Steve Cropper – Night After Night (1982/2018)
FLAC (tracks) 24 bit/192 kHz  | Time – 40:07 minutes | 1,55 GB | Genre: Soul
Studio Masters, Official Digital Download  | Front Cover | © Geffen

Without really stretching himself, Cropper plays the series of soul and funk originals on this disc adequately, but rarely instilling the passion and inventiveness of his recordings with Booker T. & The MG’s. The various “guest” vocalists also pale in comparison to the Stax greats, but they do an adequate enough job. The title cut is the only time when sparks fly, and arguably the only track where Cropper contributes something original and truly captivating. “Night After Night” indicates that Cropper was not washed up without significant players around him, but this release adds little to his impressive body of work.

Tracklist:
01. Night After Night
02. Make You Feel Love Again
03. Sad Eyes
04. There Goes My Baby
05. 634-5789
06. Heartbeat
07. Can’t Break The Habit
08. Love’s Sweet Sinsation
09. Hold Your Fire

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Sylvain Goldberg, Emilien Levistre, Xiaoxi Levistre – Tout le monde debout (Bande originale du film) (2018)
FLAC (tracks) 24 bit/48 kHz  | Time – 31:03 minutes | 331 MB | Genre: Soundtrack
Studio Masters, Official Digital Download  | Front Cover | © Gaumont

Jocelyn, homme d’affaire en pleine réussite, égoïste et misogyne, lassé d’être lui-même, se retrouve malgré lui à séduire une jeune et jolie femme en se faisant passer pour un handicapé. Jusqu’au jour où elle lui présente sa soeur elle-même handicapée. Musique de Sylvain Goldberg, Emilien Levistre, Xiaoxi Levistre, Guy Waku, Brice Davoli.

Tracklist:
01. Guy Waku – Better Than Superman
02. Sylvain Goldberg, Emilien Levistre, Xiaoxi Levistre – Odette
03. Sylvain Goldberg, Emilien Levistre, Xiaoxi Levistre – Julie et Jocelyn
04. Sylvain Goldberg, Emilien Levistre, Xiaoxi Levistre – La rencontre
05. Sylvain Goldberg, Emilien Levistre, Xiaoxi Levistre – Entre deux frères
06. Sylvain Goldberg, Emilien Levistre, Xiaoxi Levistre – Jogging
07. Sylvain Goldberg, Emilien Levistre, Xiaoxi Levistre – Le match
08. Sylvain Goldberg, Emilien Levistre, Xiaoxi Levistre – Les amis de Florence
09. Sylvain Goldberg, Emilien Levistre, Xiaoxi Levistre – Le cauchemar
10. Sylvain Goldberg, Emilien Levistre, Xiaoxi Levistre – Après le concert
11. Sylvain Goldberg, Emilien Levistre, Xiaoxi Levistre – L’hôtel de Prague, Pt. 1
12. Sylvain Goldberg, Emilien Levistre, Xiaoxi Levistre – L’hôtel de Prague, Pt. 2
13. Sylvain Goldberg, Emilien Levistre, Xiaoxi Levistre – La maison de retraite
14. Sylvain Goldberg, Emilien Levistre, Xiaoxi Levistre – Entre deux soeurs
15. Sylvain Goldberg, Emilien Levistre, Xiaoxi Levistre – A Lourdes
16. Sylvain Goldberg, Emilien Levistre, Xiaoxi Levistre – Démasqué
17. Sylvain Goldberg, Emilien Levistre, Xiaoxi Levistre – Le cadeau
18. Sylvain Goldberg, Emilien Levistre, Xiaoxi Levistre – Le marathon, Pt. 1
19. Sylvain Goldberg, Emilien Levistre, Xiaoxi Levistre – Le marathon, Pt. 2
20. Sylvain Goldberg, Emilien Levistre, Xiaoxi Levistre – Le concert
21. Sylvain Goldberg, Emilien Levistre, Xiaoxi Levistre – C’est l’Italie
22. Sylvain Goldberg, Emilien Levistre, Xiaoxi Levistre – I-Run
23. Sylvain Goldberg, Emilien Levistre, Xiaoxi Levistre – Avant le match
24. Sylvain Goldberg, Emilien Levistre, Xiaoxi Levistre – Marie et Florence
25. Sylvain Goldberg, Emilien Levistre, Xiaoxi Levistre – Le secret
26. Sylvain Goldberg, Emilien Levistre, Xiaoxi Levistre – Sur un nuage
27. Brice Davoli – Amore mio

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The Allman Brothers Band – Idlewild South (1970/2015)
FLAC (tracks) 24 bit/192 kHz  | Time – 30:57 minutes | 1,31 GB | Genre: Rock
Studio Masters, Official Digital Download  | Front Cover | © Island Records

While that first album had little commercial success, the band’s relentless touring behind it led to a buzz that led Eric Clapton to enlist Duane Allman to take part on his 1970 Derek and the Dominos album which produced “Layla.” Produced by Tom Dowd, marking his first album with the band, Idlewild South was recorded in a variety of cities, including New York, Miami and Macon, GA, the band’s adopted home, because of their hectic performance schedule. Most of the songs, including two of their most iconic – Gregg Allman and Kim Payne’s “Midnight Rider” and Dickey Betts’ “In Memory of Elizabeth Reed” – were road-tested before they were ever recorded. The album’s title comes from the group’s name for the run-down, isolated hunting cabin the band used for rehearsals and partying. The farmhouse, which they rented for the princely sum of $165 a month, was located on a manmade lake outside Macon, and people came and went with such frequency, the band compared it to New York’s airport of the same name (later changed to John F. Kennedy International). Much of the material on the album was first created in that cabin, where the band’s “brotherhood came to pass,” according to Allmans roadie (and “Midnight Rider” co-writer) Kim Payne. The album didn’t sell well at first, but eventually peaked at #38 on Billboard, setting the stage for their 1971 breakthrough, At Fillmore East.

Idlewild South has since gone on to become one of the Allman Brothers Band’s most iconic releases. Rolling Stone named it one of the “40 Most Groundbreaking Albums of All Time” in 2014: “The Allman Brothers transmogrified from mere blues-rockers to an assemblage creating an entirely new kind of Southern music.” Allmusic’s Bruce Eder called it “the best studio album in the group’s history, electric blues with an acoustic texture, virtuoso lead, slide and organ playing, and a killer selection of songs.”

If you’re going to listen to the Allman Brothers, make sure you have the first four records. The band made The Allman Brothers Band, Idlewild South, At Fillmore East, and three-fourths of Eat a Peach with its original lineup, before Duane Allman’s fatal motorcycle accident in 1971. The Tom Dowd-produced Idlewild South, their second album, comes off with a little less ferocity than their debut – which is perhaps the result of reaching for new sounds the second time around. “Revival,” the album’s opener, introduces Dickey Betts as a composer. The countrified flavor of his songs gives an indication of where the band will head in the post-Duane era. Betts’ other contribution to Idlewild South is the instrumental “In Memory of Elizabeth Reed,” a centerpiece of the Fillmore East recordings. Gregg’s “Please Call Home” and “Midnight Rider” are built around piano and acoustic guitar, respectively, and have a different feel than the band’s usual twin Les Paul-and-Hammond sound. That sound is showcased in the balance of Gregg’s tunes, however: the funky blues of “Don’t Keep Me Wonderin'” (with Thom Doucette on harmonica) and “Leave My Blues at Home.” The album is also notable for the rollicking version of Willie Dixon’s “Hoochie Coochie Man,” with the only vocal bassist Berry Oakley (who died in a motorcycle accident one year after Duane) ever recorded with the group. Though overall it packs less punch than The Allman Brothers Band, Idlewild South is all the more impressive for its mixture of chunky grooves and sophisticated textures.

