Studio Masters – HDMusic.me

“Say what you will about the 75-year-old Wilhelm Kempff’s “old school” Goldberg Variations, with its unembellished Aria, seeming surface plainness, and avoidance of virtuosic sheen. However, I say that this 1970 recording remains among the most beautiful and heartfelt piano versions of Bach’s keyboard tour-de-force. Within Kempff’s straight-laced, intimate parameters you encounter the most subtle nuances, changes of color, dynamic gradations, and accents. I’ve rarely heard Variation 9’s lines (the canon at the fourth) sing out so calmly and naturally, or the three minor-key variations emerge with comparable ease, fluidity, and melodic cogency. Yet in Variation 27 (the canon at the ninth) Kempff also reveals how well he can deliver rapid, detaché playing when so inclined. Observing the A-section repeats, Kempff doesn’t embellish them so much as he refocuses voicings and balances between hands, to convincing effect. If you missed DG Galleria’s excellent 1994 digital remastering when it first appeared, get it now by way of ArkivMusic.com’s on-demand reprint program. A unique and treasurable release.” (Jed Distler, ClassicsToday)

Tracklist:
1. Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations” : Aria 01:58
2. Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations” : Var. 1 a 1 Clav. 01:30
3. Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations” : Var. 2 a 1 Clav. 01:04
4. Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations” : Var. 3 Canone all’Unisono a 1 Clav. 02:19
5. Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations” : Var. 4 a 1 Clav. 00:46
6. Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations” : Var. 5 a 1 ovvero 2 Clav. 01:16
7. Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations” : Var. 6 Canone alla Seconda a 1 Clav. 01:05
8. Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations” : Var. 7 a 1 ovvero 2 Clav. 01:50
9. Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations” : Var. 8 a 2 Clav. 01:35
10. Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations” : Var. 9 Canone alla Terza a 1 Clav. 01:52
11. Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations” : Var. 10 Fughetta a 1 Clav. 01:09
12. Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations” : Var. 11 a 2 Clav. 01:25
13. Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations” : Var. 12 Canone alla Quarta 04:02
14. Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations” : Var. 13 a 2 Clav. 02:57
15. Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations” : Var. 14 a 2 Clav. 01:42
16. Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations” : Var. 15 Canone alla Quinta in moto contrario 04:37
17. Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations” : Var. 16 Ouverture a 1 Clav. 01:34
18. Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations” : Var. 17 a 2 Clav. 01:45
19. Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations” : Var. 18 Canone alla Sesta a 1 Clav. 01:19
20. Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations” : Var. 19 a 1 Clav. 00:58
21. Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations” : Var. 20 a 2 Clav. 01:46
22. Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations” : Var. 21 Canone alla Settima 03:12
23. Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations” : Var. 22 Alla breve a 1 Clav. 01:01
24. Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations” : Var. 23 a 2 Clav. 01:43
25. Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations” : Var. 24 Canone all’Ottava a 1 Clav. 03:32
26. Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations” : Var. 25 a 2 Clav. 04:51
27. Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations” : Var. 26 a 2 Clav. 01:47
28. Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations” : Var. 27 Canone alla Nona 01:43
29. Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations” : Var. 28 a 2 Clav. 01:52
30. Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations” : Var. 29 a 1 ovvero 2 Clav. 01:48
31. Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations” : Var. 30 Quodlibet a 1 Clav. 01:30
32. Aria mit 30 Veränderungen, BWV 988 “Goldberg Variations” : Aria da Capo 01:24

Personnel:
Wilhelm Kempff, piano

Digitally remastered

Download:

https://subyshare.com/34003qxwiz6s/WilhelmKempffJ.S.BachG0ldbergVariati0nsBWV988197020182496.part1.rar.html
https://subyshare.com/1o3fwudy2957/WilhelmKempffJ.S.BachG0ldbergVariati0nsBWV988197020182496.part2.rar.html

This 1980 set from influential vocal quartet The Hi-Lo’s includes pop hits of the era (Just The Way You Are, After the Love Is Gone) and standards arranged to highlight the precise harmonies of the four members. The album was one of a pair the ensemble recorded after a 14 year hiatus; the response from the public encouraged the quartet to work together more regularly throughout the rest of the 1980s.

“They’re nothing less than the best vocal group of all time.” – Steve Allen

“… those (vocal) charts, polished and inventive, make technical demands on the singers that the casual listener can only begin to imagine.” – The Milwaukee Journal

Tracklist:
01 – While We’re Young
02 – Just The Way You Are
03 – Corcovado (Quiet Nights of Quiet Stars)
04 – Ain’t Doin’ Bad Doin’ Nothin’
05 – Lazy Afternoon
06 – Chega De Saudade (No More Blues)
07 – After the Love Has Gone
08 – Everytime We Say Goodbye
09 – The Night We Called It a Day
10 – Mr. Blue

Produced by Gene Puerling & Hans Georg Brunner-Schwer.
Instrumentals track recorded on March 27-28, 1980 at A&M Studios, Los Angeles.
Vocals recorded on May 19-22, 1980 in the studio of MPS Records, Villingen, West Germany.
Digitally Remastered.

Musicians:
Bob Morse, vocals
Clark Burroughs, vocals
Don Shelton, vocals
Gene Puerling, vocals
Jim Hughart, electric bass
Tommy Tedesco, electric guitar
Clare Fischer, electric piano (Fender Rhodes)
Gary Foster, flute
Tommy Tedesco, guitar
Gordon Goodwin, soprano saxophone, flute
Ralph Grierson, synthesizer
Jim Hughart, bass
Oscar Meza, bass
Steve Schaeffer, drums
Walfredo De Los Reyes, drums
Luis Conte, congas, percussion

Download:

https://subyshare.com/461aqclkgyba/TheHiL0sN0w19812015Pr0Studi0Masters24882.rar.html

Paul Horn was an American jazz flautist and saxophonist, and an early pioneer of new-age music. “Monday, Monday” is an album by the Paul Horn Quintet with an orchestra arranged and conducted by Oliver Nelson which was originally released on the RCA Victor label in 1966.

