenJac0bsJ.S.BachStMatthewPassi0nditi0n5.120135.12496.part6.rar.html
https://subyshare.com/bnuu071neyrn/RenJac0bsJ.S.BachStMatthewPassi0nditi0n5.120135.12496.part7.rar.html

Orchester Wiener Akademie & Martin Haselböck – Re-Sound Beethoven Volume 6: Symphony No. 8 (2018)
FLAC (tracks) 24 bit/96 kHz  | Time – 01:03:20 minutes | 1,05 GB | Genre: Classical
Studio Masters, Official Digital Download | Booklet, Front Cover | © Alpha

The Orchester Wiener Akademie and its conductor Martin Haselböck continue the Resound Beethoven series, performed on period instruments and scrupulously respecting the orchestral layout of 200 years ago. Volume 6 is devoted to the Eighth Symphony, premiered in 1814, and the Piano Concerto in D major op.61a, first performed in 1808. Beethoven made this piano arrangement of his Violin Concerto at the request of Clementi, who wished to publish it in London. The recording took place in the Austrian Academy of Sciences (Old University) in Vienna, where many important works by Beethoven received their first performance. The Austrian pianist Gottlieb Wallisch is the soloist in this rarely performed concerto.

Tracklist:
Ludwig van Beethoven (1770-1827)
1. Symphony No. 8 in F Major, Op. 93: I. Allegro vivace e con brio 08:48
2. Symphony No. 8 in F Major, Op. 93: II. Allegretto scherzando 03:43
3. Symphony No. 8 in F Major, Op. 93: III. Tempo di Menuetto 04:40
4. Symphony No. 8 in F Major, Op. 93: IV. Allegro vivace 07:13
5. Piano Concerto in D Major, Op. 61a: I. Allegro ma non troppo 21:37
6. Piano Concerto in D Major, Op. 61a: II. Larghetto 07:35
7. Piano Concerto in D Major, Op. 61a: III. Rondo 09:44

Personnel:
Gottlieb Wallisch (piano)
Orchester Wiener Akademie
Martin Haselböck (conductor)

Download:

https://subyshare.com/srp6w5husl03/ReS0undBeeth0venV0lume6Symph0nyN0.820182496.part1.rar.html
https://subyshare.com/js89wyw37f8m/ReS0undBeeth0venV0lume6Symph0nyN0.820182496.part2.rar.html

Richie Beirach – Inborn (2018)
FLAC (tracks) 24 bit/44,1 kHz  | Time – 01:49:20 minutes | 1,06 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Jazzline

“Inborn” by Richie Beirach are recordings of historical significance for the world of jazz and a must-have for all connoisseursof music. Featuring Randy Brecker, Michael Brecker, John Scofield, George Mraz, and Adam Nussbaum!. All tracks were recorded at the legendary Clinton Recording Studios in New York, where many of the great Bill Evans trio and some of the later Miles Davis and McCoy Tyner records were realised.

Tracklist:
CD 1
–-
1. Paradox (Live Version) 07:06
2. Alone Together (Live Version) 06:17
3. Inborn (Live Version) 09:34
4. Con Alma (Live Version) 09:22
5. Sunday Song (Live Version) 07:09
6. In Your Own Sweet Way (Live Version) 08:33
7. You Don’t Know What Love Is (Live Version) 08:13
8. Broken Wing (Live Version) 07:08
CD 2
–-
1. My Funny Valentine 03:51
2. Leaving 06:06
3. Inborn 09:28
4. Some Other Time 06:21
5. Sunday Song 06:46
6. Young & Foolish 06:31
7. Paradox 06:55

Personnel:
RICHIE BEIRACH, piano
RANDY BRECKER, trumpet, flugelhorn
MICHAEL BRECKER, tenor sax
JOHN SCOFIELD, guitar
GEORGE MRAZ, bass
ADAM NUSSBAUM, drums

