Giorgio Koukl – Lutosławski: Complete Piano Music (2018)
FLAC (tracks) 24 bit/96 kHz  | Time – 01:09:28 minutes | 1,2 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Grand Piano

Witold Lutosławski’s few surviving apprentice works are suffused with the elegance of Ravel and the lush effusiveness of Szymanowski, and this is particularly true of the early Piano Sonata, heard here in Giorgio Koukl’s new and corrected edition based on the original manuscript. Further premières include the wistful A Kiss of Roxanne and the technically complex Invention. Including all of the folk-music tinted pedagogical miniatures, works for piano four hands and other occasional pieces, this is the most comprehensive edition of Lutosławski’s works for solo piano ever recorded.

Tracklist:
1. Piano Sonata : I. Allegro 13:00
2. Piano Sonata : II. Adagio ma non troppo 08:17
3. Piano Sonata : III. Andante – Allegretto 08:57
4. Bukoliki : I. Allegro vivace 01:13
5. Bukoliki : II. Allegretto sostenuto 01:11
6. Bukoliki : III. Allegro molto 00:49
7. Bukoliki : IV. Andantino 01:31
8. Bukoliki : V. Allegro marciale 01:28
9. 3 Pieces for the Young : No. 1. Four-finger excercise 00:57
10. 3 Pieces for the Young : No. 2. An Air 01:47
11. 3 Pieces for the Young : No. 3. March 01:41
12. A Kiss of Roxanne : Pocałunek Roksany (A Kiss of Roxanne) 01:27
13. Zimowy Walc (Winter Waltz) 03:01
14. Melodie ludowe : No. 1. Ach mój Jasieńko (O, My Johnny) 00:31
15. Melodie ludowe : No. 2. Hej, od Krakowa jadę (Hey, I Come from Kraków) 00:43
16. Melodie ludowe : No. 3. Jest drożyna, jest (There is a path, there is) 00:50
17. Melodie ludowe : No. 4. Pastereczka (The Shepherd Girl) 00:57
18. Melodie ludowe : No. 5. Na jabłoni jabłko wisi (An Apple Hangs on the Apple-tree) 00:47
19. Melodie ludowe : No. 6. Od Sieradza płynie rzeka (A River Flows from Sieradz) 01:40
20. Melodie ludowe : No. 7. Panie Michale (Master Michael) 01:32
21. Melodie ludowe : No. 8. W polu lipeńka (The Lime-tree in the Field) 01:24
22. Melodie ludowe : No. 9. Zalotny (Flirting) 01:10
23. Melodie ludowe : No. 10. Gaik (The Grove) 00:33
24. Melodie ludowe : No. 11. Gąisor (The Gander) 00:51
25. Melodie ludowe : No. 12. Rektor (The Schoolmaster) 01:20
26. 2 Studies : No. 1. Allegro 02:14
27. 2 Studies : No. 2. Non troppo allegro 03:00
28. Invention (undated, Paul Sacher Foundation manuscript) 01:19
29. Invention (1968) 01:03
30. Zasłyszana melodyjka (An Overheard Melody) 02:09
31. Miniatura (original version for piano 4 hands, Paul Sacher Foundation manuscript) 02:06

Personnel:
Giorgio Koukl, piano
Virginia Rossetti, piano

Download:

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Goldberg-Septett & Ulrich Noethen – Bach: Goldberg-Variationen im Dialog mit Montaigne (2018)
FLAC (tracks) 24 bit/48 kHz  | Time – 01:22:38 minutes | 841 MB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Sony Classical

Die Goldberg-Variationen, das wohl bekannteste Werk für Tasteninstrumente von Johann Sebastian Bach (1685-1750), stellen einen Höhepunkt barocker Variationskunst dar. Über eine kunstvoll verzierte barocke Arie entfaltet Bach ein Wunderwerk von 30 Variationen – heitere und besinnliche, kantable und fugierte, tänzerische sowie virtuose. Jetzt erscheint dieses Werk in einer neuen, einzigartigen Fassung: Der Komponist Heribert Breuer hat eine kammermusikalische Bearbeitung für Septett geschaffen. Die Besetzung teilt sich in zwei Trios (Streich- und Bläser-Trio) auf, wobei in deren Mitte eine Harfe thront. Klanglich entfaltet sich hierbei ein neues musikalisches Erlebnis, wobei eine eindrucksvolle Transparenz sowie musikalische Farbigkeit entsteht. Im Verlauf des Variationszyklus wird die Einteilung in Bläser- und Streichtrio kompositorisch unterbrochen, sodass sich neue interessante Duo-Konstellationen, wie etwa Flöte und Harfe, ergeben können. Die erste Aufnahme der neuen Fassung entstand mit dem Goldberg-Septett unter Leitung von Heribert Breuer selbst. Bachs geniales Werk wird auf diesem Doppel-Album von ausgewählten Essays von Michel de Montaigne (1533-1592) ergänzt, welche vom bekannten deutschen Schauspieler Ulrich Noethen gelesen werden.

Tracklist:
1. Goldberg Variations, BWV 988, Arr. for Septet by Heribert Breuer : Aria 02:10
2. Goldberg Variations, BWV 988, Arr. for Septet by Heribert Breuer : Variatio 1 01:01
3. Goldberg Variations, BWV 988, Arr. for Septet by Heribert Breuer : Variatio 2 00:51
4. Goldberg Variations, BWV 988, Arr. for Septet by Heribert Breuer : Variatio 3. Canone all’unisono 02:25
5. Den Tod nicht fürchten 02:39
6. Goldberg Variations, BWV 988, Arr. for Septet by Heribert Breuer : Variatio 4 00:36
7. Goldberg Variations, BWV 988, Arr. for Septet by Heribert Breuer : Variatio 5 01:40
8. Goldberg Variations, BWV 988, Arr. for Septet by Heribert Breuer : Variatio 6. Canone alla seconda 01:36
9. Essen und Trinken 02:55
10. Goldberg Variations, BWV 988, Arr. for Septet by Heribert Breuer : Variatio 7 00:59
11. Goldberg Variations, BWV 988, Arr. for Septet by Heribert Breuer : Variatio 8 01:01
12. Goldberg Variations, BWV 988, Arr. for Septet by Heribert Breuer : Variatio 9. Canone alla terza 01:58
13. Von der Trunksucht 02:15
14. Goldberg Variations, BWV 988, Arr. for Septet by Heribert Breuer : Variatio 10 00:49
15. Goldberg Variations, BWV 988, Arr. for Septet by Heribert Breuer : Variatio 11 01:14
16. Goldberg Variations, BWV 988, Arr. for Septet by Heribert Breuer : Variatio 12. Canone alla quarta in moto contrario 02:05
17. Lachend die Wahrheit sagen 03:39
18. Goldberg Variations, BWV 988, Arr. for Septet by Heribert Breuer : Variatio 13 03:07
19. Goldberg Variations, BWV 988, Arr. for Septet by Heribert Breuer : Variatio 14 01:09
20. Goldberg Variations, BWV 988, Arr. for Septet by Heribert Breuer : Variatio 15. Canone alla quinta in moto contrario 04:02
21. Lieben 02:47
22. Goldberg Variations, BWV 988, Arr. for Septet by Heribert Breuer : Aria da capo 02:28
23. Goldberg Variations, BWV 988, Arr. for Septet by Heribert Breuer : Variatio 16. Ouverture 03:56
24. Goldberg Variations, BWV 988, Arr. for Septet by Heribert Breuer : Variatio 17 01:13
25. Goldberg Variations, BWV 988, Arr. for Septet by Heribert Breuer : Variatio 18. Canone alla sesta 00:52
26. Reisen 02:09
27. Goldberg Variations, BWV 988, Arr. for Septet by Heribert Breuer : Variatio 19 00:34
28. Goldberg Variations, BWV 988, Arr. for Septet by Heribert Breuer : Variatio 20 01:10
29. Goldberg Variations, BWV 988, Arr. for Septet by Heribert Breuer : Variatio 21. Canone alla settima 03:11
30. Mit Geld vernünftig umgehen 03:11
31. Goldberg Variations, BWV 988, Arr. for Septet by Heribert Breuer : Variatio 22 00:42
32. Goldberg Variations, BWV 988, Arr. for Septet by Heribert Breuer : Variatio 23 01:04
33. Goldberg Variations, BWV 988, Arr. for Septet by Heribert Breuer : Variatio 24. Canone all’ottava 01:09
34. Kultur und Kunstsinn der “Wilden” bewundern 02:40
35. Goldberg Variations, BWV 988, Arr. for Septet by Heribert Breuer : Variatio 25 03:56
36. Goldberg Variations, BWV 988, Arr. for Septet by Heribert Breuer : Variatio 26 01:10
37. Goldberg Variations, BWV 988, Arr. for Septet by Heribert Breuer : Variatio 27. Canone alla nona 02:01
38. Praxisbezogene Philosophien 02:56
39. Goldberg Variations, BWV 988, Arr. for Septet by Heribert Breuer : Variatio 28 01:02
40. Goldberg Variations, BWV 988, Arr. for Septet by Heribert Breuer : Variatio 29 02:20
41. Goldberg Variations, BWV 988, Arr. for Septet by Heribert Breuer : Variatio 30. Quodlibet 01:40
42. Goldberg Variations, BWV 988, Arr. for Septet by Heribert Breuer : Aria da capo e fine 02:16