Tracklist:
01 – Monday, Monday
02 – Norweigan Wood (This Bird Has Flown)
03 – Acapulco Gold
04 – Girl
05 – Paramahansa
06 – (I Can’t Get No) Satisfaction
07 – Karen’s World
08 – You’ve Got Your Troubles
09 – Elusive Butterfly
10 – Guv-Gubi
11 – Eight Miles High

Produced by Al Schmitt. Engineered by Dave Hassinger. Arranged by Paul Horn & Oliver Nelson.
Recorded on June 1, 2 & 3, 1966 at RCA Victor’s Music Center of the World in Hollywood, CA.

Musicians:
Paul Horn – flute
Lynn Blessing – vibraphone
Mike Lang – piano
Bill Plummer – bass
Bill Goodwin – drums
Unidentified orchestra conducted & arranged by Oliver Nelson (tracks 1, 2, 4, 6, 8, 9 & 11)

Download:

https://subyshare.com/9gae6ckltd6h/ThePaulH0rnQuintetM0ndayM0nday19662016Ac0usticS0unds24192.part1.rar.html
https://subyshare.com/oop2fgz2jxj0/ThePaulH0rnQuintetM0ndayM0nday19662016Ac0usticS0unds24192.part2.rar.html

One of a host of jazz musicians with deep roots in classical music, Roland Hanna graduated from NYC’s prestigious Julliard School of Music and worked with the likes of Charles Mingus, Elvin Jones, Sarah Vaughan and Jim Hall. Although Hanna had originally intended the pieces as a suite for cello and jazz ensemble, trio members American bass maestro Dave Holland, and Swiss drummer Daniel Humair fit in perfectly with the change of plans. Holland had just taken leave from Miles Davis, and Humair was about to go on tour with Oscar Peterson. Prelude combines Bach and a jazz-rock backbeat, while Hanna states that Allemande and the blues waltz Courrante ‘are the real gems of the Suite’, combining European classical with Afro-American music. Both pieces feature a finely integrated trio with open borders between accompaniment and solo. Written for his Gemini wife, Child of Gemini depicts her ‘changing mood and final resoluteness’. The modal Arsenic and New Lace drives ahead in an impressionistic ¾. The jazzy Ha-Ho Da are the first two letters of each player’s name, and signifies the group unity on this swinging medium-up blues. Outstanding solos by all three. The ballad Blue Lily finds Hanna ruminating on electric keyboard, and for critic/writer J.E. Berendt, A Statement For The Truth ‘notes the climax of the session, the brilliant finale to a suite whose individual movements are lined up in a contrasting, yet seamless row.” Hanna treats his rhythm section as equals; the solos are outstanding, and all three have ample room to stretch.

„Sir Roland Hanna’s 1971 sessions for MPS pairs the veteran pianist with bassist David Holland and drummer Daniel Humair, focusing exclusively on the leader’s originals that were originally intended as a suite, though they stand very well individually, too. The first four selections display the influence of the classical portion of Hanna’s studies, especially the Bach-flavored “Prelude-So You’ll Know My Name” and the lovely “Courrante-Blue.” The lively blues “Ha-Ho-Da” showcases each of the three musicians in turn. Hanna switches to an electric piano (set to sound like a harp) for the ballad “Blue Lilly” and wraps the sessions with “A Statement of the Truth,” a complex bop line with a nod to Lennie Tristano. Overall, the music is not quite up to the level of other recordings under Hanna’s leadership, though it is still a worthwhile LP. Since MPS ceased operations not long after the 1972 release of this album, it may be somewhat difficult to find.“ (Ken Dryden, AMG)

Tracklist:
01 – Prelude – So You’ll Know My Name
02 – Allemande – Dance
03 – Courrante – Blue
04 – Child of Gemini
05 – Arsenic and New Lace
06 – Ha-Ho-Da
07 – Blue Lilly
08 – A Statement for the Truth

All compositions by Roland Hanna.
Produced by Joachim Ernst Berendt. Engineered by Rolf Donner.
Recorded on February 11-12, 1971 at MPS Tonstudio, Villingen, Black Forest, Germany.
Digitally Remastered.

Musicians:
Roland Hanna – piano
Dave Holland – bass
Daniel Humair – drums

Download:

https://subyshare.com/fmjjwdgugw0f/TheR0landHannaTri0Child0fGemini19712017HRA24882.rar.html

T-Square (who were then known as The Square) is a Japanese Jazz Fusion band formed in 1978. They became famous in the late 70s and early 80s along with other Japanese bands in the genre. Its most famous lineup included its members from 1986 to 1990: guitarist Masahiro Andoh, saxophonist/flutist/EWI player Takeshi Itoh, bassist Mitsuru Sutoh, keyboardist Hirotaka Izumi and drummer Hiroyuki Noritake. “Magic” is the band’s fifth studio album, released in November 1980.

Tracklist:
01 – It’s Magic
02 – Chou Chow
03 – I’ll Never Forget You
04 – Little Mermaid
05 – Larisa
06 – Chase
07 – Sunshine Sunshine
08 – Wandering Soldier
09 – I LUV U
10 – Kawaii Techno

DSD64

https://subyshare.com/vstyxm9u0sg1/TheSquareMagic19812015M0ra.JPDSD64.part1.rar.html
https://subyshare.com/5nvrblzce002/TheSquareMagic19812015M0ra.JPDSD64.part2.rar.html

FLAC

https://subyshare.com/aq3kcxsn3umz/TheSquareMagic19812015FLAC2496.rar.html

T-Square (who were then known as The Square) is a Japanese Jazz Fusion band formed in 1978. They became famous in the late 70s and early 80s along with other Japanese bands in the genre. Its most famous lineup included its members from 1986 to 1990: guitarist Masahiro Andoh, saxophonist/flutist/EWI player Takeshi Itoh, bassist Mitsuru Sutoh, keyboardist Hirotaka Izumi and drummer Hiroyuki Noritake. “Make Me A Star” is the band’s third studio album, released in June 1979.