Download:

https://subyshare.com/cqkdciy7fqdc/RichieBeirachInb0rn20182444.1.part1.rar.html
https://subyshare.com/dw1gx48oylyt/RichieBeirachInb0rn20182444.1.part2.rar.html

Roman Simovic – Paganini: 24 Caprices (2018)
FLAC (tracks) 24 bit/44,1 kHz  | Time – 01:33:41 minutes | 902 MB | Genre: Classical
Studio Masters, Official Digital Download | Booklet, Front Cover | © LSO Live

For his debut solo album, the Leader of the London Symphony Orchestra showcases his virtuosity and innate musicality, navigating the technical and artistic challenges of Paganini’s 24 Caprices for solo violin. Staples of the violinist’s impressive repertoire, as a budding musician Simovic would practice these works daily in place of scales, and has gone on to delight audiences with performances across the globe.

While Paganini’s Caprices were intended to improve and strengthen technique, they are more commonly used to determine the wheat from the chaff, their demanding, high speed passages pushing players to their limits. With its fast scales and arpeggios, double and triple stops, and left-hand pizzicato, the final caprice is widely considered one of the most technically challenging violin pieces ever written.

Tracklist:
1. 24 Caprices, Op. 1: No. 1 in E Major 01:59
2. 24 Caprices, Op. 1: No. 2 in B Minor 04:29
3. 24 Caprices, Op. 1: No. 3 in E Minor 03:54
4. 24 Caprices, Op. 1: No. 4 in C Minor 08:09
5. 24 Caprices, Op. 1: No. 5 in A Minor 02:43
6. 24 Caprices, Op. 1: No. 6 in G Minor 05:44
7. 24 Caprices, Op. 1: No. 7 in A Minor 04:43
8. 24 Caprices, Op. 1: No. 8 in E-Flat Major 03:11
9. 24 Caprices, Op. 1: No. 9 in E Major 03:47
10. 24 Caprices, Op. 1: No. 10 in G Minor 02:58
11. 24 Caprices, Op. 1: No. 11 in C Major 05:04
12. 24 Caprices, Op. 1: No. 12 in A-Flat Major 03:03
13. 24 Caprices, Op. 1: No. 13 in B-Flat Major 03:05
14. 24 Caprices, Op. 1: No. 14 in E-Flat Major 01:26
15. 24 Caprices, Op. 1: No. 15 in E Minor 03:30
16. 24 Caprices, Op. 1: No. 16 in G Minor 01:34
17. 24 Caprices, Op. 1: No. 17 in E-Flat Major 04:00
18. 24 Caprices, Op. 1: No. 18 in C Major 02:42
19. 24 Caprices, Op. 1: No. 19 in E-Flat Major 03:54
20. 24 Caprices, Op. 1: No. 20 in D Major 03:55
21. 24 Caprices, Op. 1: No. 21 in A Major 04:06
22. 24 Caprices, Op. 1: No. 22 in F Major 03:11
23. 24 Caprices, Op. 1: No. 23 in E-Flat Major 06:28
24. 24 Caprices, Op. 1: No. 24 in A Minor 06:06

Personnel:
Roman Simovic, violin

Download:

https://subyshare.com/egj9lguv0mj6/R0manSim0vicPaganini24Caprices20182444.1.rar.html

Roman Simovic, LSO Chamber Ensemble & Malcolm Sinclair – Stravinsky: The Soldier’s Tale (2018)
FLAC (tracks) 24 bit/96 kHz  | Time – 55:27 minutes | 1,16 GB | Genre: Classical
Studio Masters, Official Digital Download | Booklet, Front Cover | © LSO Live

A septet of LSO musicians relive the Russian folk tale of a soldier who trades his fiddle for unparalleled gain in Stravinsky’s The Soldier’s Tale. A theatrical work ‘to be read, played and danced,’ British stage & television actor Malcolm Sinclair narrates, leading listeners through the soldier’s regretful decision.