Tracklist:
01. Revival
02. Don’t Keep Me Wonderin’
03. Midnight Rider (Album Version)
04. In Memory Of Elizabeth Reed
05. Hoochie Coochie Man (Album Version)
06. Please Call Home
07. Leave My Blues At Home

Personnel:
Gregg Allman – vocals, organ, piano
Duane Allman – slide guitar, lead guitar, acoustic guitar
Dickey Betts – lead guitar
Berry Oakley – bass, vocals on “Hoochie Coochie Man”, and harmony vocals on “Midnight Rider”
Jai Johanny Johanson – drums, congas, timbales, percussion
Butch Trucks – drums, timpani
Thom Doucette – harmonica, percussion

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The Shadows – The Original Recordings 1958-1961 (2015)
FLAC (tracks) 24 bit/44,1 kHz  | Time – 02:38:49 minutes | 1,44 GB | Genre: Pop, Rock
Studio Masters, Official Digital Download  | Front Cover | © Crazy Warthog Media

The Shadows are usually thought of as the quintessential British instrumental group and, along with the American band the Ventures and the Swedish group the Spotnicks, one of the most popular instrumental groups in the world. But that barely tells the story of their true significance in the history of British rock & roll including the fact that they were the first home-grown British rock & roll band to dominate the U.K. charts; or that they weren’t originally an instrumental group, either. The band’s roots go back to Chesthunt, Hertfordshire, in early 1958, when a young Indian-born singer/guitarist named Harry Webb joined with drummer Terry Smart and guitarist Norman Mitham to form a group that they ended up calling the Drifters at the time, none of the records by the American R&B group of the same name, founded by Clyde McPhatter, had been released in England, so they had no inkling of the name’s already being used.

Tracklist:
01. FBI
02. Quartermasster’s Stores
03. Shadoogie
04. The Stranger
05. Apache
06. Man of Mystery
07. Shotgun
08. Baby My Heart
09. 36 24 36
10. Kon-Tiki
11. Midnight
12. Stand Up and Say That
13. Feelin’ Fine
14. Mustang
15. Nivram
16. Bongo Blues
17. Driftin
18. Back Home
19. The Frightened City
20. Theme from Shane
21. Big Boy
22. Peace Pipe
23. Gonzales
24. Jet Black
25. Saturday Dance
26. Chinchilla
27. Theme from Gian
28. Blue Star
29. Don’t Be a Fool
30. Find Me a Golden Street
31. Lonesome Fella
32. Jean Dorothy
33. Teenage Love
34. That’s My Desire
35. Apache (Take 2)
36. Shadoogie (Take 2)
37. Big Boy (Take 2)
38. Stand Up and Say That (Take 2)
39. The Savage
40. See You In My Drums
41. Baby My Heart (Take 2)
42. Find Me a Golden Street (Take 2)
43. Gonzales (Take 2)
44. Theme From a Filleted Place
45. All My Sorrows
46. Nivram (Take 2)
47. Sleep Walk
48. Blue Star (Take 2)
49. My Resistance Is Low
50. Driftin´ (Live)
51. Be Bop a Lula (Live)
52. Jet Black (Live)
53. Shazam (Live)
54. Guitar Boogie (Live)
55. Sleepwalk (Live)
56. FBI (Live)
57. Shazam (Live) (Take 2)
58. Guitar Boogie (Live) (Take 2)
59. Stranger on the Shore (Live)
60. The Frightened City (Live)
61. Man of Mystery (Live)
62. Nivram (Live)
63. Do You Want to Dance (Live)
64. Kon-Tiki (Live)
65. Midnight (Live)
66. Guitar Boogie (Live) (Take 3)

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Walter Murphy – A Fifth of Beethoven (1976/2017)
FLAC (tracks) 24 bit/44,1 kHz  | Time – 36:08 minutes | 402 MB | Genre: Funk
Studio Masters, Official Digital Download  | Front Cover | © Private Stock Records

Walter Murphy’s “A Fifth of Beethoven” put classical disco on the map. It helped that Beethoven’s symphony had a heavy percussion feel, which Murphy cranked up a couple of notches with his amazing ingenuity. Other selections, while creatively different, are just as good, but didn’t burn a hole in the charts like “Fifth.” “Suite Love Symphony,” “Flight ’76,” “California Strut,” and “Russian Dressing” will expand your mind and quench your musical thirst at the same time. “Midnight Express” is fine European boogie, while the horn-laden “Get a Little Lovin'” is a funky thing. It’s always a nice trick when artists can define a genre with a single song, and Murphy did that. Even better when they can follow it up with an album that expands on that song’s charms and delivers a satisfying listening experience. A Fifth of Beethoven does that with unerring style and class and stands as one of the high points of the disco era.

Tracklist:
01. Flight 76 (Flight of the Bumble Bee)
02. (You’ve Got To) Be Your Own Best Friend
03. California Strut
04. A Fifth of Beethoven
05. Night Fall (Chopin’s Prelude No. 4 in E Minor)
06. Russian Dressing (Tchaikovsky’s Piano Concerto No. 1)
07. Suite Love Symphony
08. Midnight Express
09. Get a Little Lovin’
10. Just a Love Song

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Xavier Rudd – Live in The Netherlands (2017)
FLAC (tracks) 24 bit/48 kHz  | Time – 01:49:53 minutes | 1,28 GB | Genre: Alternative, Folk, Dub, World
Studio Masters, Official Digital Download  | Front Cover | © Salt. X Records Ltd.

In early 2016, Xavier Rudd embarked on a 28-date sold out tour of Europe as his single ‘Follow The Sun’ was topping charts around the region. Playing a set list that read like a career retrospective over a solid two-hour show, Xavier thrilled audiences from the UK to Italy, Germany to Spain and everywhere in between with the energy and spirit he brought to the stage.

‘Live In The Netherlands’ is a recording of the last night of this tour that captures the magic of this run of performances. The 18-track double live album consists of Xavier Rudd’s most loved songs spanning his entire career including ‘Come Let Go’, ‘Spirit Bird’, the global hit ‘Follow the Sun’ and a brilliant cover of crowd-favourite ‘No Woman No Cry’.

Xavier Rudd’s diverse and acclaimed career is going from strength to strength, with his message of global togetherness, acceptance and respect as well as his dynamic musical connection solidifying his place as one of Australia’s greatest artists, activists and spirits.