Tracklist:
01 – Mr. Coco’s One
02 – Make Me A Star
03 – Life Is A Music
04 – Stiff Nails
05 – Love Forever
06 – I Will Sing A Lullaby
07 – Texas Kid

Musicians:
Masahiro Andoh – Guitars
Takeshi Itoh – Alto Saxophone, Lyricon
Junko Miyagi – Acoustic and Electric Piano, Synthesizers
Yuhji Nakamura – Bass
Micheal S. Kawai – Drums, Percussion, Voice
Kiyohiko Semba – Percussion
Kayoko Ishu – Vocals on “Mr. Coco’s One”, “Make Me A Star” and “Life is a Music”
Shin Kazuhara – Trumpet on “Make Me A Star”
Eiji Arai – Trombone on “Make Me A Star”
Tadaaki Obuo – Strings on “Make Me A Star” and “I Will Sing A Lullaby”
Shiroh Sagisu – Conductor, Synthesizers

DSD64

https://subyshare.com/cts0yq1kco13/TheSquareMakeMeAStar19792015M0ra.JPDSD64.part1.rar.html
https://subyshare.com/noei0a89g47i/TheSquareMakeMeAStar19792015M0ra.JPDSD64.part2.rar.html

FLAC

https://subyshare.com/yghcxbqcuzz7/TheSquareMakeMeAStar19792015FLAC2496.rar.html

T-Square (who were then known as The Square) is a Japanese Jazz Fusion band formed in 1978. They became famous in the late 70s and early 80s along with other Japanese bands in the genre. Its most famous lineup included its members from 1986 to 1990: guitarist Masahiro Andoh, saxophonist/flutist/EWI player Takeshi Itoh, bassist Mitsuru Sutoh, keyboardist Hirotaka Izumi and drummer Hiroyuki Noritake. “Midnight Lover” is the band’s second studio album, released in December 1978.

Tracklist:
01 – Lickin’ It
02 – Wrapped Around Your Soul
03 – Show Dance
04 – Take The Long Road
05 – Midnight Lover
06 – This Song

Musicians:
Masahiro Andoh – guitar
Takeshi Itoh – alto saxophone
Junko Miyagi – Fender Rhodes Electric Piano, Korg MS-20 synthesizer, acoustic piano
Yuhji Nakamura – bass
Michael S. Kawai – drums, synthesizer drums
Kiyohiko Semba – percussion, synthesizer
Yuhji Mikuriya – Additional guitars, acoustic guitar
Shiroh Sagisu – ARP String Ensemble

DSD64

https://subyshare.com/jvoybjznsvjb/TheSquareMidnightL0ver19782015M0ra.JPDSD64.part1.rar.html
https://subyshare.com/1xj56hdshvbp/TheSquareMidnightL0ver19782015M0ra.JPDSD64.part2.rar.html

FLAC

https://subyshare.com/dkfz5nkk747n/TheSquareMidnightL0ver19782015FLAC2496.rar.html

T-Square (who were then known as The Square) is a Japanese Jazz Fusion band formed in 1978. They became famous in the late 70s and early 80s along with other Japanese bands in the genre. Its most famous lineup included its members from 1986 to 1990: guitarist Masahiro Andoh, saxophonist/flutist/EWI player Takeshi Itoh, bassist Mitsuru Sutoh, keyboardist Hirotaka Izumi and drummer Hiroyuki Noritake. “R.E.S.O.R.T.” (stylized as R•E•S•O•R•T) is the tenth studio album, released in April 1985.

Tracklist:
01 – Omens of Love
02 – Feel Alright
03 – Chances
04 – Stimulator
05 – We’ll Never Have A Trouble
06 – In the Grid
07 – Merylu
08 – Prime
09 – Forgotten Saga

Musicians:
Masahiro Andoh – Guitars
Takeshi Itoh – Alto Saxophone, Lyricon
Hirotaka Izumi – Keyboards
Tohru Hasebe – Drums and Percussion
Toyoyuki Tanaka – Electric and Synthesizer Bass
Additional musicians (on “Feel Alright”, “Stimulator” and “In the Grid”)
Bill Reichenbach – Trombone, Bass Trombone
Gary Grant – Trumpet, Flugelhorn
Jerry Hey – Trumpet, Flugelhorn
Larry Williams – Tenor Saxophone

DSD64

https://subyshare.com/da3owglojn5u/TheSquareRES0RT19852015M0ra.JPDSD64.part1.rar.html
https://subyshare.com/8w1h4ftxl09j/TheSquareRES0RT19852015M0ra.JPDSD64.part2.rar.html

FLAC

https://subyshare.com/v0xyeltn715u/TheSquareRES0RT19852015FLAC2496.rar.html

Todd Dulaney is a gospel/worship artist noted for his smooth classic soul delivery and contemporary arranging and songwriting styles. “Your Great Name” is a declaration of pursuit and passion that speaks to the reverence, love and power that comes from the name of Jesus. Todd Dulaney delivers this album with the perfect balance of beauty and boldness. This ONE name provokes the listener to have great hope, determined faith, and unending love that dismantles the pain, fears and defeats of any day. Distinctively expressed; the drive artistically, figuratively, sonically, scripturally, and literally compels those to become relentless in every aspect of life.

Your Great Name is the highly anticipated new Gospel worship release from Todd Dulaney. The common thread of Dulaney’s music is to invigorate listeners to worship, make bold confessions of their faith, and incorporate musical elements that reflect an array of cultures. The lead single and title track “Your Great Name” is already being incorporated into worship services across the country. “This song drives home the message that Jesus is the answer,” states Delaney. “Stand Forever” is another standout cut on the album. Dulaney derived inspiration for the song from the beloved passage of scripture that states, “Heaven and Earth shall pass away, but my words will never pass away.” With a message that God’s Word stands forever, it encourages listeners to be bold, to be resolute in their belief, and to be committed to carrying this message to others.