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Great Lake Swimmers – The Waves, The Wake (2018)
FLAC (tracks) 24 bit/48 kHz  | Time – 48:17 minutes | 581 MB | Genre: Alternative
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Nettwerk Records

2018 marks the 15th anniversary of Great Lake Swimmers. Over seven albums, multiple EPs, live broadcasts, and reissues, the Toronto-based project led by singer-songwriter Tony Dekker has established itself as a beloved indie folk act in their native Canada and beyond. The CBC has called them “a national treasure” while their music has taken them around the world, sharing a sound that is at once familiar and distinct, using the tools of folk music as the starting point to delve deeper.

It’s this contrast and evolution that brings them to their latest release, The Waves, The Wake – a metaphor for the future ahead, and the past trailing behind. Abandoning the acoustic guitar, this new collection of songs sees the group branching out to include new sounds such as harp, lute, pipe organ, woodwinds, congas and marimbas, alongside the more familiar flecks and chimes of the banjo, piano, and 12-string electric guitar. The stunning acoustics of the historic, 145 year old Bishop Cronyn Memorial Church in London, Ontario lend the atmospheric touch to the album, under the guidance of co-producer Chris Stringer (Union Sound). This record is about the songs, first and foremost, and was made with many of Toronto’s most talented players, including arrangements by Drew Jurecka and electric guitar appearances both atmospheric and spirited by Kevin Kane (Grapes Of Wrath). Long time collaborators Erik Arnesen (banjo, guitar), Bret Higgins (bass), and Josh Van Tassel (percussion) also contribute their considerable musicianship.

“The Talking Wind” opens the album solely with woodwinds and vocals, setting the tone with its scaled back, minimalist approach. Similarly sparse arrangements on “Falling Apart” pair a meditative, layered piano with an appearance by renowned harpist Mary Lattimore alongside Dekker’s haunting, plaintive vocals. Bridging the album to the group’s past work, the lonely jangle of “Alone But Not Alone” is a study in song-craft; “Side Effects” matches lyrical substance to musical motifs with its expressive vibraphone, tempo variations, and vocal effects.
But perhaps the album’s centerpiece is the entirely a cappella “Visions Of A Different World” with its ghostly,

onging vocals nakedly bearing its message.

Tracklist:
1. The Talking Wind (04:22)
2. In a Certain Light (03:23)
3. Alone but Not Alone (03:17)
4. Falling Apart (04:36)
5. Side Effects (03:37)
6. The Real Work (04:51)
7. Root Systems (03:20)
8. Unmaking the Bed (03:57)
9. Visions of a Different World (02:31)
10. Holding Nothing Back (03:51)
11. Mouth of Flames (04:09)
12. The Open Sea (06:23)

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Grateful Dead – Pacific Northwest ’73-’74: Believe it If You Need It (Live) (2018)
FLAC (tracks) 24 bit/192 kHz  | Time – 03:54:16 minutes | 6,93 GB | Genre: Rock
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Grateful Dead – Rhino

During the Grateful Dead’s legendary 30-year run, the band often visited its northern neighbours in Portland, Seattle, and less-than-often Vancouver. Even so, official live recordings from those cities are something of a rarity. Pacific Northwest ’73-’74: Believe It If You Need It highlights some of the best performances from Grateful Dead’s time in the northwest. The concerts in the set include: P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). During the period when the shows were recorded, the Grateful Dead included: Jerry Garcia, Donna Jean Godchaux, Keith Godchaux, Bill Kreutzmann, Phil Lesh and Bob Weir. The recordings of the 1973 shows were made just a few months before the band released its sixth studio album, Wake of the Flood, which was its first without founding member Ron “Pigpen” McKernan, who died in March 1973, and the first on their new Grateful Dead Records label. The 1974 shows were recorded just a few weeks before the band released its seventh studio album, From The Mars Hotel. Each show was mastered in 24bit high-resolution audio from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

Tracklist:
Disc 1 (01:18:14)
01. China Cat Sunflower (Live at Portland Memorial Coliseum, Portland, OR 5/19/74) (08:37)
02. I Know You Rider (Live at Portland Memorial Coliseum, Portland, OR 5/19/74) (05:30)
03. Bird Song (Live at P.N.E. Coliseum, Vancouver, B.C. 6/22/73) (14:21)
04. Box of Rain (Live at Portland Memorial Coliseum, Portland, OR 6/24/73) (05:18)
05. Brown-Eyed Women (Live at Hec Edmundson Pavillion, University of Washington, Seattle, WA 5/21/74) (05:02)
06. Truckin’ (Live at Portland Memorial Coliseum, Portland, OR 5/19/74) (10:43)
07. Jam (Live at Portland Memorial Coliseum, Portland, OR 5/19/74) (09:57)
08. Not Fade Away (Live at Portland Memorial Coliseum, Portland, OR 5/19/74) (06:55)
09. Goin’ Down the Road Feeling Bad (Live at Portland Memorial Coliseum, Portland, OR 5/19/74) (07:01)
10. One More Saturday Night (Live at Portland Memorial Coliseum, Portland, OR 5/19/74) (04:50)

Disc 2 (01:17:37)
01. Here Comes Sunshine (Live at P.N.E. Coliseum, Vancouver, B.C. 6/22/73) (12:10)
02. Eyes of the World (Live at P.N.E. Coliseum, Vancouver, B.C. 5/17/74) (13:23)
03. China Doll (Live at Hec Edmundson Pavillion, University of Washington, Seattle, WA 5/21/74) (05:33)
04. Playing In the Band (Live at Hec Edmundson Pavillion, University of Washington, Seattle, WA 5/21/74) (46:31)

Disc 3 (01:18:25)
01. Sugaree (Live at P.N.E. Coliseum, Vancouver, B.C. 5/17/74) (07:37)
02. He’s Gone (Live at P.N.E. Coliseum, Vancouver, B.C. 6/22/73) (11:30)
03. Truckin’ (Live at P.N.E. Coliseum, Vancouver, B.C. 6/22/73) (26:06)
04. The Other One (Live at P.N.E. Coliseum, Vancouver, B.C. 6/22/73) (15:21)
05. Wharf Rat (Live at P.N.E. Coliseum, Vancouver, B.C. 6/22/73) (07:58)
06. Sugar Magnolia (Live at P.N.E. Coliseum, Vancouver, B.C. 6/22/73) (09:53)

Personnel:
Jerry Garcia, guitar, vocals
Donna Jean Godchaux, vocals
Keith Godchaux, keyboard
Bob Weir, guitar, vocals
Phil Lesh, bass, vocals
Bill Kreutzmann, drums

Digitally remastered

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The Beatles – The Beatles (White Album) {Super Deluxe} (1968/2018)
FLAC (tracks) 24 bit/96 kHz  | Time – 05:26:25 minutes | 6,41 GB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © UMC (Universal Music Catalogue)

After the amazing masterpieces of Revolver and Sergeant Pepper’s, The Beatles dove back into the art of pure writing, bringing about a certain level of sobriety and leaving aside their recent psychadelic delusions, awesome as they were. Released in November 1968, this double White Album is a return to more refined pop and rock; the essence of their art. The title of the disc, The Beatles, does not manage to hide the growing dissension between the four musicians at the time, and their diverging personalities saw this album herald the beginning of the end for the Fab Four, and the budding of their future solo careers… Despite all of this, The Beatles managed to release a new and totally unique album here, which can be enjoyed step by step as a true emotional rollercoaster: The fantasy of Dear Prudence, the dark madness of Revolution 9, the legendary guitar solo in While My Guitar Gently Weeps, the labyrinth of Happiness Is A Warm Gun and Sexy Sadie, the emotion of Julia (which Lennon dedicated to his mother, who died when he was 17), the purity of Blackbird and the ultra-violent tsunami that is Helter Skelter… the White Album is a brilliant production, a new masterpiece from a group growing apart …