Performed in 2015 as part of the Barbican’s inaugural Sound Unbound festival, The Soldier’s Tale was recorded in the Jerwood Hall of LSO St. Luke’s, a vibrant venue which is also home to the Orchestra’s community and music education programme. Directed by violinist Roman Simovic, the ensemble for this project featured veteran principal players from across the Orchestra, including bassoonist Rachel Gough, clarinetist Andrew Marriner, percussionist Neil Percy and trumpet player Philip Cobb.

Tracklist:
1. The Soldier’s Tale, Part I: Introduction. The Soldier’s March 02:47
2. The Soldier’s Tale, Part I, Music for Scene 1: Airs by a Stream 06:33
3. The Soldier’s Tale, Part I: The Soldiers March (Reprise) 04:01
4. The Soldier’s Tale, Part I, Music for Scene 2: Pastorale 07:09
5. The Soldier’s Tale, Part I: Airs by a Stream (Reprise) – Little Airs by a Stream 04:05
6. The Soldier’s Tale, Part II: The Soldier’s March (Reprise) 03:44
7. The Soldier’s Tale, Part II: The Royal March 06:32
8. The Soldier’s Tale, Part II: The Little Concert 03:09
9. The Soldier’s Tale, Part II, Three Dances: I. Tango 02:43
10. The Soldier’s Tale, Part II, Three Dances: II. Waltz 01:54
11. The Soldier’s Tale, Part II, Three Dances: III. Ragtime 02:22
12. The Soldier’s Tale, Part II: The Devil’s Dance 01:28
13. The Soldier’s Tale, Part II: Little Chorale 00:42
14. The Soldier’s Tale, Part II: The Devil’s Song 00:43
15. The Soldier’s Tale, Part II: Great Chorale 05:15
16. The Soldier’s Tale, Part II: Triumphal March of the Devil 02:20

Personnel:
Roman Simovic (violin)
Malcolm Sinclair (narrator)
LSO Chamber Ensemble

Download:

https://subyshare.com/f4ncued8nzwc/R0manSim0vicLS0ChamberEnsembleMalc0lmSinclairStravinskyTheS0ldiersTale20182496.part1.rar.html
https://subyshare.com/jqxddfumgh1f/R0manSim0vicLS0ChamberEnsembleMalc0lmSinclairStravinskyTheS0ldiersTale20182496.part2.rar.html

RossoPorpora & Walter Testolin – Marenzio L’amoroso e crudo stile (2018)
FLAC (tracks) 24 bit/96 kHz  | Time – 01:18:13 minutes | 1,33 GB | Genre: Classical
Studio Masters, Official Digital Download | Booklet, Front Cover | © Arcana

Luca Marenzio was the most brilliant representative of the sublime art of the madrigal during the last twenty years of the sixteenth century. Whereas the style of his early works is light, fluid and transparent, in his maturity Marenzio’s language turned towards a more complex, introspective attitude that made him the most emblematic musical exponent of Late Renaissance melancholy. L’amoroso & crudo stile brings together some of Marenzio’s finest madrigals, aiming to reproduce the most intimate expressive facets of a music of extraordinary beauty and profound humanity. With the emotional intensity and deep respect for the poetic text that distinguishes the ensemble, RossoPorpora begins in this debut recording its personal exploration and celebration of the madrigal, the earliest and still unsurpassed representation of Italian musical identity.

Between 1580 and his death in 1599, Luca Marenzio would publish no fewer than 18 books of madrigals, for between four and six vocalists – some 500 masterpieces have survived to the present day, which is testimony to the furious evolution of Marenzio’s languages over the course of just a few years. As he went on, he would develop ever-darker atmospheres which grew increasingly tortured and chromatic, and only Gesualdo would pick up the torch of his harmonic searchings a few years later. The two final madrigals offered on this album from the Rossoporpora ensemble, taken from the Ninth and final Book of Madrigals for five voices in 1599, provide a striking example: no sooner does a sequence become clear than Marenzio destroys it with a dissonance, an ineffable disharmony, a perilous chromatism. The album’s title says it all: we really move from “amoroso” to “crudo” – from the amorous to the cruel – across 18 years of writing; with lyrics borrowed from love poetry or pastoral verse, Marenzio steers clear of any religious temptation; indeed he wrote relatively few religious works. In fact, his art resides in the most human aspect of music and song.