Tracklist:
01 – Prayer (feat. Pastor John Hannah)
02 – Sits Up On The Throne
03 – Come Alive
04 – Your Great Name
05 – Stand Forever
06 – King of Glory (feat. Shana Wilson-Williams)
07 – Pulling Me Through
08 – Fall In Love Again
09 – Pour Me Out
10 – We Surrender It All (feat. Naomi Raine)
11 – Sanctuary
12 – Father Be Pleased (feat. Nicole C. Mullen)
13 – Spontaneous Flow
14 – You Are The Reason (feat. DJ Nicolas)
15 – I Can’t Be Stopped [Bonus Track]

Download:

https://subyshare.com/dvpjk7psdf3k/T0ddDulaneyY0urGreatName2018Q0buz2448.part1.rar.html
https://subyshare.com/f3dyxexpflep/T0ddDulaneyY0urGreatName2018Q0buz2448.part2.rar.html

“Jazz Cinema Nostalgia” is the third album by Tokyo Cinema Jazz Trio, led by drummer Osaka Masahiko. The previous trio’s album “Jazz Cinema Paradise” won Japanese Jazz Award of ‘Album of the Year’ in the High Quality Recording category. Like the previous work, this native DSD 11.2 MHz recording uses vintage products on recording equipment, fusion of cutting edge technology and nostalgic equipment.

Tracklist:
01 – Waltz For Debby
02 – More
03 – Love Theme From ‘Sunflower’
04 – Alfie’s Theme
05 – Close Enough For Love
06 – You Must Believe In Spring
07 – Autumn Leaves
08 – Calling You
09 – Two For The Road
10 – Moritato
11 – I Will Wait For You

This work which used the highest peak analogue instruments such as Ampex, Telefunken, Neumann, RCA, Neve and other vintage equipment such as vacuum tube limiter Fair Child and Collins / 26U – 2, the best analogue and the best of the best digital There is no doubt that it is a combination, which is a list of more than ever.

Musicians:
Osaka Masahiko – drums
Yasumasa Kumagai – piano
Pat Glynn – bass

DSD128

https://subyshare.com/rmgcfqw9qx9f/T0ky0CinemaJazzTri0JazzCinemaParadise20142015M0ra.JPDSD128.part1.rar.html
https://subyshare.com/qj48rqjnt6wf/T0ky0CinemaJazzTri0JazzCinemaParadise20142015M0ra.JPDSD128.part2.rar.html
https://subyshare.com/2l4x5z4gjchh/T0ky0CinemaJazzTri0JazzCinemaParadise20142015M0ra.JPDSD128.part3.rar.html
https://subyshare.com/8ms28u7tv46x/T0ky0CinemaJazzTri0JazzCinemaParadise20142015M0ra.JPDSD128.part4.rar.html
https://subyshare.com/ymq7zst56wsc/T0ky0CinemaJazzTri0JazzCinemaParadise20142015M0ra.JPDSD128.part5.rar.html

FLAC

https://subyshare.com/e1t62996epau/T0ky0CinemaJazzTri0JazzCinemaParadise2014FLAC241764.part1.rar.html
https://subyshare.com/4g6ahrtgx8v7/T0ky0CinemaJazzTri0JazzCinemaParadise2014FLAC241764.part2.rar.html

Electro-jazz outfit Tokyo Zawinul Bach return with its first album since 2008, though this time it’s an entirely solo effort with keyboard wizard Masayasu Tzboguchi playing all of the instruments as well as handling mixing and production duties. Imagine a collision between Kraftwerk, YMO and Weather Report viewed through a twenty-first century filter and you have something of an idea of the TZB sound.

The nine tracks on Afrodita feature a blend of Fender Rhodes, synths, samples and slightly out of kilter beats that make for a refreshing mix. Titles such as Nostalgica, Nomadic and Tribal Junction reflect the mixture of musical influences featured with moments of retro electro sitting alongside more Afro-centric rhythms, and this together with some hip-hop beats on some tracks makes it difficult to pigeonhole Tzboguchi’s music.

Three tracks in particular deserve special attention. Nostalgica, with its reedy synths and Fender Rhodes has hints of classic jazz fusion from the seventies and eighties, yet remains firmly rooted in the present day. Sagittarius has a wonderful head-nodding beat with an infectious main synth riff that pulls you back again and again, while Pastel Yogurt is an intense fusion workout built around a bass synth riff that features an intriguing tempo-shift half-way through. Afrodita is a strong outing from start to finish and is well worth investigating.

Tracklist:
01 – Nostalgica
02 – Nomadic
03 – Sagittarius
04 – Conundrums
05 – Tribal Junction
06 – Missing-link
07 – Rain Of Zero Nuclear
08 – Pastel Yogurt
09 – 8:30

DSD128

https://subyshare.com/lrrb6d7n849q/T0ky0ZawinulBachAfr0dita20122013e0nky0DSD128.part1.rar.html
https://subyshare.com/vwi169d3vehh/T0ky0ZawinulBachAfr0dita20122013e0nky0DSD128.part2.rar.html
https://subyshare.com/ywi1vwt7ilgb/T0ky0ZawinulBachAfr0dita20122013e0nky0DSD128.part3.rar.html
https://subyshare.com/2xx8qxziew3v/T0ky0ZawinulBachAfr0dita20122013e0nky0DSD128.part4.rar.html
https://subyshare.com/th9sydawohdn/T0ky0ZawinulBachAfr0dita20122013e0nky0DSD128.part5.rar.html

FLAC

https://subyshare.com/l2n4i8hmm4b3/T0ky0ZawinulBachAfr0dita20122013FLAC2496.rar.html

Tom Tallitsch is originally from Cleveland, Ohio where he began his musical training on the piano, clarinet and saxophone. Here he began his journey into the life of a diverse jazz artist. Since graduating with a Bachelors of Music in Jazz Studies from the University of Cincinnati College Conservatory of Music, Tallitsch has blossomed into a respected band leader, composer, educator and radio personality.Tallitsch’s latest release is his fourth as a leader and is titled “Heads Or Tales” (Posi-Tone, 2012). On this record, his quartet enthusiastically performs eight of his original compositions and an intimate rendition of a Neil Young song.

