Jerry Vale – We’ve Only Just Begun (1969/2018)
FLAC (tracks) 24 bit/96 kHz | Time – 33:24 minutes | 764 MB | Genre: Pop
Studio Masters, Official Digital Download | Front Cover | © Columbia – Legacy

Jerry Vale’s beautiful high-tenor voice graced many of the most enchanting pop songs of the ’50s and ’60s, including a parade of Italian-American favorites like “Innamorata (Sweetheart),” “Volare,” “Amore, Scusami,” and his signature song, “Al Di La.” Vale, born Genaro Louis Vitaliano in 1932, learned the Italian repertoire from an early age; his mother often sang around the house and trotted out the old songs at extended-family gatherings. While shining shoes at a local barber shop at the age of 11, young Vitaliano began singing popular songs for customers while he worked. He was soon sent to a vocal coach, where he learned piano as well as voice. Over the course of just four years, he’d progressed from school productions to paying gigs to residencies at supper clubs around New York City.

Tracklist:
01. We’ve Only Just Begun
02. Snowbird
03. Make It Easy On Yourself
04. Make It With You
05. I Just Can’t Help Believin’
06. Candida
07. They Long to Be Close to You
08. Everything Is Beautiful
09. Julie, Do Ya Love Me
10. (If You Let Me Make Love to You Then) Why Can’t I Touch You
11. Song of Joy

Download:

https://subyshare.com/obbcqcyvr1lb/JerryValeWeve0nlyJustBegun196920182496.rar.html

Jim James – Uniform Distortion (2018)
FLAC (tracks) 24 bit/44,1 kHz | Time – 40:07 minutes | 450 MB | Genre: Indie Rock
Studio Masters, Official Digital Download | Front Cover | © ATO Records

The GRAMMY Award-nominated frontman of My Morning Jacket, Jim James, has announced the release of his third studio album, Uniform Distortion. Uniform Distortion was produced by Jim James and Kevin Ratterman at Louisville, KY’s La La Land, with Ratterman also serving as recording engineer. All songs were written by James, who is backed on the album by bassist Seth Kauffman (Floating Action) and longtime touring drummer Dave Givan, with backing vocals provided throughout by Dear Lemon Trees’ Leslie Stevens, Jamie Drake and Kathleen Grace. “The name of my new record is Uniform Distortion because I feel like there is this blanket distortion on society/media and the way we gather our ‘news and important information. More and more of us are feeling lost and looking for new ways out of this distortion and back to the truth…and finding hope in places like the desert where I write this now…finding hope in the land and in the water and in old books offering new ideas and most importantly in each other and love.” says James.

The leader of My Morning Jacket has found new inspiration for his third album. A picture of Duane Michals titled Illuminated Man, found in a 1971 edition of The Last Whole Earth Catalog and which is featured on the cover of Uniform Distortion, is the spark in James’ creative thrust. The Louisville songwriter goes wild on a rock’n’roll overflowing with fuzz, plays around with various atmospheres and many distortions. A wailing voice at times, or more distant like an echo, for a rather timeless album in the vein of Neil Young’s work. On Just A Fool and You Get To Rome, Jim James plays with very rock’n’roll and raw guitar riffs, and introduces Yes To Everything with a hoarse and hearty laugh. Indeed, despite his cynic nature, it’s a joyful atmosphere that the singer is trying to create here. He does not hesitate to resort to pop melodies, like on Throwback for instance. A way to contrast with the lyrics dedicated to lost love and James’ toxic experiences with social networks. There is a certain timelessness throughout Uniform Distortion, and the listener might feel they’re moving from one era to the next throughout the album. Too Good To Be True goes back to the eighties with a crooner’s slow. But Jim James uses a quirky tone to deal with potential disappointments. Everything is carefully crafted to give the illusion of simple titles that are in fact much richer and more layered than they appear.  – Clara Bismuth

Tracklist:
01. Just A Fool
02. You Get To Rome
03. Out Of Time
04. Throwback
05. No Secrets
06. Yes To Everything
07. No Use Waiting
08. All In Your Head
09. Better Late Than Never
10. Over And Over
11. Too Good To Be True