Tracklist:
1. Come inanti de l’alba 05:19
2. Qual vive Salamandra 03:02
3. Dolorosi martir 04:50
4. Questa di verd’erbette 02:22
5. Occhi lucenti e belli 03:14
6. Scendi dal paradiso Venere 03:46
7. Due rose fresche 03:29
8. Non vidi mai dopo notturna pioggia 03:43
9. Zefiro torna e ‘l bel tempo rimena 06:12
10. Crudel, perché mi fuggi 03:08
11. Fuggito è ‘l sonno 04:19
12. O fere stelle 03:06
13. Senza il mio sole 06:28
14. Liquide perle 03:16
15. O verdi selve 03:43
16. Cruda Amarilli 06:37
17. Solo e pensoso 07:32
18. Crudele, acerba, inexorabil morte 04:07

Download:

https://subyshare.com/ab0ltmh07uv2/R0ss0P0rp0raWalterTest0linMarenzi0Lam0r0s0ecrud0stile20182496.part1.rar.html
https://subyshare.com/tvu1uzhimnyt/R0ss0P0rp0raWalterTest0linMarenzi0Lam0r0s0ecrud0stile20182496.part2.rar.html

Royal Academy of Music & Juilliard School Brass – Gabrieli for Brass: Venetian Extravaganza (2018)
FLAC (tracks) 24 bit/96 kHz  | Time – 01:16:27 minutes | 2,71 GB | Genre: Classical
Studio Masters, Official Digital Download | Booklet, Front Cover | © Linn Records

This fascinating transatlantic musical collaboration between the brass players of London’s Royal Academy of Music and New York’s Juilliard School presents enduring masterpieces by Giovanni Gabrieli and his Venetian contemporaries.

Under the direction of Reinhold Friedrich, renowned trumpet soloist and principal trumpet of the Lucerne Festival Orchestra, the players blend modern instruments and intellect with 16th-century technique and tuning to excel in this profoundly challenging repertoire. The beautiful acoustic of St Jude’s, Hampstead results in a gloriously sonorous soundscape; burnished waves of rich, warm trombones alternate with the brilliant, crystalline articulation of trumpets.

Academy Principal Jonathan Freeman-Attwood, who produced the recording, states: ‘We’re hoping it will show Gabrieli as the composer of great intimate music as well as wonderfully grandiloquent Venetian polyphony.’
This remarkable recording features some of the most compelling and attractive instrumental music of the late Renaissance era and boasts performances worthy of Gabrieli’s extraordinary legacy and the reputation of these two outstanding institutions.

Since 2004 the Royal Academy of Music and The Juilliard School have collaborated on a series of major transatlantic projects: the co-commissioning of Kommilitonen! by Sir Peter Maxwell Davies and concerts at the BBC Proms, Lincoln Center and Radio City with Sir Elton John, Sir Colin Davis and John Adams. They have also worked together on numerous chamber and early music projects, including the 2015 Bach tour of New York, Boston, Leipzig and London with Masaaki Suzuki and Rachel Podger.

Tracklist:
1. Canzon duodecimi toni a 10 C178 [5’03]2. Sonata octavi toni a 12 C184 [4’15]3. Canzon undecima a 4 ‘La serafina’ [2’43]4. Sonata pian’ e forte a 8, alla quarta bassa C175 [4’27]5. Canzon quinta a 7 [3’06]6. Canzon septimi toni a 8 C172 [3’12]7. Canzon terza e due canti [4’55]8. Sonata XVIII a 14 [6’21]9. Canzon octava a 8 [4’26]10. Canzon per otto tromboni [3’00]11. anzon a 4 ‘La spiritata’ [2’50]12. Canzon noni toni a 12 C183 [3’42]13. Sonata XXI a 4 C214 [4’41]14. Sinfonia a 8 ‘La bergamasca’ [3’11]15. Canzona terza a 6 C197 [3’04]16. Sonata a 6 I [2’39]17. Sonata XIX a 15 [5’34]18. La bottana a 4 [2’43]19. Sonata XX a 22 [6’39]