For its 50-year anniversary, this legendary double album makes a return in Deluxe Edition form, a well-deserved title. As well as the stereo remixed version by legendary producer George Martin’s son, the original mono version (praised by purists for this format) and the famous Esher Demos there are 27 demo tracks of some famous hits recorded in Harrison’s home and three studio-session CDs. It’s a marvellous collection (107 tracks in total!) which let’s us further explore this glorious piece of work that still fascinates us 50 years after its creation…  –  Marc Zisman

Tracklist:
Disc 1:
01 – Back In The U.S.S.R. (2018 Mix)
02 – Dear Prudence (2018 Mix)
03 – Glass Onion (2018 Mix)
04 – Ob-La-Di, Ob-La-Da (2018 Mix)
05 – Wild Honey Pie (2018 Mix)
06 – The Continuing Story Of Bungalow Bill (2018 Mix)
07 – While My Guitar Gently Weeps (2018 Mix)
08 – Happiness Is A Warm Gun (2018 Mix)
09 – Martha My Dear (2018 Mix)
10 – I’m So Tired (2018 Mix)
11 – Blackbird (2018 Mix)
12 – Piggies (2018 Mix)
13 – Rocky Raccoon (2018 Mix)
14 – Don’t Pass Me By (2018 Mix)
15 – Why Don’t We Do It In The Road (2018 Mix)
16 – I Will (2018 Mix)
17 – Julia (2018 Mix)

Disc 2:
01 – Birthday (2018 Mix)
02 – Yer Blues (2018 Mix)
03 – Mother Nature’s Son (2018 Mix)
04 – Everybody’s Got Something To Hide Except Me And My Monkey (2018 Mix)
05 – Sexy Sadie (2018 Mix)
06 – Helter Skelter (2018 Mix)
07 – Long, Long, Long (2018 Mix)
08 – Revolution 1 (2018 Mix)
09 – Honey Pie (2018 Mix)
10 – Savoy Truffle (2018 Mix)
11 – Cry Baby Cry (2018 Mix)
12 – Revolution 9 (2018 Mix)
13 – Good Night (2018 Mix)

Disc 3:
01 – Back In The U.S.S.R. (Esher Demo)
02 – Dear Prudence (Esher Demo)
03 – Glass Onion (Esher Demo)
04 – Ob-La-Di, Ob-La-Da (Esher Demo)
05 – The Continuing Story Of Bungalow Bill (Esher Demo)
06 – While My Guitar Gently Weeps (Esher Demo)
07 – Happiness Is A Warm Gun (Esher Demo)
08 – I’m So Tired (Esher Demo)
09 – Blackbird (Esher Demo)
10 – Piggies (Esher Demo)
11 – Rocky Raccoon (Esher Demo)
12 – Julia (Esher Demo)
13 – Yer Blues (Esher Demo)
14 – Mother Nature’s Son (Esher Demo)
15 – Everybody’s Got Something To Hide Except Me And My Monkey (Esher Demo)
16 – Sexy Sadie (Esher Demo)
17 – Revolution (Esher Demo)
18 – Honey Pie (Esher Demo)
19 – Cry Baby Cry (Esher Demo)
20 – Sour Milk Sea (Esher Demo)
21 – Junk (Esher Demo)
22 – Child Of Nature (Esher Demo)
23 – Circles (Esher Demo)
24 – Mean Mr Mustard (Esher Demo)
25 – Polythene Pam (Esher Demo)
26 – Not Guilty (Esher Demo)
27 – What’s The New Mary Jane (Esher Demo)

Disc 4:
01 – Revolution 1 (Take 18)
02 – A Beginning (Take 4) Don’t Pass Me By (Take 7)
03 – Blackbird (Take 28)
04 – Everybody’s Got Something To Hide Except Me And My Monkey (Unumbered Rehearsal)
05 – Good Night (Unumbered Rehearsal)
06 – Good Night (Take 10 With A Guitar Part From Take 5)
07 – Good Night (Take 22)
08 – Ob-La-Di, Ob-La-Da (Take 3)
09 – Revolution (Unumbered Rehearsal)
10 – Revolution (Take 14 Instrumental Backing Track)
11 – Cry Baby Cry (Unumbered Rehearsal)
12 – Helter Skelter (First Version Take 2)

Disc 5:
01 – Sexy Sadie (Take 3)
02 – While My Guitar Gently Weeps (Acoustic Version Take 2)
03 – Hey Jude (Take 1)
04 – St Louis Blues (Studio Jam)
05 – Not Guilty (Take 102)
06 – Mother Nature’s Son (Take 15)
07 – Yer Blues (Take 5 With Guide Vocal)
08 – What’s The New Mary Jane (Take 1)
09 – Rocky Raccoon (Take 8)
10 – Back In The U.S.S.R. (Take 5 Instrumental Backing Track)
11 – Dear Prudence (Vocal, Guitar & Drums)
12 – Let It Be (Unumbered Rehearsal)
13 – While My Guitar Gently Weeps (Third Version Take 27)
14 – (You’re So Square) Baby I Don’t Care (Studio Jam)
15 – Helter Skelter (Second Version Take 17)
16 – Glass Onion (Take 10)

Disc 6:
01 – I Will (Take 13)
02 – Blue Moon (Studio Jam)
03 – I Will (Take 29)
04 – Step Inside Love (Studio Jam)
05 – Los Paranoias (Studio Jam)
06 – Can You Take Me Back (Take 1)
07 – Birthday (Take 2 Instrumental Backing Track)
08 – Piggies (Take 12 Instrumental Backing Track)
09 – Happiness Is A Warm Gun (Take 19)
10 – Honey Pie (Instrumental Backing Track)
11 – Savoy Truffle (Instrumental Backing Track)
12 – Martha My Dear (Without Brass And Strings)
13 – Long, Long, Long (Take 44)
14 – I’m So Tired (Take 7)
15 – I’m So Tired (Take 14)
16 – The Continuing Story Of Bungalow Bill (Take 2)
17 – Why Don’t We Do It In The Road (Take 5)
18 – Julia (Two Rehearsals)
19 – The Inner Light (Take 6 Instrumental Backing Track)
20 – Lady Madonna (Take 2 Piano & Drums)
21 – Lady Madonna (Backing Vocals From Take 3)
22 – Across The Universe (Take 6)

Digitally remastered

FLAC 24/96:

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CD FLAC 16/44,1

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Blu-Ray to FLAC 5.1 Surround

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Book PDF

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Grateful Dead – Pacific Northwest ’73-’74: The Complete Recordings (2018)
FLAC (tracks) 24 bit/192 kHz  | Time – 20:19:28 minutes | 41,7 GB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © Grateful Dead Productions

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band’s extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we’ve paired two short runs made up of six previously unreleased shows – P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Tracklist:

Show #1: P.N.E. Coliseum, Vancouver, B.C. (6/22/73)

Disc 1
1. Bertha [6:30]2. Beat It On Down The Line [3:41]3. Deal [5:00]4. Mexicali Blues [4:02]5. Box Of Rain [5:47]6. Bird Song [14:29]7. The Race Is On [3:17]8. Sugaree [8:05]9. Looks Like Rain[7:34]10. Row Jimmy [9:22]11. Jack Straw [5:01]

Disc 2
1. China Cat Sunflower> [8:39]2. I Know You Rider [5:48]3. Big River [5:01]4. Tennessee Jed[8:00]5. Playing In The Band[18:59]6. Here Comes Sunshine [12:25]7. Promised Land [2:58]8. Brown-Eyed Women[5:30]9. El Paso [4:33]

Disc 3
1. Black Peter [9:23]2. Greatest Story Ever Told [5:00]3. Big Railroad Blues[3:56]4. He’s Gone> [11:24]5. Truckin’> [26:06]6. The Other One [15:22]7. Wharf Rat[8:05]

Disc 4
1. Sugar Magnolia [9:57]2. Casey Jones [7:31]3. Johnny B. Goode [3:56]

Show #2: Portland Memorial Coliseum, Portland, OR (6/24/73)

Disc 5
1. Promised Land [3:43]2. Loser[7:09]3. Mexicali Blues[3:53]4. They Love Each Other [5:48]5. Looks Like Rain[7:52]6. Box Of Rain[5:30]7. Big Railroad Blues[4:20]8. Jack Straw [5:02]9. Sugaree [7:24]10. The Race Is On[3:27]11. Row Jimmy [8:30]12. Beat It On Down The Line [3:30]13. China Cat Sunflower> [6:47]14. I Know You Rider [5:05]