Download:

https://subyshare.com/0itimj2eu6kq/JimJamesUnif0rmDist0rti0n20182444.1.rar.html

Joe Purdy – Who Will Be Next? (2016/2018)
FLAC (tracks) 24 bit/44,1 kHz | Time – 40:00 minutes | 427 MB | Genre: Folk Rock, Acoustic
Studio Masters, Official Digital Download | Front Cover | © Bread and Butter Music

What makes this album worth hearing is that Joe Purdy delivers all the songs with conviction, his arguments one would hope are persuasive or at the least would help some who hear them question their pre-programming and ingrained attitudes. One can hope, hoping is not yet a crime. And because of this Who Will be Next? sits in a tradition from Guthrie, Dylan and others, through Steve Earle up to today. Sits in that tradition, has its rightful place, is not shallow of intent but burns with conviction and a zeal for a better world. Sometimes songs should matter, sometimes they do matter. Joe Purdy matters.

Tracklist:
01. New Year’s Eve
02. Who Will Be Next
03. Children of Privilege
04. Kristine
05. Cursin’ Air
06. Cairo Walls
07. War Dogs (Refugees)
08. Maybe We’ll All Get Along Someday
09. My Country

Download:

https://subyshare.com/sl59fah2ya9j/J0ePurdyWh0WillBeNext201620182444.1.rar.html

Johann Zeller and Marie-Josefin Melchior – Weltmusikalische Frischluft (2017)
FLAC (tracks) 24 bit/48 kHz | Time – 01:02:09 minutes | 645 MB | Genre: Folk, Mainstream Jazz, World
Studio Masters, Official Digital Download | Front Cover | © Resonando

Groovy, cheeky, vivid and deeply touching – on their debut album Marie-Josefin Melchior (violin, vocals) and Johann Zeller (accordion, vocals) present an amazing range of world music: Valse Musette, Tango, Czardas, Tradimix… everything gets a feast for the ears. This album includes classics such as Piazzolla’s “Adios Nonino” or the Berlin song “Nehm’n Sie ‘n Alten!” by Otto Reutter as well as numerous original compositions by Johann Zeller.

The two musicians, often melting into total unity, surprise their audience only seconds later with drumming a groovy beat on the accordion or with a colourful rainbow of violin sounds spanning a range from Arab Rabab to electric guitar. An album as vivid and soulful as life itself.

Tracklist:
01. Siófokra megy a hajó
02. Glückliche Kamele
03. Adios Nonino
04. Sous le ciel de Paris
05. Mixed Groove
06. Stell Dir vor, es geht das Licht aus
07. Caspars Reise
08. Die Schäferin
09. Süd-Ostwind-Boarischer
10. Valse pour le moment
11. Tango Pyjama
12. Nehm’n Sie ‘n Alten
13. Miss Dixie
14. El gallo loco
15. La pleine lune
16. Schmidtchen Schleicher
17. Mamuschka-Polka

Personnel:
Marie-Josefin Melchior – violin, vocals
Johann Zeller – accordion, vocals

Download:

https://subyshare.com/toiuezt2d5ap/J0hannZellerandMarieJ0sefinMelchi0rWeltmusikalischeFrischluft20172448.rar.html

John Gary – Sings/Swings (1968/2018)
FLAC (tracks) 24 bit/192 kHz | Time – 34:55 minutes | 1,27 GB | Genre: Pop
Studio Masters, Official Digital Download | Front Cover | © RCA – Legacy

A pleasing vocalist with a warm delivery reminiscent of Andy Williams or Tony Bennett, John Gary unfortunately came along just at the beginning of the British Invasion and never managed to make much of an impression on the adult vocal audience. Born in 1932 in Watertown, New York, he was a singer on Don McNeill’s radio show Breakfast Club before signing a contract with RCA Records in 1962. Though only one single charted on the U.S. pop charts the Top 100 “Soon I’ll Wed My Love” in 1964 John Gary did reach the Top 20 with mid-’60s LPs such as The Nearness of You, Encore, and A Little Bit of Heaven, and fared even better on the easy listening charts (with albums including the number one Cold) and Cash Box, where Gary albums hit the Top Ten twice. He also covered a wide repertoire for the time, from show tunes to country hits and romantic ballads though, remarkably, very few of the novelty pop songs which dragged down fellow vocalists.