Composers:
Buonamente, Giovanni Battista (late 16th century-c.1642)
Frescobaldi, Girolamo (1583-1643)
Gabrieli, Giovanni (1558-1613)
Gussago, Cesario (fl.1599-1612)
Lappi, Pietro (c.1575-1630)
Massaino, Tiburtio (c.1550-1608)
Viadana, Lodovico da (1560-1627)

Download:

https://subyshare.com/o63ga7yu93kc/R0yalAcademy0fMusicJuilliardSch00lBrassGabrielif0rBrassVenetianExtravaganza201824192.part1.rar.html
https://subyshare.com/n9hgks3o6d3u/R0yalAcademy0fMusicJuilliardSch00lBrassGabrielif0rBrassVenetianExtravaganza201824192.part2.rar.html
https://subyshare.com/c1dl0xstlor4/R0yalAcademy0fMusicJuilliardSch00lBrassGabrielif0rBrassVenetianExtravaganza201824192.part3.rar.html

Royal Concertgebouw Orchestra & Daniele Gatti – Mahler: Symphony No. 4 in G Major (2018)
FLAC (tracks) 24 bit/192 kHz  | Time – 57:57 minutes | 1,87 GB | Genre: Classical
Studio Masters, Official Digital Download | Booklet, Front Cover | © RCO Live

Throughout his life, Gustav Mahler grappled with existential questions which were a source of both torment and inspiration for him. Perhaps the most important of these involved the existence of an afterlife, a theme which informs his first four symphonies to varying degrees, and which helps explain why Mahler considered his Symphony No. 4 from 1900 to be the conclusion of a ‘fully self-contained tetra- logy’. Despite Mahler’s doubts, bouts of writer’s block, changes of course in midstream and his reservations about written programmes, the overarching themes of the works in question are as clear as day. While the First Symphony was about suffering, death and transcendence, the Second about the possibility of resurrection after death and the Third about an order of living beings in nature and the cosmos as created by God, the Fourth focuses on the opposition between earthly life and paradise.

“a refreshing Mahler” (Guido van Oorschot, Volkskrant)

“The buildup and level of detail were once again wonderfully Gattian.” (Peter van der Lint, Trouw)

“the sheer sound of the orchestra in the Ruhevoll is so beautiful it makes you cry” (Mischa Spel, NRC)

Tracklist:
1. Symphony No. 4 in G Major: I. Bedächtig, nicht eilen 17:17
2. Symphony No. 4 in G Major: II. in gemächlicher Bewegung, ohne Hast 10:22
3. Symphony No. 4 in G Major: III. Ruhevoll, poco adagio 20:49
4. Symphony No. 4 in G Major: IV. Sehr behaglich 09:29

Personnel:
Julia Kleiter, soprano
Royal Concertgebouw Orchestra Amsterdam
Daniele Gatti, conductor

Download:

https://subyshare.com/2szfv8glxztc/R0yalC0ncertgeb0uw0rchestraDanieleGattiMahlerSymph0nyN0.4inGMaj0r201824192.part1.rar.html
https://subyshare.com/k8zk17v19awy/R0yalC0ncertgeb0uw0rchestraDanieleGattiMahlerSymph0nyN0.4inGMaj0r201824192.part2.rar.html

Royal Liverpool Philharmonic Orchestra & Vasily Petrenko – Ermanno Wolf-Ferrari: I Quatro Rusteghi (2018)
FLAC (tracks) 24 bit/96 kHz  | Time – 02:11:12 minutes | 2,33 GB | Genre: Classical
Studio Masters, Official Digital Download | Booklet, Front Cover | © Rubicon Classics