Tracklist:
01. Flag (Live)
02. Come Let Go (Live)
03. Food in the Belly (Live)
04. The Mother (Live)
05. While I’m Gone (Live)
06. Come People / Sacred (Live)
07. Breeze Intro (Live)
08. Breeze (Live)
09. No Woman No Cry (Live)
10. Messages (Live)
11. The Letter (Live)
12. Bow Down (Live)
13. Follow the Sun (Live)
14. Rise Up (Live)
15. Creancient (Live)
16. Let Me Be (Live)
17. Solace (Live)
18. Spirit Bird (Live)

Personnel:
Xavier Rudd – lead vocals, guitar
Weissenborn – yidaki (didgeridoo), harmonica, stompbox
Charles Wall (AKA Bobby Alu) – drums, percussion, backing vocals
Ant Aggs – keyboards, piano

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Xavier Rudd – Nanna (2015/2017)
FLAC (tracks) 24 bit/44,1 kHz  | Time – 53:59 minutes | 607 MB | Genre:  Roots, Dub, Folk, World
Studio Masters, Official Digital Download  | Front Cover | © Nettwerk Records

„Nanna“ has been long awaited by Xavier Rudd fans, but even more so by the man himself – who put it out to the Universe that it was time to record his dream project and ancestors from around the world answered his call, delivering a collective of amazing musicians by way of his brand new band – The United Nations. 
Mixed by living legend Errol Brown at Tuff Gong Studios, Nanna finds Rudd on his feet, playing guitar centre stage, as he fronts Xavier Rudd And The United Nations – a one-people musical force.

Xavier Rudd has a voice that needs to be heard to be understood. Soaring, plaintive and deeply emotive…There’s a poignancy, intimacy and gravitas he achieves with each utterance that makes nearly every moment worth remembering. It’s an achievement many artists can strive a whole career to achieve and never attain. – AbsolutePunk Xavier Rudd & The United Nations are a celebration of a “One People Musical Force” with a strong message of all people coming together around the globe to return to spirit, respect the ancient ways and protect the earth and the very essence of creation.

Tracklist:
01. Flag
02. While I’m Gone
03. Hanalei
04. Come People
05. Sacred
06. Nanna
07. Rusty Hammer
08. Rainbow Serpent
09. Creancient
10. Warrior
11. Struggle
12. Radiate
13. Bundagen

Personnel:
Xavier Rudd – guitar, vocals, Weissenborn, Yidaki
Stuart Currie – trombone
Eddie Elias – Fender Rhodes, Hammond organ, piano
Peter Hunt – trumpet
Simon Keet – synthesizer
Chris Lane – Bansuri, tenor sax
Tio Moloantoa – bass
Bobby Alu – drums, percussion
Yeshe Reiners – Ngoni, percussion
Alicia Mellor – backing vocals
Georgia Carowa – backing vocals

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https://subyshare.com/y9j6scewuzqp/XavierRuddNanna20172444.1.rar.html

Yilian Canizares – Ochumare (2013)
FLAC (tracks) 24 bit/44,1 kHz  | Time – 01:00:54 minutes | 638 MB | Genre:  Jazz
Studio Masters, Official Digital Download  | Booklet, Front Cover | © naïve Jazz

At this time in my life, I’m finally able to express myself through jazz as I have always wanted by becoming fully immersed in the music and lyrics. I love performing American Jazz Standards and surrounding myself with world class musicians. There is no other feeling as fulfilling as performing jazz. This album captures the energy and spirit of her intense and creative afro/Cuban/jazz synthesis.

Tracklist:
01. Aso Kara Luwé
02. Pirulisme
03. Red Princess
04. Alas Escarlatas
05. Oshun Edé
06. Eché Mis quejas Al Mar
07. Flor de Algodon
08. Tonada
09. Alma
10. Papito
11. Aso Kara Luwé (End)

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Collegium Vocale Gent & Philippe Herreweghe – Victoria: Officium Defunctorum (2012)
FLAC (tracks) 24 bit/44,1 kHz  | Time – 59:34 minutes | 561 MB | Genre: Classical
Studio Masters, Official Digital Download  | Booklet, Front Cover | © Phi

Tomás Luis de Victoria is definitely one of the most important composers in the music history of Spain. His masterpiece is the ‘Officium Defunctorum’, published in Madrid in 1605. In this requiem – written for the funeral of Maria of Austria, daughter of Emperor Charles V – the composer reached a mystical intensity of expression.

Philippe Herreweghe just loves composers “who know how to build entire worlds with sounds, recognizable from the first notes, profound and full of richness”. For him Tomás Luis de Victoria is one of them, “one of the greatest musical minds ever”.

So it was an obvious choice for Philippe Herreweghe to make a recording of this heavenly ‘Officium Defunctorum’. And… of course Collegium Vocale Gent – with its cristal clear sound – is the perfect instrument to perform such music. Looking forward to the first renaissance project of Philippe Herreweghe and Collegium Vocale Gent for the label Phi!

Tracklist:
Tomás Luis de Victoria (1548-1611)
01. Officium Defunctorum: Lectio II: Taedet animam meam
02. Officium Defunctorum: Introitus: Requiem aeternam
03. Officium Defunctorum: Kyrie
04. Officium Defunctorum: Graduale: Requiem aeternam
05. Officium Defunctorum: Offertorium: Domine Jesu Christe
06. Officium Defunctorum: Sanctus-Benedictus
07. Officium Defunctorum: Agnus Dei
08. Officium Defunctorum: Communio: Lux aeterna
09. Officium Defunctorum: Motectum: Versa est in luctum
10. Officium Defunctorum: Responsorium: Libera me, Domine
11. O Domine Jesu Christe
12. Domine non sum dignus
13. Salve regina: Salve regina a 6
14. Vadam et circuibo civitatem: Vadam et circumibo civitatem a 6

Personnel:
Collegium Vocale Gent
Philippe Herreweghe

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Crowded House – Crowded House (1986/2016)
FLAC (tracks) 24 bit/192 kHz  | Time – 39:06 minutes | 1,58 GB | Genre: Rock
Studio Masters, Official Digital Download  | Front Cover | © CAPITOL

‘Crowded House’ is the debut self-titled album by Crowded House, released in June 1986. There were 5 singles from the album and one of them, Don’t Dream It’s Over is the band’s signature song and was their first international hit, reaching #1 in Canada and #2 in the US.

When this sparkling debut by the three-piece Crowded House made its appearance in 1987, those starved for hooks minus the usual sentimentality were finally sated. New Zealander Neil Finn came all the way to Los Angeles from Australia, bringing with him some of the finest melodies and knowing lyrics to come down the pop-music pike in years. With immaculate production and keyboard additions by Mitchell Froom, (who found his fame with this band), „Crowded House“ proved to be a stellar debut.

Neil Finn first made his mark as a member of his big brother Tim’s band, Split Enz. His contribution to that band gave Split Enz its first international hits (the most notable of which was ‘I Got You’). Finn continued this tradition of writing and performing harmony-rich gems when he formed Crowded House with Split Enz drummer Paul Hester and Melbourne bassist Nick Seymour. Featuring the beautiful yet ambiguous ‘Don’t Dream Its Over’ (covered by Paul Young at the Nelson Mandela Tribute Concert), ‘World Where You Live,’ and ‘Something So Strong,’ „Crowded House“ is the ideal introduction to the delights of Neil Finn and his exceptional band.