Tallitsch’s tenor playing on this record shows his maturity and evolution as an artist. Tallitsch’s previous releases as a leader include Duality (2005), Medicine Man (Origin, 2008), and Perspective (Origin, 2009).In addition to having many of his compositions and arrangements played by vocalists and musicians throughout the United States, Tallitsch has had his works performed by individual dancers from the Martha Graham Dance Company at various choreographer showcase venues. As a Saxophonist, Tom was the guest artist of honor at the Arts Council Of Princeton Annual Fund Raiser 2010. Tallitsch is a popular jazz educator and clinician, and owns a highly recommended music tutoring business in Princeton, NJ. He is the founding director of the Central NJ Homeschool Bands, works as a piano tutor to students with autism at The Princeton Child Development Institute, and was a member of the artist faculty at Mercer County Community College from 1999-2006. He has taught at The Westminster Conservatory, Philadelphia Clef Club, Creative Music Studios, The Groove Academy, and many more. He is a gifted music educator who has given lectures and clinics at many top high schools including The Lawrenceville School and The Pennington School. He has had students continue on to pursue professional careers at conservatories throughout the country.Tallitsch can also be heard hosting his own jazz radio show titled “The Modern Jazz Radio Show” on WWFM in Trenton, New Jersey.

Saxophonist Tom Tallitsch shares his feelings with an abiding sense of ” Gratitude” on his fourth release for Posi-Tone. Joining Tallitsch on the date is the wonderfully solid rhythm section of pianist Jon Davis, bassist Peter Brendler, and drummer Rudy Royston. Special guest and fellow label mate Brian Charette drops in to add some additional organ flavor to two tracks. Gratitude features an exciting program of original compositions, along with Tom’s new arrangements of a few classics, and the whole session swings quickly into action and shines with bright moments. As both a saxophonist and a band leader, Tallitsch has clearly shifted his musical vibrations onto another level and this set of stunning performances should encourage jazz enthusiasts to Tallitsch’s musical message of “Gratitude” with amazement and delight.

Tracklist:
01 – Terrain
02 – Kindred Spirit
03 – Gold Dust Women
04 – Refuge
05 – Northeast
06 – Alternate Side
07 – Because
08 – Rust Belt
09 – Gratitude
10 – Oblivion
11 – Thank You

Musicians:
Tom Tallitsch – tenor sax
Jon Davis – piano
Peter Brendler -bass
Rudy Royston – drums
Brian Charette – organ on “3 & 11”

Download:

https://subyshare.com/gxdsz0oc9bsv/T0mTallitschGratitude2016HDTracks24882.part1.rar.html
https://subyshare.com/cgtgj4r5hnbt/T0mTallitschGratitude2016HDTracks24882.part2.rar.html

Whether father Ulf did actually place a guitar in the crib of his baby son Eric or not, here they now are unite as a guitar duo on “Father and Son”, a personal album and a virtuoso conversation in the art of contemporary jazz guitar. They can swing or play gentle ballads together, go extrovert and percussive, they can tell stories from far-off lands, or sometimes from their Swedish homeland. Ulf and Eric Wakenius have a sensitivity and a sense of atmosphere which creates magical guitar moments.

The musical backgrounds of father and son are very different. Ulf Wakenius had ten years as a member of the Oscar Peterson Quartet and also worked with the two legends of the bass, Ray Brown and Niels-Henning Ørsted Pedersen. He is known for his collaborations with great jazz figures such as Pat Metheny, Michael Brecker and Michel Legrand, and of course for his work with the singer Youn Sun Nah. He is not just one of the most busy and in-demand players, but also the most creative jazz guitarists of our era. His son Eric, by contrast was born in 1988 and surrounded as a teenager by the rock and pop music of the nineties. After that, he spent a lot of time in Los Angeles, where he picked up many different stylistic directions from that city’s musical melting pot. “He has played a lot of electric guitar”, explains Wakenius, “but — like me — he has fallen in love with the acoustic guitar and its many possibilities.”

The two guitarists take the opportunity on “Father And Son” to explore and to exploit these multiple possibilities to the full: “Irish Vagabond” combines full-on Irish folk music with Arabic elements. “Mistral” is rhythmically punchy, almost like a rock tune, and also has echoes of Al Di Meola. In this tune Ulf Wakenius recounts an experience he had while on tour with Youn Sun Nah. At the Avignon Festival, a powerful wind from the South “almost blew me off the stage, so I decided to write a song about it.” Their “Eleanor Rigby” is captivating; as they honour the Beatles, they achieve a sonority remarkably close to a string quartet. “Paco’s Delight” pays tribute to the unforgettable Paco de Lucía, but their Spanish flamenco technique is also imbued with the buoyancy and verve of Django Reinhardt’s Hot Club swing. With their arrangement of the jazz-fusion classic “Birdland”, Ulf and Eric Wakenius remember another of the pantheon of musical immortals, Joe Zawinul. And finally, Eric Wakenius takes the listener by surprise as a highly persuasive singer in the album’s title track by Cat Stevens, which deals with a tricky father-son relationship. “Eric and I are luckier – we don’t have those problems,” says Ulf Wakenius. The song also justifies its place in the selection because Cat Stevens has a Swedish mother and a close connection to Sweden.

Since this album is a family matter, it feels natural for both men to show their affection for their native country. They do that in a respectful, Nordic and melancholy way in “Meine schöne Heimat / Vem kan segla förutan vind”, but they also remember the most significant Swedish jazz musician of recent times, Esbjörn Svensson who died so tragically early. Ulf Wakenius was the first musician to do a tribute album (“Love is Real”) in 2008, while the pianistic genius Svensson was still alive. That was an album full of surprise; the ways Wakenius found to bring the e.s.t. compositions so convincingly into the sphere of the guitar were astonishing. The medley of “Dodge The Dodo” and “When God Created The Coffee Break” which Eric and Ulf play as a duet here is stupendous. And it all sounds far easier than it is. As Wakenius has remarked: “to master an acoustic guitar is really to tame a beast, but if you succeed, the rewards are tremendous!” In “Father And Son”, the listener can now also reap those remarkably rich rewards.