Disc 6
1. Around And Around[5:06]2. Mississippi Half-Step Uptown Toodeloo [8:44]3. You Ain’t Woman Enough [3:42]4. El Paso [4:35]5. Stella Blue[7:57]6. Greatest Story Ever Told>[5:04]7. Bertha[6:12]8. Big River [4:47]

Disc 7
1. Dark Star> [27:46]2. Eyes Of The World> [15:40]3. China Doll [6:38]4. Sugar Magnolia [9:40]5. One More Saturday Night [5:16]

Show #3: Seattle Center Arena, Seattle, WA (6/26/73)

Disc 8
1. Casey Jones> [6:01]2. Greatest Story Ever Told [5:33]3. Brown-Eyed Women [5:47]4. Jack Straw [5:04]5. Box Of Rain [5:35]6. Deal [4:23]7. Mexicali Blues [4:08]8. You Ain’t Woman Enough [3:47]9. Row Jimmy [9:06]10. The Race Is On [3:34]11. China Cat Sunflower> [8:08]12. I Know You Rider [6:00]13. Beat It On Down The Line [3:28]14. Loser [6:50]

Disc 9
1. Playing In The Band [15:49]2. Bertha [5:56]3. Promised Land [3:27]4. They Love Each Other [5:46]5. El Paso [4:28]6. Black Peter [9:18]7. Big River [4:58]8. Here Comes Sunshine [11:58]9. Me And My Uncle [3:11]

Disc 10
1. He’s Gone> [13:59]2. Truckin’> [10:55]3. The Other One> [6:33]4. Me And Bobby McGee> [5:25]5. The Other One> [18:06]6. Sugar Magnolia [10:03]7. Johnny B. Goode [3:56]

Show #4: P.N.E. Coliseum, Vancouver, Canada (5/17/74)

Disc 11
1. The Promised Land [3:33]2. Deal [4:45]3. The Race Is On [3:34]4. Ramble On Rose [6:56]5. Jack Straw [5:16]6. Dire Wolf [5:28]7. Beat It On Down The Line [3:53]8. Loose Lucy [5:07]9. Big River [5:22]10. It Must Have Been The Roses [5:47]11. Mexicali Blues [3:48]12. Row Jimmy [8:59]

Disc 12
1. Playing In The Band [23:07]2. U.S. Blues [6:09]3. Me And My Uncle [3:17]4. Ship Of Fools [6:27]5. Money Money [4:45]6. China Cat Sunflower> [8:20]7. I Know You Rider [5:22]

Disc 13
1. Greatest Story Ever Told [5:27]2. Sugaree [8:18]3. Truckin’>[9:56]4. Nobody’s Fault But Mine>[5:14]5. Eyes Of The World> [13:19]6. China Doll [6:01]7. Sugar Magnolia [9:21]

Show #5: Portland Memorial Coliseum, Portland, OR (5/19/74)

Disc 14
1. Missisippi Half-Step Uptown Toodeloo[8:14]2. Mexicali Blues[3:58]3. Big Railroad Blues [3:57]4. Black-Throated Wind [7:08]5. Scarlet Begonias [5:12]6. Beat It On Down The Line [3:47]7. Tennessee Jed[8:27]8. Me And Bobby Mcgee[6:02]9. Sugaree[7:31]10. Jack Straw [5:23]11. It Must Have Been The Roses [5:28]12. El Paso [4:35]13. Loose Lucy [5:07]14. Money Money [4:27]

Disc 15
1. China Cat Sunflower> [8:34]2. I Know You Rider [5:40]3. Promised Land> [3:37]4. Bertha> [6:08]5. Greatest Story Ever Told[6:10]6. Ship Of Fools [6:36]7. Weather Report Suite> [17:58]8. Wharf Rat [10:49]9. Big River [5:36]10. Peggy-O [8:11]

Disc 16
1. Truckin’> [9:15]2. Jam> [9:58]3. Not Fade Away>[6:58]4. Goin’ Down The Road Feeling Bad [6:59]5. One More Saturday Night [5:36]6. U.S. Blues [5:37]

Show #6: Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74)

Disc 17
1. Me And My Uncle [3:25]2. Brown-Eyed Women [5:20]3. Beat It On Down The Line [3:47]4. Deal [4:55]5. Mexicali Blues [3:59]6. It Must Have Been The Roses [5:45]7. The Race Is On [3:34]8. Scarlet Begonias [5:55]9. El Paso [4:56]10. Row Jimmy [9:25]11. Money Money [5:01]12. Ship Of Fools [6:18]

Disc 18
1. Weather Report Suite> [17:22]2. China Doll[5:48]3. Playing In The Band[46:59]4. U.S. Blues [5:47]

Disc 19
1. Big River [5:24]2. Stella Blue [8:40]3. Around And Around [5:25]4. Eyes Of The World> [13:52]5. Wharf Rat> [9:45]6. Sugar Magnolia [10:03]7. Johnny B. Goode [4:08]

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Sebastian Bohren – Op. 2 – Hartmann, Mendelssohn, Respighi, Schubert (2017)
FLAC (tracks) 24 bit/48 kHz  | Time – 01:16:54 minutes | 763 MB | Genre: Classical
Studio Masters, Official Digital Download – Source: Qobuz | Booklet, Front Cover | © RCA Red Seal

Sebastian Bohren plays concertos of Mendelssohn, Schubert, Respighi, and Hartmann Mendelssohn’s long-forgotten “little” violin concerto, presented in con- cert for the first time in 1952 by Yehudi Menuhin, was composed in 1822 – a year when the thirteen-year-old would write a total of twelve works. The young Mendelssohn is remarkable not only for his prodigious talent, but also for his extraordinary eagerness to learn. Eduard Devrient, the man of the theater who heard him play at his parents’ home, offers a vi- vid description of his humility: “We quickly noticed that the boy had very little personal vanity, and that his desire to learn, experience, try things out, and make progress for its own sake was most important to him by far.”

Two versions of the violin concerto, which followed each other in quick succession, have survived. Upon comparing them, we note the precision with which the teenager integrated new experiences into his composing. He makes small changes in the relationship between solo and orchestra and corrects many details in the violin part, notably enhancing the virtu- oso effect. Though no performance has been documented, the concerto was probably intended for the Sunday musical gatherings organized by Mendelssohn’s mother in their own house, where Felix had the privilege of testing out his first works in the hands of Berlin’s finest musicians. The lack of winds in the instrumentation, something already considered antiquated in the early 19th century, also suggests such a private setting.

Tracklist

Felix Mendelssohn-Bartholdy (1809 – 1847)
Violin Concerto in D Minor, MWV O 3
1 I. Allegro 08:59
2 II. Andante 09:31
3 III. Allegro 04:17

Karl Amadeus Hartmann (1905 – 1963)
Concerto funebre for Violin and String Orchestra
4 I. Introduktion. Largo 01:47
5 II. Adagio 08:11
6 III. Allegro di molto 08:33
7 IV. Choral. Langsamer Marsch 04:40

Ottorino Respighi (1879 – 1936)
Antiche danze ed arie, Suite No. 3
8 I. Italiana. Andantino 02:29
9 II. Arie di corte. Andante cantabile 06:50
10 III. Siciliana. Andantino 02:52
11 IV. Passacaglia. Maestoso 03:25

Franz Schubert (1797 – 1828)
12 Rondo for Violin and Strings in A Major, D. 438 15:16

Personnel
Sebastian Bohren, violin
Chaarts Chamber Aartists

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Semyon Bychkov & Czech Philharmonic – Tchaikovsky: Manfred Symphony (2017)
FLAC (tracks) 24 bit/96 kHz  | Time – 59:16 minutes | 1,05 GB | Genre: Classical
Studio Masters, Official Digital Download – Source: Qobuz | Booklet, Front Cover | © Decca

Semyon Bychkov conducts the Czech Philharmonic in Tchaikovsky’s epic Manfred Symphony for Volume 2 of his Tchaikovsky Project.

Following 2016’s critically acclaimed Tchaikovsky Project Vol.1 (Pathétique and Romeo & Juliet Fantasy Overture), Volume 2 is released to coincide with the performance of Manfred Symphony at the BBC Proms on Thursday 31 August 2017.

The Tchaikovsky Project is a multi-year project shedding new light on the great master’s major orchestral works. Each recording benefits from extensive preparation time, the best possible recording conditions and Bychkov’s in-depth research on these works.