‘…guitars jangle and warble and scrape around while songwriter Neil Finn’s voice swung from a serenade to a kind of sculpted holler….each song [providing] a lyrical shock tied to a perfect hook…’ (CMJ)

Tracklist:
01. Mean To Me
02. World Where You Live
03. Now We’re Getting Somewhere
04. Don’t Dream It’s Over
05. Love You ‘Til The Day I Die
06. Something So Strong
07. Hole In The River
08. Can’t Carry On
09. I Walk Away
10. Tombstone
11. That’s What I Call Love

Personnel:
Neil Finn, guitar, lead vocals, piano
Nick Seymour, bass
Paul Hester, drums, backing vocals
Additional musicians:
Tim Pierce, guitar
Jim Keltner, drums (‘Now We’re Getting Somewhere’)
Jerry Scheff, bass (‘Now We’re Getting Somewhere’)
Noel Crombie, background vocals
Jim Gilstrap, background vocals
Andy Milton, background vocals
Joe Satriani, background vocals
George Bermudez, percussion
Heart Attack Horns, horns
Mitchell Froom, keyboards
Produced by Mitchell Froom, Neil Finn

Digitally remastered

Ranked #71 in Rolling Stone’s ‘100 Greatest Albums Of The 80s’ survey

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Die Taschenphilharmonie & Peter Stangel – Beethoven: Revisited Symphonies 1-9 (2018)
FLAC (tracks) 24-bit/44,1 kHz | Time – 05:07:32 minutes | 2,93 GB | Genre: Classical
Studio Masters, Official Digital Download | Booklet, Front Cover | © Edition Taschenphilharmonie

This is an extraordinary journey through the most preeminent of classical symphonies. With an ensemble of only 12-16 top-quality musicians, the Pocket Philharmonic Orchestra explores Beethoven’s musical origins.

All the great conductors and orchestras have shown where Beethoven led: how his ideas paved the way for later masters like Schumann, Bruckner and Mahler. What hasn’t been shown yet is where Beethoven was: where his musical language came from, how he shifted standards and developed techniques in a completely new and revolutionary way.

The Pocket Philharmonic has a new approach to this idea: instead of a full chamber or symphony orchestra, the ensemble performs as a chamber ensemble in a symphonic manner – symphonic chamber music, or chamber music symphonies, so to speak. “This is the most vivid performance of the Eroica you have ever heard” said the critics. “It makes the revolution in his music audible. “An outstanding listening experience.”

„…Peter Stangel conducts with all the persuasive power we associate with great Mahler conductors, and his little orchestra plays its heart out for him…“ (Fanfare, Robert Markow)

Tracklist:
Ludwig van Beethoven (1770-1827)
01. Sinfonie Nr. 1 C-Dur op. 21: I. Adagio molto – Allegro con brio Taschenphilharmonie 8:03
02. Sinfonie Nr. 1 C-Dur op. 21: II. Andante cantabile con moto Taschenphilharmonie 5:28
03. Sinfonie Nr. 1 C-Dur op. 21: III. Menuetto. Allegro molto e vivace Taschenphilharmonie 3:20
04. Sinfonie Nr. 1 C-Dur op. 21: IV. Adagio – Allegro molto e vivace Taschenphilharmonie 5:36
05. Sinfonie Nr. 2 D-Dur op. 36: I. Adagio molto – Allegro con brio Taschenphilharmonie 9:32
06. Sinfonie Nr. 2 D-Dur op. 36: II. Larghetto Taschenphilharmonie 9:45
07. Sinfonie Nr. 2 D-Dur op. 36: III. Scherzo. Allegro Taschenphilharmonie 3:42
08. Sinfonie Nr. 2 D-Dur op. 36: IV. Allegro molto Taschenphilharmonie 6:22
09. Sinfonie Nr. 3 Es-Dur op. 55: I. Allegro con brio Taschenphilharmonie 14:31
10. Sinfonie Nr. 3 Es-Dur op. 55: II. Marcia funebre. Adagio assai Taschenphilharmonie 13:53
11. Sinfonie Nr. 3 Es-Dur op. 55: III. Scherzo. Allegro vivace – Trio Taschenphilharmonie 5:39
12. Sinfonie Nr. 3 Es-Dur op. 55: IV. Finale. Allegro molto – Poco andante – Presto Taschenphilharmonie 11:19
13. Sinfonie Nr. 4 B-Dur op. 60: I. Adagio – Allegro vivace Taschenphilharmonie 8:32
14. Sinfonie Nr. 4 B-Dur op. 60: II. Adagio Taschenphilharmonie 8:58
15. Sinfonie Nr. 4 B-Dur op. 60: III. Menuetto. Allegro vivace Taschenphilharmonie 5:45
16. Sinfonie Nr. 4 B-Dur op. 60: IV. Allegro ma non troppo Taschenphilharmonie 5:39
17. Sinfonie Nr. 5 c-moll op. 67: I. Allegro con brio Taschenphilharmonie 6:52
18. Sinfonie Nr. 5 c-moll op. 67: II. Andante con moto Taschenphilharmonie 8:31
19. Sinfonie Nr. 5 c-moll op. 67: III. Scherzo. Allegro Taschenphilharmonie 4:41
20. Sinfonie Nr. 5 c-moll op. 67: IV. Allegro Taschenphilharmonie 8:17
21. Sinfonie Nr. 6 F-Dur op. 68, “Pastorale”: I. Allegro ma non troppo (Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande) Taschenphilharmonie 10:57
22. Sinfonie Nr. 6 F-Dur op. 68, “Pastorale”: II. Andante molto mosso (Szene am Bach) Taschenphilharmonie 10:46
23. Sinfonie Nr. 6 F-Dur op. 68, “Pastorale”: III. Allegro (Lustiges Zusammensein der Landleute) Taschenphilharmonie 4:51
24. Sinfonie Nr. 6 F-Dur op. 68, “Pastorale”: IV. Allegro (Gewitter und Sturm) Taschenphilharmonie 3:38
25. Sinfonie Nr. 6 F-Dur op. 68, “Pastorale”: V. Allegretto (Hirtengesange – Frohe und dankbare Gefuhle nach dem Sturm) Taschenphilharmonie 8:19
26. Sinfonie Nr. 7 A-Dur op. 92: I. Poco sostenuto – Vivace Taschenphilharmonie 10:32
27. Sinfonie Nr. 7 A-Dur op. 92: II. Allegretto Taschenphilharmonie 7:58
28. Sinfonie Nr. 7 A-Dur op. 92: III. Scherzo. Presto – Trio. Assai meno presto Taschenphilharmonie 6:45
29. Sinfonie Nr. 7 A-Dur op. 92: IV. Allegro ma non troppo Taschenphilharmonie 7:02
30. Sinfonie Nr. 8 F-Dur op. 93: I. Allegro vivace e con brio Taschenphilharmonie 8:30
31. Sinfonie Nr. 8 F-Dur op. 93: II. Allegretto scherzando Taschenphilharmonie 3:48
32. Sinfonie Nr. 8 F-Dur op. 93: III. Tempo di Menuetto Taschenphilharmonie 5:15
33. Sinfonie Nr. 8 F-Dur op. 93: IV. Allegro vivace Taschenphilharmonie 7:15
34. Sinfonie Nr. 9 d-moll op. 125: I. Allegro ma non troppo, un poco maestoso Taschenphilharmonie 14:09
35. Sinfonie Nr. 9 d-moll op. 125: II. Scherzo. Molto vivace – Presto Taschenphilharmonie 9:12
36. Sinfonie Nr. 9 d-moll op. 125: III. Adagio molto e cantabile – Andante moderato Taschenphilharmonie 12:11
37. Sinfonie Nr. 9 d-moll op. 125: IV. Finale. Presto Taschenphilharmonie 22:21

Personnel:
Die Taschenphilharmonie
Peter Stängel, conductor

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Feininger Trio – Suk, Dvorak & Smetana: Piano Trios (2013)
FLAC (tracks) 24-bit/44,1 kHz | Time – 01:15:34 minutes | 692 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © CAvi-music

The works by Smetana, Dvořák and Suk featured on this album are characteristic examples of how the Czech late-19th century national style was reflected in the area of chamber music.