Tracklist:
01 – Intro – Birdland (Excerpt)
02 – Irish Vagabond
03 – Meine Schöne Heimat – Vem Kan Segla Förutan Vind
04 – Mistral
05 – Once Upon a Time in America
06 – Paco’s Delight
07 – Scarborough Fair
08 – Dodge the Dodo, When God Created the Coffebreak
09 – Eleanor Rigby
10 – Father and Son
11 – Birdland
12 – Help the Poor [Bonus Track]

Produced by Ulf Wakenius. Engineered by by Lars Nilsson.
Recorded on September 3, 2016 at Nilento Studios, Kållered, Gothenburg.
Mixed and Mastered by Lars Nilsson.

Musicians:
Ulf Wakenius – acoustic guitar
Eric Wakenius – acoustic guitar & vocals

Download:

https://subyshare.com/vtmjnkuyxc8d/UlfEricWakeniusFatherAndS0n2017HRA2496.rar.html

In 1995, she debuted as the first Japanese artist from the prestigious GRP label. Yoshiko Kisumino gathers popularity from a wide range of music fans with elegant and neat piano play, will unveil the special live of the 20th anniversary commemoration. After studying classics at the Toho University College of Music, after graduation, to the field of jazz seeking a new direction. In addition to his own group activities, he has demonstrated his talents in collaboration with singers, making songs for movies and TV commercials. This album “Anthology – 20th Anniversary” is a remarkable work that re-recorded the top songs in the fan voting performed at the official site with a new arrangement. In this performance, as well as a new work, we will show the past, present and future of Kisumino music by organizing a strings quartet.

Tracklist:
01 – Manhattan Daylight
02 – Fairy Tale
03 – Vera Cruz
04 – Waltz For Debby
05 – Desert Island
06 – Danny Boy
07 – Beautiful Love
08 – Tenderness
09 – Night And Day
10 – Jenga
11 – Prayer
12 – Amaoto

Musicians:
Yoshiko Kisumino – piano
Toru Nishijima – double bass
Tetsuya Hayakawa – double bass
Kano Tan, Fujii – drums
Okabe Yoichi – percussion
Kiriyama Nagisa – violin
Tomomi Tokunaga – violin
Watanabe Atsuko – viola
Ayano Kasahara – vocals

Download:

https://subyshare.com/d38133tjmf6y/Y0shik0Kishin0Anth0l0gy.20thAnniversary2015Q0buz2496.part1.rar.html
https://subyshare.com/s2aycoun6oq5/Y0shik0Kishin0Anth0l0gy.20thAnniversary2015Q0buz2496.part2.rar.html

At the end of the year, the Berliner Philharmoniker traditionally leave Johann Strauss and Viennese waltzes to their philharmonic colleagues in the Austrian capital. This however does not mean that the Berlin New Year’s Eve concert did not put the audience in the mood for dancing. On this occasion, works by Dvořák, Khachaturian and Hindemith were on the programme, with dances of Slavic, Armenian-Soviet, and somewhat brooding German variants.

Not only the audience was enthralled by the magnificent sounds and rhythmic energy of the Berliner Philharmoniker under its chief conductor Simon Rattle: The critic of RBB-Kulturradio called the delicately flavoured series of symphonic dances “incredibly zestful and well served”.

Dvořák’s dances, four of which were to be heard in this concert, reveal the influence of the earlier waltzes of Johannes Brahms and yet are unmistakably Dvořák through the Czech composer’s use of Slavic rhythms and melodic ingenuity. And then there was Aram Khachaturian’s Gayaneh suite. This music has had a special relationship with the home town of the Philharmoniker ever since Billy Wilder made fun of both Coca-Cola capitalists and soviet-loyal East German communists in his Cold War comedy set in Berlin One, Two, Three to the sounds of the Sabre Dance.

https://www.digitalconcerthall.com/en/concert/16876

31 Dec 2013
New Year’s Eve Concert

BERLINER PHILHARMONIKER
SIR SIMON RATTLE

Antonín Dvořák
Slavonic Dance in G minor, op. 46 no. 8 (4 min.)
Antonín Dvořák
Slavonic Dance in B major, op. 72 no. 1 (4 min.)
Antonín Dvořák
Slavonic Dance in E minor, op. 72 no. 2 (6 min.)
Antonín Dvořák
Slavonic Dance in C major, op. 72 no. 7 (4 min.)
Paul Hindemith
Symphonic Dance No. 3 (7 min.)
Aram Khachaturian
Gayane Suite No. 3: 5. Sabre Dance (2 min.)
Aram Khachaturian
Gayane Suite No. 3: 2. Dance of the Young Kurds (3 min.)
Aram Khachaturian
Gayane Suite No. 1: 7. Adagio Gayane (4 min.)
Aram Khachaturian · Johannes Brahms
Gayane Suite No. 1: 8. Lezginka · Hungarian Dance No. 3 F Major · Hungarian Dance No. 1 G Minor – Allegro Molto (14 min.)

Download:

https://subyshare.com/3k7kd7v5qsos/BerlinerPhilharm0niker2013NewYearsEveC0ncertwithSim0nRattle20131080pWEBDLAAC2.0H.264CHDWEB.part1.rar.html
https://subyshare.com/mgi8c9g7zq06/BerlinerPhilharm0niker2013NewYearsEveC0ncertwithSim0nRattle20131080pWEBDLAAC2.0H.264CHDWEB.part2.rar.html

This concert was a dual premiere for Yannick Nézet-Séguin: for the first time, the Canadian conducted the Berliner Philharmoniker at their last concert of the season at the Waldbühne. In addition, he presented himself, for the first time since his debut with the orchestra in 2010, as an interpreter of the two major Czech national composers, Bedřich Smetana and Antonín Dvořák.

With his orchestra cycle Má vlast, Smetana created a musical portrait of his home country; particularly the second part, The Moldau, became the embodiment of Czech music. In this stirring symphonic poem, the composer describes the course of the Vltava river – from its source passing by merry village festivals, hunting scenes, dangerous white water rapids and the majestic city of Prague – until it disappears into the distance after passing the castle of Vyšehrad. In the work, Smetana combines rhythmic and melodic elements of Czech folklore with stylistic devices of Western symphonic music.