“I’ve loved Tchaikovsky’s music ever since I can remember. Like all first loves this one never died.” “This symphony is an opera without words, and one of Tchaikovsky’s greatest operas at that.” (Semyon Bychkov)

„The epic expansiveness of the Manfred Symphony suits Bychkov’s operatic tendencies perfectly. He clearly relishes the music’s moments of grandeur, over-the-top rhetoric and dramatic coups, and the Czech orchestra responds with playing of tremendous character” (Andrew Clements, The Guardian)

Tracklist

Pjotr Iljitsch Tschaikovsky (1840 – 1893)
Manfred Symphony, Op.58, TH.28
1 1. Lento lugubre – Moderato con moto – Andante 17:46
2 2. Vivace con spirito 09:48
3 3. Andante con moto 11:32
4 4. Allegro con fuoco 20:11

Personnel
Czech Philharmonic Orchestra
Semyon Bychkov, conductor

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Sergio Azzolini – Mozart & Michael Haydn: Bassoon Concerto & Serenade (2017)
FLAC (tracks) 24 bit/48 kHz  | Time – 01:00:41 minutes | 590 MB | Genre: Classical
Studio Masters, Official Digital Download – Source: Qobuz | Booklet, Front Cover | © Sony Classical

What a shame that Mozart’s other bassoon concertos (of which there supposedly were four others) vanished without a trace! Indeed they represent works of youth, albeit the youth of Mozart is equivalent to the maturity of many composers! Bassoonist Sergio Azzolini gives us his interpretation of this small masterpiece on an original bassoon built by Kaspar Tauber in 1790, an instrument on which all the difficulties imagined by Mozart take their full measure: not only did he require the lowest note, but also the highest accessible note, and added virtuosities, which probably stunned the bassoonist who played the score for the first time. The sound of this ancient and venerable instrument, finer and more “pinched” – and precise – than a German Fagott, closer to a French bassoon, creates a rather unusual listening and musical experience. Continuing the programme, the Bolzano String Academy decided to offer a very ample serenade by Michael Haydn, including a movement subtitled “Concertino per il fagotto”, while other movements put emphasis on the solo trumpet. It’s important to note that it is, for the most part, a formal reconstruction made by our musicians to offer a great serenade like it might have been played at the time: by inserting movements from various previous works. It’s with these types of works that we see how Mozart managed to draw from Haydn, the Great’s younger brother, much too discreet in view of his immense talent – a talent Mozart took advantage of, deliberately or not, in his own creations.

Tracklist

Michael Haydn (1737 – 1806)
1 Divertimento, MH 412: I. Marcia. Andantino grazioso 03:00

Wolfgang Amadeus Mozart (1756 – 1791)
2 Bassoon Concerto in B-Flat Major, K. 191: I. Allegro 06:45
3 Bassoon Concerto in B-Flat Major, K. 191: II. Andante ma adagio 06:36
4 Bassoon Concerto in B-Flat Major, K. 191: III. Rondo. Tempo di Menuetto 04:15

Michael Haydn
5 Symphony No. 14 in B-Flat Major, MH 133: I. Allegro molto 06:48
6 Symphony No. 14 in B-Flat Major, MH 133: II. Adagio mà non troppo, “Concertino per il Fagotto” 07:16
7 Symphony No. 14 in B-Flat Major, MH 133: III. Menuet. Trio 02:54
8 Trumpet Concerto No. 2 in D Major, MH 104: I. Adagio 06:07
9 Trumpet Concerto No. 2 in D Major, MH 104: II. Allegro 02:56
10 Menuetto / Trio, MH deest 03:01
11 Andante Scherzo, MH deest 05:03
12 Finale. Allegro assai, MH deest 02:59

Wolfgang Amadeus Mozart
13 Cassation in B-Flat Major, K. 99/63a: I. Marcia. Allegro molto 02:55

Personnel
Sergio Azzolini, bassoon
Streicherakademie Bozen

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Simone Dinnerstein – Bach: Inventions & Sinfonias, BWV 772-801 (2015)
FLAC (tracks) 24 bit/44,1 kHz  | Time – 53:17 minutes | 440 MB | Genre: Classical
Studio Masters, Official Digital Download – Source: Qobuz | Front Cover | © Sony Classical

On her new album, Bach Inventions & Sinfonias, renowned pianist Simone Dinnerstein reconnects with the foundation of her musical career and what she’s best known for a solo album of J.S. Bach’s keyboard works. The recording was made at the Academy of Arts and Letters in New York by Grammy-winning producer Adam Abeshouse. The Inventions and Sinfonias, commonly known as the 3-part inventions, were originally written in 1723 as a musical guide for keyboard players and remain a core part of the piano repertoire for students, amateurs, and professional musicians alike. Bach Inventions & Sinfonias features beautiful, well-known music by one of the most popular composers of all time, performed by the premiere Bach pianist of our time.

Bach’s Inventions and Sinfonias (commonly known as the 3-part Inventions) are the foundation of keyboard students’ study. Likewise most musicologists will study part of the Inventions at some stage of their theoretical education. Simone is keen to reach young students, their parents and musicologists, in addition to her usual fan base and plans a series of short videos on a selection of the inventions to connect with this audience.

Simone Dinnerstein says: “The first keyboard pieces of Bach that I remember hearing were his Inventions, when I was nine years old. The music seemed impossibly expressive and virtuosic at the time, and wholly beyond my abilities. Here were two continuous and independent voices, neither of which was subservient to the other. Until then I had thought of music as melody and accompaniment. An instrumental training is as much a training in how to listen as in how to play. In the text that accompanies the Inventions, Bach calls them ‘an honest guide.’ His Inventions and Sinfonias are marvels in demonstrating just how potent counterpoint is as an aid to expression, and how powerful a cantabile voice can be when surrounded by contradiction and elaboration. These small masterpieces have snippets of dances in them, laments and celebrations, simplicity and complexity.”

‘An utterly distinctive voice in the forest of Bach interpretation’ (New York Times)

“this is a romantic approach, with a limpid, legato touch in many of the Inventions. There is a dynamic rise and fall which emphasises the shape of phrases, and there is a vocal clarity to the contrapuntal strands which keeps us soundly on message for the most part…In the end, most of these performances are very good indeed on their own, but only your individual taste will dictate if you respond to Dinnerstein’s approach.” (MusicWeb International)

Tracklist

Johann Sebastian Bach (1685–1750)
Inventions 1-15
1 Invention No. 1 in C Major, BWV 772 01:28
2 Invention No. 2 in C Minor, BWV 773 02:00
3 Invention No. 3 in D Major, BWV 7740 0:50
4 Invention No. 4 in D Minor, BWV 775 01:33
5 Invention No. 5 in E-Flat Major, BWV 776 01:07
6 Invention No. 6 in E Major, BWV 777 02:53
7 Invention No. 7 in E Minor, BWV 778 01:00
8 Invention No. 8 in F Major, BWV 779 00:42
9 Invention No. 9 in F Minor, BWV 780 02:22
10 Invention No. 10 in G Major, BWV 781 00:59
11 Invention No. 11 in G Minor, BWV 782 01:43
12 Invention No. 12 in A Major, BWV 783 01:13
13 Invention No. 13 in A Minor, BWV 784 01:05
14 Invention No. 14 in B-Flat Major, BWV 785 01:33
15 Invention No. 15 in B Minor, BWV 786 01:24

Sinfonias 1-15
16Sinfonia No. 1 in C Major, BWV 787 00:51
17Sinfonia No. 2 in C Minor, BWV 788 03:03
18Sinfonia No. 3 in D Major, BWV 789 01:02
19Sinfonia No. 4 in D Minor, BWV 790 02:45
20Sinfonia No. 5 in E-Flat Major, BWV 791 02:48
21Sinfonia No. 6 in E Major, BWV 792 00:52
22Sinfonia No. 7 in E Minor, BWV 793 02:32
23Sinfonia No. 8 in F Major, BWV 794 01:03
24Sinfonia No. 9 in F Minor, BWV 795 03:22
25Sinfonia No. 10 in G Major, BWV 796 01:06
26Sinfonia No. 11 in G Minor, BWV 797 02:56
27Sinfonia No. 12 in A Major, BWV 798 01:14
28Sinfonia No. 13 in A Minor, BWV 799 02:18
29Sinfonia No. 14 in B-Flat Major, BWV 800 02:10
30Sinfonia No. 15 in B Minor, BWV 801 01:12

Personnel
Simone Dinnerstein, piano

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Sir Roger Norrington & Zürcher Kammerorchester – Haydn: The Paris Symphonies (2015)
FLAC (tracks) 24 bit/88,2 kHz  | Time – 02:44:29 minutes | 2,68 GB | Genre: Classical
Studio Masters, Official Digital Download – Source: Qobuz | Booklet, Front Cover | © Sony Classical