Tracklist:
01. Piano Trio in C Minor, Op. 2: I. Allegro
02. Piano Trio in C Minor, Op. 2: II. Andante
03. Piano Trio in C Minor, Op. 2: III. Vivace
04. Piano Trio No. 2 in G Minor, Op. 26: I. Allegro moderato
05. Piano Trio No. 2 in G Minor, Op. 26: II. Largo
06. Piano Trio No. 2 in G Minor, Op. 26: III. Scherzo. Presto
07. Piano Trio No. 2 in G Minor, Op. 26: IV. Finale. Allegro ma non troppo
08. Piano Trio in G Minor, Op. 15: I. Moderato assai
09. Piano Trio in G Minor, Op. 15: II. Allegro, ma non agitato-Alternativo 1. Andante-Alternativo 2. Maestoso
10. Piano Trio in G Minor, Op. 15: III. Finale. Presto

Composers:
Dvorak, Antonin (1841-1904)
Smetana, Bedrich (1824-84)
Suk, Josef (1874-1935)

Personnel:
Adrian Oetiker, piano
Christoph Streuli, violin
David Riniker, cello
Recording: 2011 & 2012, Teldec Studios, Berlin
Recording Producer, editing & mastering: Christoph Franke

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Florian Christl – Inspiration (2018)
FLAC (tracks) 24-bit/44,1 kHz | Time – 56:48 minutes | 513 MB | Genre: Classical
Studio Masters, Official Digital Download | Booklet, Front Cover | © Sony Classical

Florian Christl never formally studied composition or the piano. He simply sits down at the piano and writes music that lifts your thoughts and emotions, giving them free flight, like a dream for the soul. Inspiring, full of love, hope, longing and beautiful melodies. Florian grew up in a small town in Bavaria. He loves the outdoors, the quiet of the forest, and the peace of the mountains. His greatest passion has always been making music and he spent every free moment at the piano. During his studies Florian worked as a student trainee with Sony Music. One of his colleagues was so impressed by his music that she used some of his tunes for a presentational video and in a playlist. This is how the classical department became aware of Florian.

Tracklist:
01. Fly
02. Close Your Eyes
03. Moments
04. Concertino
05. Sehnsucht
06. C’est la vie
07. Focus
08. Das Streben nach Glück
09. Der grüne Ballon
10. Geborgenheit
11. November
12. Glücksmoment
13. Inspiration

Personnel:
Florian Christl, piano

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Forestella – Evolution (2018)
FLAC (tracks) 24 bit/96 kHz  | Time – 52:11 minutes | 1,02 GB | Genre: Classical
Studio Masters, Official Digital Download  | Front Cover | © Universal Music Ltd.

Debut album “Evolution” which shattered preconceptions about crossover music being boring, as well as solo performances by the group members. Forestella gets their name from “a star(stella) that shines above a forest” and comprises of musical actor Bae Doo-hoon, tenor Jo Min-kyu, bass Go Woo-rim and ordinary salaryman Kang Kyung-ho. The four were the top finalists for the audition show “Phantom Singer 2” and went on to form the crossover quartet.

Tracklist:
01. Evolution
02. I’m Coming Now
03. You Are My Star
04. The Journey Of Love
05. My Eden
06. L’immensita
07. Dell`amore Non Si Sa
08. In Un’Altra Vita
09. Dream A Little Dream Of Me
10. Close Your Eyes
11. Time Travel
12. Primula
13. You Change My World

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Freiburger Barockorchester & Gottfried von der Goltz – Telemann: Seliges Erwägen – Passion-Oratorium (2018)
FLAC (tracks) 24 bit/48 kHz  | Time – 01:52:02 minutes | 1,15 GB | Genre: Classical
Studio Masters, Official Digital Download  | Booklet, Front Cover | © Aparté

From the start of the 18th century, Lutheran Germany has kept the tradition of performing an oratorio for the Passion in Holy Week. In Hamburg, where Telemann is said to have spent 46 years as musical director, he would have overseen as many Passions. But if we include his previous jobs, that would take the number of works by Telemann for this theme alone to over sixty! These Passions could be strictly liturgical, that is, they could closely follow the text of one of the Gospels; but they could also liberally paraphrase the story of the Passion, following a version by a contemporary author; or they could represent a meditation on the events. And so Seliges Erwägen by Telemann, whose full title leaves no doubt as to the content: Oratorio of the Passion, or Spiritual Contemplation on the bitter suffering and death of Jesus Christ, to inspire prayer, in several meditations taken from the account of the Passion. Not a linear account of the Passion, as with Bach: but a series of individual meditations set to music. The work was first composed in 1719, and then reviewed and completed three years later for Hamburg, where the first performance took place on 19 March 1722 the success was considerable, and the work was performed again and again many times throughout the following decades. This was probably the most-performed work on the Passion in the 18th century, out ahead even of Telemann’s Brockes Passion… There is no evangelist here, nor storyteller, but rather an evocation of the main events of the Passion. That is why there are only two main “roles” here: Christ, with six airs and six recitations, and the allegory of the Devotion (soprano or tenor) as the mouthpiece for the thoughts of the faithful, with eight airs and eight recitations. The sole narrator is Peter, with his denial and despair, and Caiaphas, the high priest who condemns Jesus, comes on for a single, very violent, air. This is very much a series of individual devotional meditations. The instrumentation in particular is extraordinarily rich. Alongside the strings, the continuo and the standard woodwind, a dash of colour is added by two horns, two chalumeaux, ancestors of the clarinet – what a pity that Bach never made the most of this sound – echoing recorders, a magnificent bassoon solo that intermingles with the soprano’s voice; in short, once again, Teleman proves to us that far from being a mill for middle-of-the-road baroque, he is in fact one of the most imposing musical minds of his age. The Freiburger Barockorchester and a lovely soloists come together to perform this work..