Ermanno Wolf-Ferrari’s I Quattro Rusteghi is a wonderful comedy. Very clever and very Italian: colourful, lively and rhythmic. The women are impertinent, cunning and seductive; the men are awful, dirty and mean. The confrontation between them is at the centre of the plot; of course this clash is explosive. This opera is a real feast for the senses and the imagination. The staging is choreographic and follows the plight of the different characters. Each is attracted by and then put down by the others. The subject could be serious, and in a way it is; but Goldoni turns it into a richly humorous comedy about emancipation.

The European Opera Centre chooses its repertoire with care to ensure it is suitable for young singers. This recording with the RLPO and Vasily Petrenko features some of the best young singers from across Europe with an average age below thirty who are joined by one highly experienced singer – Mihnea Lamatic from the Romanian National Opera.

Of course, I quatro rusteghi by Wolf-Ferrari was first performed in Germany, in 1906, but this little masterpiece – actually a great masterpiece – given here in its original Venetian dialect (hence “quatro” rather than “quattro” as proper Italian would have it), was recorded at a “mise en espace” performance of the Royal Liverpool Philharmonic. This is the most inspired work by this Italian-German composer, who is constantly pulled between loyalties to two different nations which forced him to move to Switzerland during the Great War so as not to have to choose sides; we can clearly hear the influence of Verdi’s Falstaff, and a little less of the influence of Puccini, although not Gianni Schicchi – which was still years away from being written at the time! For all that Wolf-Ferrari played a key role in the lyrical world of his times, he was refused a place in posterity, possibly because he was too Italian for the Germans and too Germanic for the Transalpines. That said, I quatro rusteghi remains his most-played work to this day, and rightly so: it contains a fearfully spiritual orchestration – including an extraordinary part for solo bassoon, amongst other things – a magisterial vocal ensemble piece and a truculence that takes hold of the listener from beginning to end. We’d love to hear it on French stages too… The album brings together a superb range of young lyrical talents who are surely ones to watch very closely.

Tracklist:
Ermanno Wolf-Ferrari (1876-1948)
CD1
01. I quatro rusteghi, Atto I: Preludio
02. I quatro rusteghi, Atto I, Scena 1: “Siora mare?” (Lucieta, Margarita)
03. I quatro rusteghi, Atto I, Scena 2: “Velo qua, eh!” (Margarita, Lucieta, Lunardo)
04. I quatro rusteghi, Atto I, Scena 3: “E cussì, come va sto maridozzo?” (Margarita, Lunardo)
05. I quatro rusteghi, Atto I, Scena 4: “L’è andada finalmente” (Lunardo, Maurizio)
06. I quatro rusteghi, Atto I, Scena 5: “El specio me ga dito che son bela” (Marina, una serva, Filipeto)
07. I quatro rusteghi, Atto I, Scena 6: “Xe sior barba!” (Filipeto, Marina, Simone)
08. I quatro rusteghi, Atto I, Scena 7: “Caro da Dio!” (Marina, Simone)
09. I quatro rusteghi, Atto I, Scena 8: “Ghe la fazzo, cospetina!” (Marina, una serva, Felice, Cancian, Riccardo)
10. I quatro rusteghi, Atto I, Scena 9: “Marina?-Sior?” (Simone, Marina, Felice, Riccardo, Cancian)
CD2
01. I quatro rusteghi, Atto II, Scena 1: Intermezzo
02. I quatro rusteghi, Atto II, Scena 1: “I me vol zirar ma mi li go magnai!” Lucieta, Margarita
03. I quatro rusteghi, Atto II, Scena 2: “Coss’è? Coss’è, parona, che parè una bissona?”(Lunardo, Margarita, Lucieta)
04. I quatro rusteghi, Atto II, Scena 3: “Patrona, siora Malgari!” (Marina, Margarita, Lucieta, Simone, Lunardo)
05. I quatro rusteghi, Atto II, Scena 4: “Marideve, che avarè de sti gusti” (Simone, Lunardo)
06. I quatro rusteghi, Atto II, Scena 5: “Oh, ècome quà lustrissimi” (Felice, Simone, Lunardo, Margarita, Lucieta, Marina)
07. I quatro rusteghi, Atto II, Scena 6: “A vu, ste mascarete ve domanda” (Margarita, Riccardo, Felice, Marina, Lucieta, Filipeto)
08. I quatro rusteghi, Atto II, Scena 7: “Cossa feu là?” (Lunardo, Lucieta, Simone, Cancian, Marina, Felice, Margarita)
09. I quatro rusteghi, Atto II, Scena 8: “O via, seu quà?” (Lunardo, Maurizio, Simone, Cancian, Felice, Riccardo, Marina, Filipeto, Lucieta, Margarita)
10. I quatro rusteghi, Atto III, Scena 1: “Hm! Ah, femene del diavolo, parchè ve gai creà?” (Lunardo, Simone, Cancian)
11. I quatro rusteghi, Atto III, Scena 2: “Siori gentilissimi grazie del bon amor” (Felice, Lunardo, Simone, Cancian)
12. I quatro rusteghi, Atto III, Ultima Scena: “Vele quà pentìe contrìe le domanda perdon” (Felice, Lucieta, Marina, Margarita, Lunardo, Cancian, Simone, Maurizio, Filipeto, Riccardo)