The conductor Roger Norrington remains the bad boy of historically informed performance, which is noteworthy for a man 81 years old when this box set was released in 2015. With this set of Haydn’s so-called Paris Symphonies, composed in 1785 and 1786 and first conducted by the sensation of black Paris, the Chevalier de Saint-Georges, Norrington lives up to his reputation with unorthodox readings that are either brilliant or perverse, depending largely on your own individual reaction. A balanced account might point to several factors. Most prominent is an idiosyncratic approach to tempo, particularly in the slow movements. Before you shell out the price of this three-CD set, try to sample the “Allegretto” movement of the Symphony No. 85 (CD one, track six) to see what you’re getting into: Norrington and the admittedly brilliantly compliant strings of the Zurich Chamber Orchestra blaze through it in a mere four minutes and 51 seconds, including all repeats. Several (although curiously not all) of the other slow movements and slow introductions are comparable. Norrington perhaps puts too much stock in Haydn’s tempo markings, which in an era before the standardization of the metronome were notoriously subjective and variable. The flat, vibratoless strings that are Norrington’s trademark are here throughout, creating a standard sheen into which Norrington injects crescendos that are nowhere to be seen in Haydn’s scores. It’s tempting to conclude that those scores serve merely as a starting point for further creative work in Norrington’s hands, but in other respects the performances do catch lots of detail that others miss. The wind instruments are deployed to the rear of the divided strings, and their parts emerge nicely in a kind of sinfonia concertante-like texture, especially the oboe in several places. Norrington’s control over his orchestra is unquestionable, and his concept is both original and executed in a thoroughgoing way. It’s just a question of whether you accept it.

Tracklist

Joseph Haydn (1732-1809)
Sinfonie Nr. 87 A-Dur
1 I. Vivace 10:07
2 II. Adagio 06:18
3 III. Menuetto 04:13
4 IV. Finale. Vivace 06:21

Sinfonie Nr. 85 B-Dur „Die Königin von Frankreich“
5 I. Adagio vivace 10:34
6 II. Romance. Allegretto 04:51
7 III. Menuetto. Allegretto 04:04
8 IV. Finale. Presto 03:17

Sinfonie Nr. 83 g-Moll „Die Henne“
9 I. Allegro spiritoso 10:23
10 II. Andante 09:01
11 III. Menuetto. Allegretto – Trio 04:00
12 IV. Finale. Vivace 05:45

Sinfonie Nr. 84 Es-Dur
13 I. Largo – Allegro 10:18
14 II. Andante 06:31
15 III. Menuetto. Allegro 03:16
16 IV. Finale. Vivace 06:07

Sinfonie Nr. 86 D-Dur
17 I. Adagio – Allegro spiritoso 11:28
18 II. Capriccio. Largo 07:32
19 III. Menuetto. Allegretto 05:26
20 IV. Finale. Allegro con spirito 05:48

Sinfonie Nr. 82 C-Dur „Der Bär“
21 I. Vivace assai 11:11
22 II. Allegretto 06:01
23 III. Menuetto 04:46
24 IV. Finale. Vivace 07:30

Personnel
Sir Roger Norrington (conductor)
Zürcher Kammerorchester

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Zara Larsson – So Good (2017)
FLAC (tracks) 24 bit/44,1 kHz  | Time – 50:43 minutes | 669 MB | Genre: Pop
Studio Masters, Official Digital Download | Front Cover | © Epic – Record Company TEN

“So Good” is the second studio album by Swedish singer and songwriter Zara Larsson, and her first released internationally. The release of the album was delayed for unknown reasons other than her claim that changes were made to many of the songs. On Metacritic, the album received a score of 76 out of 100 based on four reviews, indicating “generally favorable” reception.

Living up to its title, So Good – the sophomore set from Swedish singer Zara Larsson – arrived after a two-year promotional rollout that followed the release of her debut, 2014’s 1. Her slow climb toward the upper pop strata occupied by Rihanna, Sia, and Tove Lo – the artists whose vocals Larsson most closely echoes – began in 2015 with the quadruple-platinum number one single “Lush Life,” an effective dose of tropical pop that rides the surf with a playful whistle and undeniable bounce. Quickly following with the skittering staccato of MNEK duet “Never Forget You,” Larsson scored another hit. Two subsequent album highlights – the bass-blasted “Ain’t My Fault” and “I Would Like” – provided additional examples of her strong voice and confident attitude. By the time fifth single – the Ty Dolla $ign-featuring, Charlie Puth-penned title track – arrived in 2017, a third of So Good had been unveiled. Despite the significant time gap, So Good remains a tight vision full of romantic drama, youthful abandon, and a strong sense of female empowerment. “TG4M” (“too good for me”) basks in the sun with a piña colada in hand, part of a Girl’s Only weekend with Daya and Hailee Steinfeld, while the WizKid-featuring, Stargate-produced “Sundown” invites Sia to the moonlight island party. When the party ends, the uplifting “What They Say” provides a comforting shoulder to lean on. Amongst the feel-good party jams, heartfelt surprises provide more emotional sustenance. “Make That Money Girl” is a slow-builder that turns the bad gal toughness of Rihanna into a girl power anthem with a message that demands self-reliance and vision, going so far as reminding listeners that “you can be the next female president.” When Larsson delves even deeper, the results are refreshing. Album closer “I Can’t Fall in Love Without You” is a beautiful sendoff. Set to Jesper Nordenström’s piano accompaniment, the track is a sweeping and heartfelt expression, the most vulnerable and pure on So Good. Fun and engaging, Larsson made one of the better pop albums of 2017. Like contemporaries Daya, Steinfeld, Bebe Rexha, and Dua Lipa, Larsson delivers polished R&B-influenced pop gems that shine bright like diamonds while maintaining a too-cool-for-school factor that helps to distinguish her from the bubblegum.

Tracklist:
01 – What They Say
02 – Lush Life
03 – I Would Like
04 – So Good ( feat. Ty Dolla $ign)
05 – TG4M
06 – Only You
07 – Never Forget You (with MNEK)
08 – Sundown (feat. WizKid)
09 – Don’t Let Me Be Yours
10 – Make That Money Girl
11 – Ain’t My Fault
12 – One Mississippi
13 – Funeral
14 – I Can’t Fall in Love Without You
15 – Symphony (feat. Clean Bandit) [Bonus Track]

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Opeth – Garden of the Titans (Opeth Live at Red Rocks Amphitheatre) (2018)
FLAC (tracks) 24 bit/48 kHz  | Time – 01:28:06 minutes | 1,12 GB | Genre: Metal
Studio Masters, Official Digital Download | Digital Booklet | © Nuclear Blast

Opeth have announced the upcoming release of a new live album and concert video titled Garden of the Titans: Live at Red Rocks Amphitheater, which arrives on November 2nd. The audio and visuals were captured at the legendary Colorado venue on May 17, 2017, as the band was touring the U.S. in support of their most recent album, Sorceress.

The filming of the Swedish progressive death metal band was overseen by The Deka Brothers, the French directors who have made videos for Gojira and Carpenter Brut. And the audio for the show was mixed by David Castillo, a studio vet who helped engineer Opeth’s 2008 album, Watershed.

This new release will hopefully tide Opeth fans over while they wait for a new studio disc from the group. According to an interview that guitarist and vocalist Mikael Åkerfeldt gave to eonmusic last year, the band hopes to have the new album out by mid-to-late 2019.

Tracklist
01. Sorceress
02. Ghost Of Perdition
03. Demon Of The Fall
04. The Wilde Flowers
05. In My Time Of Need
06. The Devil’s Orchard
07. Cusp Of Eternity
08. Heir Apparent
09. Era
10. Deliverance

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Joel Lyssarides – Dreamer (2018)
FLAC (tracks) 24 bit/96 kHz  | Time – 49:35 minutes | 982 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Prophone

Joel Lyssarides is a multi-awarded Swedish jazz-musician. Starting to take piano lessons at the age of 4, Joel claims that one of his early inspirations to jazz was from hearing Charlie Parkers “Blue Bird.” Only 25 years old, Joel already has a 10 year career behind him, and has toured and collaborated with artists such as Anne Sofie Von Otter, Dirty Loops, Benny Andersson, Nils Landgren and Silvana Imam. Over the years Joel has received a number of prominent awards. At the age of 21 he won the Jan Wallander award, which gave him a Steinway grand piano and access to a studio in central Stockholm. Joel has also been awarded by the Swedish Association of composers as well as been nominated for “Newcomer of the year” by the Swedish radio. In November of 2017 Joel recorded his debut album with fellow musicians Niklas Fernqvist on Upright bass and Rasmus Svensson Blixt on drums. The music is inspired by flamenco and americana but also reflects Joel’s interest in romantic classical music, mainly drawing inspiration from the Russian composer Scriabin and the Argentinian composer Astor Piazzolla. The album presents an intense and challenging music for the classic pianotrio-format.