Tracklist:
Georg Philipp Telemann (1681 – 1767)
CD1
01. Seliges Erwägen-Passions-Oratorium, TWV 5:2: 1. Sinfonia
02. Seliges Erwägen-Passions-Oratorium, TWV 5:2, First meditation: 2. Choral “Schmücke dich, o liebe Seele”
03. Seliges Erwägen-Passions-Oratorium, TWV 5:2, First meditation: 3. Aria “Gute Nacht, ihr meine Lieben!” (Jesus)
04. Seliges Erwägen-Passions-Oratorium, TWV 5:2, First meditation: 4. Recitativo ed Arioso “Doch, dass ihr möget mein gedenken” (Jesus)
05. Seliges Erwägen-Passions-Oratorium, TWV 5:2, First meditation: 5. Aria “Sollt ich deiner wohl vergessen?” (Die Andacht )
06. Seliges Erwägen-Passions-Oratorium, TWV 5:2, First meditation: 6. Recitativo ed Arioso “Ich will euch noch darneben” (Jesus)
07. Seliges Erwägen-Passions-Oratorium, TWV 5:2, First meditation: 7. Choral “Dein Blut, der edle Saft”
08. Seliges Erwägen-Passions-Oratorium, TWV 5:2, First meditation: 8. Recitativo “Gott Lob! Es ist das Alte nun vergangen” (Die Andacht )
09. Seliges Erwägen-Passions-Oratorium, TWV 5:2, First meditation: 9. Aria “Sollt ich deiner nicht gedenken?” (Die Andacht )
10. Seliges Erwägen-Passions-Oratorium, TWV 5:2, Second meditation: 10. Recitativo “Nun werd ich bald erfahren in der Tat” (Jesus, Petrus)
11. Seliges Erwägen-Passions-Oratorium, TWV 5:2, Second meditation: 11. Aria “Foltern, Pech-vermischte Flammen” (Petrus)
12. Seliges Erwägen-Passions-Oratorium, TWV 5:2, Second meditation: 12. Recitativo “Es wird der Hahn in dieser Nacht krähen” (Jesus)
13. Seliges Erwägen-Passions-Oratorium, TWV 5:2, 13. Aria “Foltern, Pech-vermischte Flammen” (Petrus)
14. Seliges Erwägen-Passions-Oratorium, TWV 5:2, Second meditation: 14. Recitativo “Ach, Petre! Miss dir nicht zu viel” (Die Andacht )
15. Seliges Erwägen-Passions-Oratorium, TWV 5:2, Second meditation: 15. Aria “Denke nach, du arme Erde” (Die Andacht )
16. Seliges Erwägen-Passions-Oratorium, TWV 5:2, Second meditation: 16. Choral “Gott, groß über alle Götter”
17. Seliges Erwägen-Passions-Oratorium, TWV 5:2, Third meditation: 17. Arioso ed Recitativo: Vater! Vater!” (Jesus)
18. Seliges Erwägen-Passions-Oratorium, TWV 5:2, Third meditation: 18. Accompagnato “O Anblick, welcher mir das Herze nimmt!” (Die Andacht )
19. Seliges Erwägen-Passions-Oratorium, TWV 5:2, Third meditation: 19. Aria “Ihr blut’gen Schweiß-Rubinen” (Die Andacht )
20. Seliges Erwägen-Passions-Oratorium, TWV 5:2, Third meditation: 20. Choral “Tritt her, und schau mit Fleiße”
21. Seliges Erwägen-Passions-Oratorium, TWV 5:2, Fourth meditation: 21. Aria “Recht und Gerechtigkeit zu hegen” (Caiphas)
22. Seliges Erwägen-Passions-Oratorium, TWV 5:2, Fourth meditation: 22. Recitativo “Gefangener, was hören wir?” (Caiphas)
23. Seliges Erwägen-Passions-Oratorium, TWV 5:2, Fourth meditation: 23. Aria “Wenn die Gerichts-Posaune schallt” (Jesus)
24. Seliges Erwägen-Passions-Oratorium, TWV 5:2, Fourth meditation: (Die Andacht, Caiphas)
25. Seliges Erwägen-Passions-Oratorium, TWV 5:2, Fourth meditation: 25. Aria “Menschen-Hände, Menschen-Lippen” (Die Andacht )
26. Seliges Erwägen-Passions-Oratorium, TWV 5:2, Fourth meditation: 26. Recitativo “Doch, denke nach, o Seele” (Die Andacht )
27. Seliges Erwägen-Passions-Oratorium, TWV 5:2, Fourth meditation: 27. Choral “Du edles Angesichte”
CD2
01. Seliges Erwägen-Passions-Oratorium, TWV 5:2, Fifth meditation: 28. Accompagnato “Ach, ach! Was hab’ ich doch getan?” (Petrus)
02. Seliges Erwägen-Passions-Oratorium, TWV 5:2, Fifth meditation: 29. Aria “Mir ist die ganze Welt zu enge” (Petrus)
03. Seliges Erwägen-Passions-Oratorium, TWV 5:2, Fifth meditation: 30. Accompagnato ed Arioso “Ach, könnt’ ich doch in Tränen-Salz zerfließen” (Petrus)
04. Seliges Erwägen-Passions-Oratorium, TWV 5:2, Fifth meditation: 31. Aria “Tränen, die der Glaube zeuget” (Der Glaube )
05. Seliges Erwägen-Passions-Oratorium, TWV 5:2, Fifth meditation: 32. Choral “Straf’ mich nicht in deinem Zorn”
06. Seliges Erwägen-Passions-Oratorium, TWV 5:2, Sixth meditation: 33. Recitativo ed Arioso “So rufet ihr vermaledeite Sünder” (Die Andacht )
07. Seliges Erwägen-Passions-Oratorium, TWV 5:2, Sixth meditation: 34. Aria “Droht der Satan meiner Seelen” (Die Andacht )
08. Seliges Erwägen-Passions-Oratorium, TWV 5:2, Sixth meditation: 35. Recitativo ed Arioso “Wen seh ich dort an jenem Stock gebunden” (Die Andacht )
09. Seliges Erwägen-Passions-Oratorium, TWV 5:2, Sixth meditation: 36. Aria “Ich treff’ auf deinem blut’gen Rücken” (Die Andacht )
10. Seliges Erwägen-Passions-Oratorium, TWV 5:2, Sixth meditation: 37. Choral “Haupt voll Blut und Wunden”
11. Seliges Erwägen-Passions-Oratorium, TWV 5:2, Seventh meditation: 38. Recitativo “Nun schließ’ ich bald den münden Lebens-Lauf” (Jesus)
12. Seliges Erwägen-Passions-Oratorium, TWV 5:2, Seventh meditation: 39. Aria “Ich will kämpfen” (Jesus)
13. Seliges Erwägen-Passions-Oratorium, TWV 5:2, Seventh meditation: 40.
14. Seliges Erwägen-Passions-Oratorium, TWV 5:2, Seventh meditation: 41. Aria “Jesus wird ans Holz geschlagen” (Die Andacht )
15. Seliges Erwägen-Passions-Oratorium, TWV 5:2, Eighth meditation: 42. Choral “Jesu, unter deinem Kreutz”
16. Seliges Erwägen-Passions-Oratorium, TWV 5:2, Eighth meditation: 43. Arioso “Es ist vollbracht!” (Jesus)
17. Seliges Erwägen-Passions-Oratorium, TWV 5:2, Eighth meditation: 44. Choral “O große Not”
18. Seliges Erwägen-Passions-Oratorium, TWV 5:2, Eighth meditation: 45. Recitativo “Ihr Gottes-Mörder” (Zion)
19. Seliges Erwägen-Passions-Oratorium, TWV 5:2, Eighth meditation: 46. Aria “Erstaunet, ihr Kreise” (Zion)
20. Seliges Erwägen-Passions-Oratorium, TWV 5:2, Eighth meditation: 47. Choral “Nun gibt mein Jesus gute Nacht”
21. Seliges Erwägen-Passions-Oratorium, TWV 5:2, Ninth meditation: 48. Aria “Jesus spannt die Gnaden-Flügel” (Die Andacht )
22. Seliges Erwägen-Passions-Oratorium, TWV 5:2, Ninth meditation: 49. Recitativo ed Arioso “Nun endlich hat mein Jesus überwunden” (Die Andacht )
23. Seliges Erwägen-Passions-Oratorium, TWV 5:2, Ninth meditation: 50. Choral “Erscheine mir zum Schilde” (Die Andacht )

Personnel:
Freiburger Barockorchester
Gottfried von der Goltz, direction
Anna Lucia Richter, soprano (Glaube, Zion)
Hanna Zumsande, soprano (Choräle)
Julienne Mbodjé, alto (Choräle)
Colin Balzer, tenor (Andacht)
Michael Feyfar, tenor (Petrus)
Peter Harvey, baritone (Jesus)
Konstantin Wolff, baritone (Caiphas)

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Grateful Dead – The Best Of The Grateful Dead Live (Remastered) (2018)
FLAC (tracks) 24 bit/192 kHz  | Time – 02:33:16 minutes | 5,24 GB | Genre: Rock
Studio Masters, Official Digital Download  | Booklet, Front Cover | © Grateful Dead – Rhino

The Best of the Grateful Dead Live is a compilation album by the rock band the Grateful Dead. It contains songs that were recorded live in concert and previously released on other Grateful Dead albums. It was released on March 23, 2018.