Personnel:
European Opera Centre
Royal Liverpool Philharmonic Orchestra
Vasily Petrenko, conductor

Download:

https://subyshare.com/ms0uj1h6yy40/R0yalLiverp00lPhilharm0nic0rchestraErmann0W0lfFerrariIQuatr0Rusteghi20182496.part1.rar.html
https://subyshare.com/kl84sftbfwhs/R0yalLiverp00lPhilharm0nic0rchestraErmann0W0lfFerrariIQuatr0Rusteghi20182496.part2.rar.html
https://subyshare.com/2y0zcgsg52ex/R0yalLiverp00lPhilharm0nic0rchestraErmann0W0lfFerrariIQuatr0Rusteghi20182496.part3.rar.html

RSO (Richie Sambora + Orianthi) – Radio Free America (2018)
FLAC (tracks) 24 bit/48 kHz  | Time – 01:06:59 minutes | 873 MB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © BMG

Rock and Roll Hall Of Famer Richie Sambora Teams with Female Guitar Goddess Orianthi for a collection of new music mixing blues, pop, rock, country and many more genres.

RSO is a collaboration between guitar virtuosos and hard rock power couple Richie Sambora and Orianthi Panagaris. Sambora spent 30 years as the lead guitarist for stadium rock icons Bon Jovi, and also enjoyed a successful solo career, while Australia-born Orianthi first caught the public’s attention as the lead guitarist for Michael Jackson’s This Is It tour before starting her own solo venture and collaborating or performing alongside a wide array of artists, including Steven Tyler, Prince, Santana, Steve Vai, Alice Cooper, and Lacey Sturm, among others. Versatile instrumentalists who can go from classic rock and blues to R&B and country on a dime, the pair began operating under the RSO moniker in 2017 when they released their debut EP, Rise, via BMG Records. ~ James Christopher Monger.

Tracklist:
01. Making History 4:30
02. We Are Magic 4:13
03. Rise 3:29
04. Take Me 4:36
05. Masterpiece 3:56
06. Walk With Me 4:59
07. I Don’t Want To Have To Need You Now 4:19
08. Truth 3:59
09. Together On The Outside 4:16
10. Good Times 3:25
11. Forever All The Way 4:09
12. I Got You Babe 3:00
13. One Night Of Peace 4:24
14. Blues Won’t Leave Me Alone 5:02
15. Hellbound Train 8:52

Download:

https://subyshare.com/wmdwu4o3phrs/RS0Radi0FreeAmerica20182448.rar.html