The same also applies for Antonín Dvořák, who first oriented himself towards composers like Wagner, Schumann and Liszt before fashioning his own musical language, shaped by the Bohemian idiom, in the Slavonic Dances. Thus his Sixth Symphony contains many allusions to Czech folk songs and dances that are typical of Dvořák’s music. The Violin Concerto, which the publisher Simrock commissioned from the Prague composer, is also inspired by Slavic dance rhythms. The captivating piece is played by the Georgian violinist Lisa Batiashvili. At her last concert with the Berliner Philharmoniker in 2012, she was acclaimed by the press as a “ballerina on the violin”.

https://www.digitalconcerthall.com/en/concert/22416

26 Jun 2016
From the Berlin Waldbühne

BERLINER PHILHARMONIKER
YANNICK NÉZET-SÉGUIN

LISA BATIASHVILI

Bedřich Smetana
Má Vlast (My Country): No. 2 Vltava (River Moldau) (14 min.)
Antonín Dvořák
Concerto for Violin and Orchestra in A minor, op. 53 (35 min.)
Lisa Batiashvili Violin

Antonín Dvořák
Symphony No. 6 in D major, op. 60 (47 min.)
Antonín Dvořák
Slavonic Dance in G minor, op. 46 no. 8 (4 min.)
Paul Lincke
Berliner Luft (5 min.)

Download:

https://subyshare.com/r53d0cjlf54c/BerlinerPhilharm0nikerACzecheveningattheWaldbhne20161080pWEBDLAAC2.0H.264CHDWEB.part1.rar.html
https://subyshare.com/h4r9dauw5k94/BerlinerPhilharm0nikerACzecheveningattheWaldbhne20161080pWEBDLAAC2.0H.264CHDWEB.part2.rar.html
https://subyshare.com/kxwqtp62mhr1/BerlinerPhilharm0nikerACzecheveningattheWaldbhne20161080pWEBDLAAC2.0H.264CHDWEB.part3.rar.html
https://subyshare.com/mhfnd4qlxh0j/BerlinerPhilharm0nikerACzecheveningattheWaldbhne20161080pWEBDLAAC2.0H.264CHDWEB.part4.rar.html

Rockoon is the fourth studio album by Japanese Jazz fusion band T-Square (then known as The Square). It was released on April 1, 1980. Takeshi Itoh (saxophone player) had begun to use the Lyricon (a Woodwind Synthesizer) in their albums from 1980 until 1987. He switched to Yamaha WX11 and finally to AKAI EWIs in 1988 and has since been using EWIs as a secondary wind instrument.

Tracklist:
01 – Rockoon
02 – Really Love
03 – Tomorrow’s Affair
04 – Banana
05 – 複眼人生 (The Way I Feel)
06 – Little Pop Sugar
07 – Come Back
08 – It’s Happening Again
09 – Good Night

Musicians:
Masahiro Andoh – guitars
Takeshi Itoh – alto saxophone, flute, Lyricon and vocoder
Daisaku Kume – keyboards and synthesizer arrangements
Yuhji Nakamura – bass guitar and Moog bass
Jun Aoyama – drums
Kiyohiko Semba – percussion and vocals
Masato Kohara – vocals on “Really Love”, “Come Back”, and “It’s Happening Again”

DSD64

https://subyshare.com/k9pxqq1ljma5/TheSquareR0ck00n19802015M0ra.JPDSD64.part1.rar.html
https://subyshare.com/zd2o0l39vkud/TheSquareR0ck00n19802015M0ra.JPDSD64.part2.rar.html

FLAC

https://subyshare.com/8r1nxivf293m/TheSquareR0ck00n19802015FLAC2496.rar.html

T-Square (who were then known as The Square) is a Japanese Jazz Fusion band formed in 1978. They became famous in the late 70s and early 80s along with other Japanese bands in the genre. Its most famous lineup included its members from 1986 to 1990: guitarist Masahiro Andoh, saxophonist/flutist/EWI player Takeshi Itoh, bassist Mitsuru Sutoh, keyboardist Hirotaka Izumi and drummer Hiroyuki Noritake. “S.P.O.R.T.S.” (stylized as S•P•O•R•T•S) is the band’s eleventh studio album, released in March 1986.

Tracklist:
01 – Love Is In My Sight
02 – Love All
03 – Hit And Run
04 – Leave Me Alone
05 – Overhead Kick
06 – Drop Goal
07 – 宝島 (Takarajima)
08 – CAMEL LAND
09 – 雲路 (Passage Of Clouds)

Produced by Yasohachi “88” Itoh
Recorded on October-December, 1985 at CBS/Sony Shinanomachi Studio, Tokyo, Japan.

Musicians:
Masahiro Andoh – Guitars
Takeshi Itoh – Saxophone, Lyricon, Synthesizer
Hirotaka Izumi – Keyboards, Synthesizer
Toyoyuki Tanaka – Electric and Synthesizer Bass
Hiroyuki Noritake – Drums

DSD64

https://subyshare.com/xfvdpr5q83cf/TheSquareSP0RTS19862015M0ra.JPDSD64.part1.rar.html
https://subyshare.com/qer4eymwxstc/TheSquareSP0RTS19862015M0ra.JPDSD64.part2.rar.html

FLAC

https://subyshare.com/9f9ovo4nunb6/TheSquareSP0RTS19862015FLAC2496.rar.html

T-Square (who were then known as The Square) is a Japanese Jazz Fusion band formed in 1978. They became famous in the late 70s and early 80s along with other Japanese bands in the genre. Its most famous lineup included its members from 1986 to 1990: guitarist Masahiro Andoh, saxophonist/flutist/EWI player Takeshi Itoh, bassist Mitsuru Sutoh, keyboardist Hirotaka Izumi and drummer Hiroyuki Noritake. “Stars And The Moon” is the band’s ninth studio album, released in December 1984.

Tracklist:
01 – いとしのうなじ (Itoshi no Unaji)
02 – Maybe I’m Wrong
03 – Cry For The Moon
04 – Mistral
05 – Destination
06 – Overnight Sensation
07 – Mist Of Time
08 – 遠雷 (Enrai)

Recorded in September 1984 at CBS Sony Shinanocho Studio, Japan.