The Grateful Dead forged its legend on the road, traveling countless miles between 1965 and 1995 to perform a world record 2,318 shows for millions of devoted fans. The band’s refusal to ever play a song the same way twice has endeared generations of fans, many of whom prefer certain live versions of songs over their studio counterparts, and garnered the popular phrase among Dead Heads: “There is nothing like a Grateful Dead concert.”

Made for die-hard Dead Heads and new fans alike, THE BEST OF THE GRATEFUL DEAD LIVE is the ultimate live collection, a two-disc set with recordings selected from the band’s official live albums on Warner Bros. and Arista, plus a few tracks from their many archival live releases, beginning with “St. Stephen” – from the group’s first official live album, 1969’s Live/Dead – and ending with the poignant “So Many Roads,” taken from the band’s final concert at Chicago’s Soldier Field in July of 1995

“We wanted to follow up the 2015 The Best Of The Grateful Dead studio set with a live counterpart, and have focused our efforts on the band’s primary live albums as well as some key tracks from archival concert releases,” says band archivist and producer David Lemieux. “Just as there was nothing like a Grateful Dead concert, there is also nothing like a live Grateful Dead recording; it’s no secret that as good as the Dead’s studio recordings were, they excelled in front of an audience, and this set provides an overview of just how great the Dead were live in concert.”

The live albums the band released during its 30-year career are the primary source for the collection, including tracks like “Bertha” from Grateful Dead (Skull & Roses) (1971), “Fire On The Mountain” from Dead Set (1981), and “The Music Never Stopped” from One From the Vault (1991). A testament to its ongoing popularity, the revered double-album Europe ’72 (1972), is represented by no less than five tracks, including “Sugar Magnolia,” “Jack Straw” and a searing rendition of “Morning Dew.”

Other performances on the set were selected from the growing number of live releases that have emerged since the death of founding member Jerry Garcia in 1995. Some of those recordings include “Touch Of Grey” from Truckin’ Up To Buffalo (2005), a 1990 version of “Eyes Of The World” with saxophonist Branford Marsalis featured on Wake Up To Find Out (2014), and “Estimated Prophet,” which debuted earlier this year as part of Cornell 5/8/77, a recording of the Grateful Dead’s mythic show at Cornell University in 1977, thought by many to be the band’s greatest live performance.

Tracklist:
1. St. Stephen (Live at The Fillmore West, San Francisco, CA 2/27/69) [Remastered] 06:39
2. Bertha (Live at The Fillmore East, New York, NY 4/27/71) [Remastered] 05:43
3. Wharf Rat (Live at The Fillmore East, New York, NY 4/26/71) [Remastered] 08:32
4. Sugar Magnolia (Live at The Olympia Theatre, Paris France 5/4/72) [Remastered] 07:11
5. Jack Straw (Live at The Olympia Theatre, Paris France 5/3/72) [Remastered] 04:50
6. Truckin’ (Live at Lyceum Theatre, London, England 5/26/72) [Remastered] 13:07
7. Morning Dew (Live at Lyceum Theatre, London, England 5/26/72) [Remastered] 11:28
8. Brown-Eyed Women (Live at Tivoli Concert Hall, Copenhagen, Denmark 4/14/72) [Remastered] 04:40
9. The Music Never Stopped (Live at The Great American Music Hall, San Francisco, CA 8/13/75) [Remastered] 05:28
10. Estimated Prophet (Live at Barton Hall, Cornell University, Ithaca, NY 5/8/77) [Remastered] 08:44
11. Friend Of The Devil (Live at Radio City Music Hall, New York, NY 10/27/80) [Remastered] 07:32
12. Feel Like A Stranger (Live at the Warfield Theatre, San Francisco, CA 10/4/80) [Remastered] 05:46
13. Fire On The Mountain (Live at Radio City Music Hall, New York, NY 10/31/80) [Remastered] 06:47
14. Bird Song (Live 1980) [Remastered] 07:38
15. Ripple (Live at the Warfield Theatre, San Francisco, CA 10/4/80) [Remastered] 04:28
16. Eyes Of The World (Live at Nassau Coliseum, Uniondale, NY 3/29/90) [Remastered] 16:16
17 Touch Of Grey (Live at Rich Stadium, Orchard Park, NY 7/4/89) [Remastered] 06:31
18. Blow Away (Live at John F. Kennedy Stadium, Philadelphia, PA 7/7/89) [Remastered] 12:21
19. So Many Roads (Live at Soldier Field, Chicago, IL 7/9/95) [Remastered] 09:35

Notes: Tracks 9 and 19 are 44.1kHz/24bit. Tracks17 and 18 are 96kHz/24bit.

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Grigory Krotenko – Travels with Goliath, In the footsteps of Josef Kämpfer (2018)
FLAC (tracks) 24 bit/48 kHz  | Time – 57:51 minutes | 582 MB | Genre: Classical
Studio Masters, Official Digital Download  | Booklet, Front Cover | © RUBICON

The Goliath in question, as the kind reader might have guessed, is none other than the double bass, an instrument with which is admittedly harder to travel than a recorder. This is however what double bass player Joseph Kämpfer did from the 1770s to the 1810s: after resigning from the Austrian-Hungarian cavalry, he decided to learn the double bass (the market for pianists or violinists was already saturated) and once he became a virtuoso, he travelled throughout Europe accepting positions from time to time, but mostly giving concerts from Saint-Petersburg to Bratislava, from Munster to Salzburg, Vienna or even Paris, where his appearance at the highly famous Spiritual Concerts seems to have quite surprised the audience, unaccustomed to the double bass’ growling. His repertoire probably covered many of the works recorded here by Grigori Krotenko, concertos or sonatas from Hoffmeister, Vaňhal, Sperger and even Mozart! Because, yes, Mozart wrote in 1791 an aria sung by bass, solo double bass and orchestra, Per questa bella mano, which is in no way an adaptation or an apocryphal transposition. It seems that this colorful moment was created for the bass-baritone Franz Xaver Gerl and the double bass player Friedrich Pischelberger, both present during the world premiere ofThe Magic Flute. Splendid sonorities, probably highly uncommon, but who make you hope that this Goliath will never meet his David, as that would be too bad.