Tracklist:
1. Semblance (03:07)
2. Guadalquivir (05:37)
3. Self Portrait (03:24)
4. Dreamer (03:25)
5. Silhouettes (01:11)
6. Mirages (05:01)
7. Longing for Labrador (06:08)
8. Umbra (07:02)
9. Transcendence (06:48)
10. When You Wish Upon a Star (05:37)
11. Silent Agreement (02:15)

Personnel:
Joel Lyssarides, piano
Niklas Fernqvist, bass
Rasmus Svensson, drums

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Joey Dosik – Inside Voice (2018)
FLAC (tracks) 24 bit/96 kHz  | Time – 38:16 minutes | 749 MB | Genre: Soul
Studio Masters, Official Digital Download | Front Cover | © Secretly Canadian

Los Angeles’ Joey Dosik is thrilled to announce his debut album, Inside Voice. “Inside Voice” builds gradually into 1970s-style soul, as Dosik’s remarkable vocal range hovers over a sparse arrangement. It’s quiet but – in keeping with the song’s concept, which Dosik describes as “deep, sexual, but also kind of silly”- it’s also a thrilling, intimate moment. Dosik honed his craft as part of a burgeoning Los Angeles scene that reinvents classic popular music to thrive in the present tense. With Inside Voice, which features a number of Dosik’s closest collaborators – including Moses Sumney, Miguel Atwood-Ferguson, Mocky, Coco O, Theo Katzman, and others – Dosik delivers a level of depth rarely achieved in a debut, and the result is an instant classic by any standard. It’s brimming with emotions that linger and hum. It’s catchy as hell and can haunt you for days. You can take a casual listen or spend hours on repeat. Either way, Inside Voice will get you, because Joey Dosik writes human music for human beings. And boy does he write the hell out of it. Throughout, Dosik does a remarkable job of honoring and evolving classic sounds, letting his uncanny gift for songwriting guide the way. Inside Voice follows Dosik’s acclaimed debut EP, Game Winner, re-released by Secretly Canadian earlier this year.

It’s hard to believe that the youth on the sleeve of Inside Voice is a kind of reincarnation of Marvin Gaye! It’s impossible not to think of the writer of What’s Going On when you hear Joey Dosik’s voice. All the soul music of a Sixties-Seventies golden age seems to be distilled in the passion of this Californian, who packs a fine, slightly gospel, rendition of Bill Withers’s Stories into his first album. This is a record of the old school, which has enjoyed a refined production job. Dosik’s music is sophisticated, profound, sexy, intimate and pure. His piano parts, often very sparse, are the perfect counterpoint to his angelic voice. Miguel Atwood-Ferguson, an accomplice of Flying Lotus, has arranged all the strings, and Moses Sumney has taken charge of all the beautiful choirs. A big fan of Carole King, Joey Dosik also proves that he can serve up moving lyrics, as on the poignant Grandma Song. The class of thisInside Voice is such that no-one can quibble with this artist’s retro, or even old-fashioned, choices. At 32 years of age, Dosik is looking for the timeless, the eternal and a certain kind of perfection.  – Marc Zisman

Tracklist:
01. Inside Voice
02. Get It Right
03. Stories
04. Take Mine
05. Down The Middle (VHS Interlude)
06. Past The Point
07. Grandma Song
08. Don’t Want It To Be Over (Ft. Coco O.)
09. Inside Voice (Reprise)
10. Emergency Landing
11. In Heaven
12. One More Time
13. Game Winner (Stadium Version)

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Jonas Zschenderlein & Alexander von Heißen – Pure (2018)
FLAC (tracks) 24 bit/96 kHz  | Time – 01:07:24 minutes | 1,32 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © deutsche harmonia mundi

“Yet another a record of baroque violin works played by baroque instrumentalists on period baroque instruments”, you might well say upon reading the track list of this release by (baroque…) violinist Jonas Zschenderlein, accompanied by harpsichord player Alexander von Heißen. In fact, it’s anything but! The idea of this album is to record the instruments in a completely modern way, with microphones placed up close, and a post-production operation (mixing, balancing tracks between microphones, equalisation or distortion of the original sound, artificial reverberation, etc.) of the sort normally found on rock albums. The result is a sound which is bound to startle a listener who is used to their Bach Sonata BWV 1019 being played a certain way, according to the canonical method imposed by post-romantic violinists in recent decades, or by “pure” baroque artists. But that’s the whole point. Corelli himself gets the same treatment and his reasonably famous Sonata Op. 5 No. 5 becomes pretty much unrecognisable. On the other hand, lesser-known works by Montanari and Westhoff, thanks to the treatment they get here, could well become standards…

Tracklist:
1. in G minor, Op. 5, No. 5 : I. Adagio 03:15
2. in G minor, Op. 5, No. 5 : II. Vivace 02:11
3. in G minor, Op. 5, No. 5 : III. Adagio 02:08
4. in G minor, Op. 5, No. 5 : IV. Vivace 02:02
5. in G minor, Op. 5, No. 5 : V. Allegro 01:27
6. in D minor : I. Adagio 02:07
7. in D minor : II. Allegro 02:23
8. in D minor : III. Adagio 01:50
9. in D minor : IV. Giga senza basso 02:19
10. Toccata in D Major, BWV 912 11:03
11. Violin Partita No. 2 in D Minor, BWV 1004: IV. Giga 04:48
12. in G Major, BWV 1019 : I. Allegro 03:59
13. in G Major, BWV 1019 : II. Largo 01:54
14. in G Major, BWV 1019 : III. Allegro 05:22
15. in G Major, BWV 1019 : IV. Adagio 02:58
16. in G Major, BWV 1019 : V. Allegro 03:35
17. no. 2 in A minor : I. Largo 02:33
18. no. 2 in A minor : II. Presto 02:45
19. no. 2 in A minor : III. Imitazione del liuto 02:28
20. no. 2 in A minor : IV. Aria grave 02:05
21. no. 2 in A minor : V. Finale 01:07
22. No. 2 in A Minor: III. Imitazione del liuto (Arr. for Violin and Guitar) 03:05

Personnel:
Jonas Zschenderlein, violin
Alexander von Heissen, harpsichord

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Josh Smith – Burn To Grow (2018)
FLAC (tracks) 24 bit/96 kHz  | Time – 52:24 minutes | 1,13 GB | Genre: Blues
Studio Masters, Official Digital Download | Front Cover | © m2 music, MV Dirk Osterhaus

At 38 years old, Josh Smith is already a long time veteran of the Music/Blues scene. His new album “Burn To Grow” is his tenth studio release. His first album was released as a 14 year old kid back in South Florida almost 25 years ago. After pursuing blues full-time from age 13-22 and touring the US to support his efforts, Josh moved to Los Angeles in 2002. There he made a name for himself as a session guitarist, sideman and producer. At the same time he continued to release self produced albums showing the growth and wealth of new influences he was acquiring from his work. This has culminated with the new album “Burn To Grow.” When you see a Josh Smith live show you are seeing someone who wears his influences on his sleeves and truly tries to be open to all styles of music all the while staying firmly rooted in the Blues. This album is a representation of that approach. It features sometimes very sophisticated arrangement and production. It has complex harmony and interesting melodic ideas in the writing. At the same time the performances are completely improvised and live just as they would be at a live blues gig. All the guitar solos are live and improvised with the rhythm section. The musicians who play on the record were chosen specifically for the individual pushes they would bring to the respective songs they are on. This all adds up to an album that is the closest yet to what you get when you come to a Josh Smith gig. A little soul, some jazz, some R&B, some rock and roll and a whole lot of the blues!!!!