Musicians:
Masahiro Andoh – guitars
Takeshi Itoh – alto saxophone, lyricon
Hirotaka Izumi – piano, synthesizer
Tanaka Yutaka – bass
Tohru Hasebe – drums
Senba Kiyohiko – percussion on “2,5-7”
Jake Conception – tenor saxophone on “4”
Kanzaki Junichi, Yutaka Kanai – trumpet on “4”
Eiji Arai, Harumi Mita – trombone on “4”
Toshihiro Nakanishi Ensemble – Strings on “3,5,8”

DSD64

https://subyshare.com/ve2gr1tjunab/TheSquareStarsAndTheM00n19842015M0ra.JPDSD64.part1.rar.html
https://subyshare.com/97yy0q19869a/TheSquareStarsAndTheM00n19842015M0ra.JPDSD64.part2.rar.html

FLAC

https://subyshare.com/3j1kdoxd40le/TheSquareStarsAndTheM00n19842015FLAC2496.rar.html

“Thrill Box” is the debut solo release from young French accordionist Vincent Peirani, named in reference to his instrument, the accordion. Peirani’s unique approach is full of surprises: he can make his accordion sound like an organ, a piano, a wind instrument or a human voice. He also sings in unison with the accordion, revealing an excellent voice. But “Thrill Box” is, above all, a trio album, and equal praise is deserved by pianist Michael Wollny and bassist Michel Benita. As well, guest soprano saxophonist Emile Parisien and Peirani’s old friend Michel Portal on bass clarinet and bandoneon appear on a couple of tracks each.

The accordion has grown to become an important voice in the new, distinctively European styles of jazz. It has proved to be capable of a vast expressive range, with a seemingly infinite repertoire of textures and tone colours. Peirani is the latest virtuoso to turn the old squeeze-box into a thrill-box. His own compositions often build from the tiniest threads of sound into whole musical landscapes, and he manages to find something new in a whole variety of other material, from folk songs to Thelonious Monk. His trio is completed by pianist Michael Wollny and bassist Michel Benita, plus some interesting guests.

Tracklist:
01 – Chants d’Auvergne, Vol. 1: Series 1: No. 2. Bailero (Henry V) (arr. V. Peirani for accordion)
02 – Waltz for JB
03 – Hypnotic
04 – Goodnight, Irene
05 – B and H
06 – Air Song
07 – 3 Temps pour Michel’P
08 – Shenandoah
09 – I Mean You
10 – A Turtle’s Dream: Throw it away
11 – Balkanski Cocek
12 – Choral

Produced by Vincent Peirani & Axel Matignon. Engineered by Jean-Paul Gonnod.
Recorded on November 18 – 20, 2012 at Studio de Meudon, France.
Mixed by Jean Paul Gonnod at Studio de Meudon. Mastered by Klaus Scheuermann.

Musicians:
Vincent Peirani – accordion, accordina on “4”, vocals on “3 & 7”
Michael Wollny – piano & fender rhodes
Michel Benita – bass

Guests:
Michel Portal – bass clarinet on “5” & bandoneon on “7”
Emile Parisien – soprano sax on “6 & 11”

Download:

https://subyshare.com/spyiixn9y5a0/VincentPeiraniThrillB0x20132015e0nky02496.part1.rar.html
https://subyshare.com/kbi0xcw1nlof/VincentPeiraniThrillB0x20132015e0nky02496.part2.rar.html

Wilhelm Kempff – J.S. Bach: Goldberg Variations, BWV 988 (1970/2018) [Official Digital Download 24bit/96kHz]

The Hi-Los – Now (1981/2015) [Official Digital Download 24bit/88,2kHz]

The Paul Horn Quintet – Monday, Monday (1966/2016) [Official Digital Download 24bit/192kHz]

The Roland Hanna Trio – Child Of Gemini (1971/2017) [Official Digital Download 24bit/88,2kHz]

The Square – Magic (1981/2015) [Official Digital Download DSF DSD64/2.82MHz + FLAC 24bit/96kHz]

The Square – Make Me A Star (1979/2015) [Official Digital Download DSF DSD64/2.82MHz + FLAC 24bit/96kHz]

The Square – Midnight Lover (1978/2015) [Official Digital Download DSF DSD64/2.82MHz + FLAC 24bit/96kHz]

The Square – RESORT (1985/2015) [Official Digital Download DSF DSD64/2.82MHz + FLAC 24bit/96kHz]

Todd Dulaney – Your Great Name (2018) [Official Digital Download 24bit/48kHz]

Tokyo Cinema Jazz Trio – Jazz Cinema Nostalgia (2017) [Official Digital Download DSF DSD128/5.64MHz + FLAC 24bit/176,4kHz]

Tokyo Zawinul Bach – Afrodita (2012/2013) [Official Digital Download DSF DSD128/5.64MHz + FLAC 24bit/96kHz]

Tom Tallitsch – Gratitude (2016) [Official Digital Download 24bit/88,2kHz]

Ulf & Eric Wakenius – Father and Son (2017) [Official Digital Download 24bit/96kHz]

Yoshiko Kishino – Anthology: 20th Anniversary (2015) [Official Digital Download 24bit/96kHz]

Berliner Philharmoniker – 2013 New Year’s Eve Concert with Simon Rattle 2013 1080p WEB-DL AAC2.0 H.264-CHDWEB

Berliner Philharmoniker – A Czech evening at the Waldbühne 2016 1080p WEB-DL AAC2.0 H.264-CHDWEB

The Square – Rockoon (1980/2015) [Official Digital Download DSF DSD64/2.82MHz + FLAC 24bit/96kHz]

The Square – SPORTS (1986/2015) [Official Digital Download DSF DSD64/2.82MHz + FLAC 24bit/96kHz]

The Square – Stars And The Moon (1984/2015) [Official Digital Download DSF DSD64/2.82MHz + FLAC 24bit/96kHz]

Vincent Peirani – Thrill Box (2013/2015) [Official Digital Download 24bit/96kHz]