Tracklist:
01. Concerto for Double Bass in E-Flat: I. Allegro moderato
02. Concerto for Double Bass in E-Flat: II. Adagio
03. Concerto for Double Bass in E-Flat: III. Adagio – Allegro
04. Sonata per il Contrabasso e Viola d’amore: I. Allegro moderato
05. Sonata per il Contrabasso e Viola d’amore: II. Adagio
06. Sonata per il Contrabasso e Viola d’amore: III. Rondo – Moderato
07. Concerto for Double Bass in E-Flat: I. Allegro moderato
08. Concerto for Double Bass in E-Flat: II. Adagio
09. Concerto for Double Bass in E-Flat: III. Allegro
10. Concert aria for bass voice, double bass and orchestra, K. 612 “Per questa bella mano”

Composers:
Hoffmeister, Franz Anton (1754-1812)
Mozart, Wolfgang Amadeus (1756-91)
Sperger, Johannes Matthias (1750-1812)
Vanhal, Johann Baptist (1739-1813)

Personnel:
Grigory Krotenko (double bass)
Ilya Mazurov (baritone)
Barocco Concertato
Maria Krestinskaya

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Guido Balestracci, Les Basses Réunies & Bruno Cocset – Captain Tobias Hume: “Harke, Harke!” Lyra Violls Humors & Delights (2014)
FLAC (tracks) 24 bit/96 kHz  | Time – 01:10:19 minutes | 1,2 GB | Genre: Classical
Studio Masters, Official Digital Download | Booklet, Front Cover | © Alpha

With this new recording, Bruno Cocset’s Les Basses Réunies propose a journey back to 17th-century England, centring on the work of Tobias Hume, an emblematic musician of the viola da gamba and, more precisely, the lyra violl. This exploration in terms of music as much as of sound, presents three instruments that have just come from the hands of instrument-maker Charles Riché (seconded by Friederike Dangel). A distinguished guest, the talented Italian gambist Guido Balestracci, plays a selection of solo pieces by the famous soldier composer. The Lyra violl is also accompanist for pieces composed for a dessus and Lyra violl, in which case Bruno Cocset plays his little ‘bastarda alto’ viol. The continuo, subtle and lush, brings together Bertrand Cuiller on the two harpsichords (one strung with brass wire, the other with gut strings), and Richard Myron on the large bass in G.

Tracklist:
Tobias Hume (c.1579-1645)
01. The Lady of Sussex Delight
02. An Almaine “The Lady Canes Delight”
03. A Humorous Pavin
04. Captaine Humes Galliard
05. A Jigge
06. Good Againe
07. The Pashion of Musicke “Sir Christopher Hattons Choice”
08. A Soldiers Resolution
09. A Soldiers Galiard
10. What Greater Griefe
11. Touch Me Sweetely
12. Touch Me Lightly
13. Tickle Me Quickly
14. Tickell, Tickell
15. The Earle of Pembrooke His Galliard
16. Alas Poore Men
17. Sweet Ayre “The Earle of Arundels Favoret”
18. Musicke and Mirth “The Lady Hattons Delight”
19. A Careles Humor
20. Harke, Harke
21. The Spirit of Gambo “The Lord Dewys Favoret”
22. My Mistress Fath a Pritty Thing
23. Loves Farewell
24. Fain Would I Change That Note
25. This Sport Is Ended

Personnel:
Guido Balestracci, viola da gamba
Les Basses Réunies
Bruno Cocset, cello, conductor

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Marco Beasley – Cantate Deo: A voce sola, in dialogo (2013)
FLAC (tracks) 24 bit/96 kHz  | Time – 01:01:57 minutes | 1,13 GB | Genre: Classical
Studio Masters, Official Digital Download | Booklet, Front Cover | © Alpha

Marco Beasley offers us an original way to discover the Italian religious repertoire for two tenors of the nascent Baroque. In fact, his fantastic experience as a singer allowed him to record these ‘sacred concerts for two voices’ alone, thanks to the technique of re-recording. A new dimension opens up to the listener thanks to the astonishing artistic coherence offered by this technique. And beyond technique, this disc attests to the emotion, both double and unique, guiding the musical gesture.

In addition, this recording will allow to discover numerous unjustly forgotten composers such as Donati, Caprioli, Giamberti, Sances et al., whose qualities of writing are comparable to those of the great Monteverdi (represented here by the Salve Regina and Jubilet tota civitas).

The programme is judiciously rounded off by three magnificent sonate da chiesa by Castello, Marini and Fontana. On no account should this blockbuster disc be missed!

Tracklist:
01. Ave maris stella
02. O beate Hieronime
03. Cantate Deo
04. Sonata a 3, sopra “Fuggi dolente core”
05. Jubilet tota civitas
06. Virgo prudentissima
07. Cantabo Domino
08. Sonata a tre
09. Stabat Mater dolorosa
10. In te, Domine, speravi
11. Salve Regina
12. Sonata VII
13. Surrexit pastor bonus
14. Salve Regina

Composers:
Busatti, Cherubino (1619-44)
Caprioli, Giovanni Paolo (?-1627)
Cima, Giovanni Paolo (c.1570-c.1622)
Donati, Ignazio (c.1570-1638)
Fontana, Giovanni Battista (d.c.1630)
Giamberti, Giuseppe (1600-1662/4)
Grandi, Alessandro (c.1575-1630)
Gratiani, Bonifatio (1605-64)
Graziani, Bonifazio (c.1604-1677)
Marini, Biagio (c.1597-1665)
Monteverdi, Claudio Giovanni Antonio (1567-1643)
Sances, Giovanni Felice (c.1600-79)

Personnel:
Marco Beasley, Guido Morini (tenor)
Accordone

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Marco Beasley, Guido Morini & Accordone – Morini: Solve et coagula (2014)
FLAC (tracks) 24 bit/44,1 kHz  | Time – 01:07:39 minutes | 707 MB | Genre: Classical
Studio Masters, Official Digital Download | Booklet, Front Cover | © Alpha

This new recording pays tribute to an ill-known, mysterious figure of 18th-century Naples: Prince Raimondo di Sangro. A soldier, scientist, poet, alchemist and freemason, he bequeathed us a palace and a magnificent chapel, the site of a tragedy that was at the origin of the murder committed by the great composer Gesualdo.

This chapel still houses artistic and scientific works both beautiful and mysterious, which serve as an initiatory itinerary for the visitor. The intuition of Guido Morini and Marco Beasley was to use this itinerary and make it the dramatic framework for a singular, innovative work that they have entitled Solve et Coagula, an alchemist maxim meaning ‘Dissolve and congeal’. A veritable dramma per musica, this work calls on different ‘historical’ creative processes in order to let us discover a unique story, featuring the rhythm of tarantellas, ostinati and mysterious fugues…

Tracklist:
Guido Morini (1959-)
01. Solve et coagula: Sinfonia
02. Solve et coagula: La porta
03. Solve et coagula: La pudicizia
04. Solve et coagula: Il disinganno
05. Solve et coagula: L’occhio del male
06. Solve et coagula: Site vuje…?
07. Solve et coagula: Aria di don Raimondo
08. Solve et coagula: Sol
09. Solve et coagula: Luna
10. Solve et coagula: Tarantella tapanella
11. Solve et coagula: Compianto del Cristo velato
12. Solve et coagula: La formula
13. Solve et coagula: Le macchine anatomiche
14. Solve et coagula: I lazzari
15. Solve et coagula: L’angelo
16. Solve et coagula: Il testamento di Raimondo di Sangro
17. Solve et coagula: Giovedi
18. Solve et coagula: Venerdi

Personnel:
Marco Beasley, voice
Guido Morini, harpsichord, musical direction
Rossella Croce, violin
Claudia Combs, violin
Fabio Accurso, lute
Stefano Rocco, guitar
Franco Pavan, theorbo
Marco Frezzato, cello
Vito De Lorenzi, frame drums

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