Tracklist:
01. Half Blues 05:32
02. Through the Night 05:01
03. Watching You Go 03:40
04. That for You Too 04:10
05. Your Love (Is Making Me Whole) 03:03
06. Look No Further 06:37
07. Let Me Take Care of You 03:51
08. What We Need 06:21
09. You Never Knew 04:21
10. She Survives 05:10
11. Burn to Grow 04:39

Personnel:
Josh Smith, guitar, vocals
Travis Carlton, bass (tracks 1, 5, 6, 7, 8, 9, 11)
Davey Faragher, bass (tracks 2, 3, 4, 10)
Lemar Carter, drums (tracks 1, 5, 6, 7, 8, 9, 11)
Pete Thomas, drums (tracks 2, 3, 4, 10)
Carey Frank, organ
Monét Owens, backing vocals
Jamelle Adisa, trumpet, flugelhorn
Chris Johnson, trombone
J. P. Floyd, trombone
Matthew DeMerritt, tenor saxophone
Dan Boisey, tenor and baritone saxophone

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Josu de Solaun – Enescu: Complete Works for Solo Piano (2018)
FLAC (tracks) 24 bit/96 kHz  | Time – 03:32:08 minutes | 3,04 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Grand Piano

This set of George Enescu’s solo piano music traces a fascinating musical arc from his precocious years in Vienna and Paris, where he absorbed Brahmsian and French late-Romantic influences, notably in the Impromptus, to the brilliantly mercurial Piano Sonata No. 3. Whether in the Pièces impromptues, eloquent character pieces, or in the oceanic Piano Sonata No. 1, Enescu remains, in Pablo Casals’ words, ‘the greatest musical phenomenon since Mozart’, his unique musical language embracing Bach as well as the abiding vitality, and melancholy, of his native Romanian folk music.

Tracklist:
1. Nocturne in D-Flat Major 19:05
2. Suite No. 3, Op. 18 “Pièces impromptues” : I. Mélodie 03:13
3. Suite No. 3, Op. 18 “Pièces impromptues” : II. Voix de la steppe 03:19
4. Suite No. 3, Op. 18 “Pièces impromptues” : III. Mazurk mélancolique 05:27
5. Suite No. 3, Op. 18 “Pièces impromptues” : IV. Burlesque 05:33
6. Suite No. 3, Op. 18 “Pièces impromptues” : V. Appassionato 04:51
7. Suite No. 3, Op. 18 “Pièces impromptues” : VI. Choral 07:15
8. Suite No. 3, Op. 18 “Pièces impromptues” : VII. Carillon nocturne0 6:55
9. Piano Sonata No. 1 in F-Sharp Minor, Op. 24 No. 1 : I. Allegro molto moderato e grave 11:01
10. Piano Sonata No. 1 in F-Sharp Minor, Op. 24 No. 1 : II. Presto vivace 04:39
11. Piano Sonata No. 1 in F-Sharp Minor, Op. 24 No. 1 : III. Andante molto espressivo 07:35
12. Suite No. 2 in D major, Op. 10 : I. Toccata: Majestueusement, mais pas trop lent 04:22
13. Suite No. 2 in D major, Op. 10 : II. Sarabande: Noblement 08:19
14. Suite No. 2 in D major, Op. 10 : III. Pavane: Lentement berce 06:24
15. Suite No. 2 in D major, Op. 10 : IV. Bouree: Vivement 06:03
16. Prélude & fugue : Prélude 08:24
17. Prélude & fugue : Fugue 05:37
18. Piano Sonata No. 3 in D Major, Op. 24 No. 3 : I. Vivace con brio 06:04
19. Piano Sonata No. 3 in D Major, Op. 24 No. 3 : II. Andantino cantabile 10:44
20. Piano Sonata No. 3 in D Major, Op. 24 No. 3 : III. Allegro con spirito 08:52
21. Pièce pour piano sur le nom de Fauré : Pièce sur le nom de Fauré 02:10
22. Scherzo 03:56
23. Ballade for Piano : Ballade for Piano 07:44
24. Prélude & scherzo : Prélude 04:06
25. Prélude & scherzo : Scherzo 05:59
26. Barcarolle in B-Flat Major 04:19
27. La Fileuse in D Major 04:55
28. Regrets in G-Flat Major 03:18
29. Piano Suite No. 1 in G Minor, Op. 3 “Dans le style ancien” : I. Prélude: Grave 03:20
30. Piano Suite No. 1 in G Minor, Op. 3 “Dans le style ancien” : II. Fugue: Allegro moderato 04:01
31. Piano Suite No. 1 in G Minor, Op. 3 “Dans le style ancien” : III. Adagio 08:19
32. Piano Suite No. 1 in G Minor, Op. 3 “Dans le style ancien” : IV. Finale: Presto 03:46
33. Impromptu in A-Flat Major 04:12
34. Impromptu in C major 06:05
35. Moderement 02:16

Personnel:
Josu De Solaun, piano

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Jowee Omicil – Love Matters! (2018)
FLAC (tracks) 24 bit/44,1 kHz  | Time – 01:11:20 minutes | 741 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Jazz Village

Jowee Omicil is a jazz artist unlike any you’ve heard before. He brings a novel and distinctly Afro-Haitian perspective to his music. Omicil’s melodic storytelling blends flavors from his Creole roots with gospel, soul, hip-hop and folk, not to mention nods to the masters – from Charlie Parker to Ornette Coleman. Love Matters is a musical antidote to our quest for spirituality. It is carried by a cosmopolitan sense of groove and injected with hints of voodoo blues and funk trance.

Tracklist:
1. Mendé Lolo 04:50
2. Waves of Monk 05:50
3. Rara Démaré 03:23
4. Obas Konsa 04:43
5. Clark 03:31
6. Mozart BasH! 04:47
7. De L’Orient 03:49
8. Marie-Clémence 04:52
9. Be Kuti 03:12
10. Putain de BasH! 03:16
11. Duérmete mi niño 03:50
12. Calm before the storm 07:45
13. Wè wè wè wè (La grev Baré mwen) 04:58
14. Englishman in New-York (Bonus Track) 07:39
15. Jesus My Joy (Bonus Track) 04:55

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Joyce DiDonato – Into the Fire (Live) (2018)
FLAC (tracks) 24 bit/96 kHz  | Time – 01:17:28 minutes | 1,18 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Warner Classics

Recorded live at London’s celebrated Wigmore Hall, this captivating recital by Joyce DiDonato and the Brentano Quartet was conceived around Jake Heggie’s song cycle Camille Claudel: Into the Fire, a work written for DiDonato – she describes it as “one of most moving projects I’ve ever been part of”.

Songs by Debussy and Strauss and a quartet movement by Guillaume Lekeu complete the programme, which prompted the Financial Times to write that “the beauty and range” of DiDonato’s singing “are surely now at their impressive peak.”

Tracklist:
1. Schlichte Weisen, Op. 21, Trv 160: II. Du meines Herzens Krönelein (Transc. Steinberg for Voice & String Quartet) [Live] 02:20
2. Schlichte Weisen, Op. 21, Trv 160: I. All mein’ Gedanken (Transc. Steinberg for Voice & String Quartet) [Live] 01:08
3. 8 Gedichte aus “Letzte Blätter”, Op. 10, TrV 141: III. Die Nacht (Transc. Steinberg for Voice & String Quartet) [Live] 03:12
4. Schlichte Weisen, Op. 21, Trv 160: III. Ach Lieb, ich muss nun scheiden (Transc. Steinberg for Voice & String Quartet) [Live] 01:57
5. 3 Lieder, Op. 29, TrV 172: I. Traum durch die Dämmerung (Transc. Steinberg for Voice & String Quartet) [Live] 04:02
6. Molto adagio sempre cantante doloroso (Live) 11:20
7. 3 Chansons de Bilitis, L. 97: I. La Flûte de Pan (Transc. Heggie for Voice & String Quartet) [Live] 02:49
8. 3 Chansons de Bilitis, L. 97: II. La Chevelure (Transc. Heggie for Voice & String Quartet) [Live] 04:10
9. 3 Chansons de Bilitis, L. 97: III. Le Tombeau des naïades (Transc. Heggie for Voice & String Quartet) [Live] 04:02
10. Camille Claudel – Into the Fire: Prelude – Awakening (Live) 01:27
11. Camille Claudel – Into the Fire: I. Rodin (Live) 04:27
12. Camille Claudel – Into the Fire: II. La Valse (Live) 04:41
13. Camille Claudel – Into the Fire: III. Shakuntala (Live) 05:07
14. Camille Claudel – Into the Fire: IV. La petite châtelaine (Live) 04:37
15. Camille Claudel – Into the Fire: V. The Gossips (Live) 04:21
16. Camille Claudel – Into the Fire: VI. L’age mûr (Live) 03:05
17. Camille Claudel – Into the Fire: VII. Epilogue – Jessie Lipscomb visits Camille Claudel, Montdevergues Asylum, 1929 (Live) 05:39
18. 4 Lieder, Op. 27, TrV 170: IV. Morgen! (Transc. Steinberg for Voice & String Quartet) [Live] 04:34
19. Quartet: Silent Night (Transc. Brentano Quartet for Voice & String Quartet) [Live] 04:30

Personnel:
Joyce DiDonato, mezzo-soprano
Brentano quartet:
Mark Steinberg, 1 st violin
Serena Canin, 2nd violin
Misha Amory, viola
Nina Maria Lee, cello

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