Tracklist:
01. A Foggy Day
02. In the Still of the Night
03. I’m Glad There Is You
04. It’s Magic
05. September Song
06. Portrait of My Love
07. You And I
08. You’re My Everything
09. Paper Doll
10. “A”-You’re Adorable
11. I’ll Walk Alone
12. I Don’t Want to Set the World On Fire

Download:

https://subyshare.com/3b4l49erqgwv/J0hnGarySingsSwings1968201824192.part1.rar.html
https://subyshare.com/853demych55j/J0hnGarySingsSwings1968201824192.part2.rar.html

John Williams – Raiders Of The Lost Ark (Original Motion Picture Soundtrack) (1981/2017)
FLAC (tracks) 24 bit/44,1 kHz | Time – 01:13:38 minutes | 774 MB | Genre: Soundtrack
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Concord Records

On June 12, 1981, America met Indiana Jones when George Lucas and Steven Spielberg brought Raiders of the Lost Ark to theaters. If George Lucas were to say that he could make terrific entertainment out of Chairman Mao’s Little Red Book, at this point I’d be inclined to believe him – this point being just a few hours after seeing his Raiders of the Lost Ark. And if he wanted to bring along Steven Spielberg to direct, I’d believe him even more.

Tracklist:
01. In The Jungle
02. The Idol Temple
03. Escape From The Temple
04. Flight From Peru
05. Washington Men / Indy’s Home
06. A Thought For Marion / To Nepal
07. The Medallion
08. Flight To Cairo
09. The Basket Game
10. Bad Dates
11. The Map Room: Dawn
12. Reunion In The Tent / Searching For The Well
13. The Well Of The Souls
14. Indy Rides The Statue
15. The Fist Fight / The Flying Wing
16. Desert Chase
17. Marion’s Theme / The Crate
18. The German Sub
19. Ride To The Nazi Hideout
20. Indy Follows The Ark
21. The Miracle Of The Ark
22. Washington Ending / Raiders March

Download:

https://subyshare.com/wrvormehy14v/J0hnWilliamsRaiders0fTheL0stArk0riginalM0ti0nPictureS0undtrack198120172444.1.rar.html

Koryn Hawthorne – Unstoppable (2018)
FLAC (tracks) 24 bit/44,1 kHz | Time – 37:54 minutes | 431 MB | Genre: R&B, Soul
Studio Masters, Official Digital Download | Front Cover | © RCA Inspiration

Koryn Hawthorne is on a mission to move people with her music, and the 20-year old chart-topper has continued to garner acclaim as a young superstar on the rise. First wowing international audiences as a finalist on NBC’s The Voice, the genre-crossing sounds and powerful anthems on her EP provided just a tasted of Koryn’s explosive abilities as an artist, full of contagiously uplifting songs that provide the jolt of energy and intensity the world has been waiting for, with Koryn to release a new full-length album later this summer. With accolades from industry heavy-hitters and 2 nominations at the recent 2018 Stellar Awards for Contemporary Female Vocalist of the Year and New Artist of the Year, Koryn also performed on the Stellar Awards from the first time, making a splash on the stage performing “Won’t He Do It.” Her empowering anthem “Warriors” was featured in a campaign late last Fall for the National Women’s Soccer League 2017 playoffs. In addition to her performace on the Stellar Awards, Koryn also debuted “Won’t He Do It” on the OWN hit show Greenleaf, where she performed the song in an appearance on Season 2. “Won’t He Do It” was also the featured single on the NAACP Image Award and Stellar Award-winning soundtrack for the show, Greenleaf Soundtrack: Volume 2. Keep an eye on Koryn for a return appearance on Greenleaf Season 3. Of “Won’t He Do It,” Koryn says of the bouncy, up-tempo song that reminds folks not to sweat the small stuff. – “It’s catchy, it’s uplifting, and everyone has gone crazy over this track. It’s God like you’ve never experienced Him before.”

Tracklist:
01. Warriors
02. Unstoppable
03. Bless Up
04. Stay Away
05. Won’t He Do It (Remix)
06. You Still Love Me
07. For the Truth
08. Speak the Name (feat. Natalie Grant)
09. Reasons (feat. J. Monty)
10. Down Goes Rome

Download:

https://subyshare.com/j75vr9pkfsiz/K0rynHawth0rneUnst0ppable20182444.1.rar.html

Kylie Minogue – The Abbey Road Sessions (2012/2018)
FLAC (tracks) 24 bit/44,1 kHz | Time – 55:34 minutes | 612 MB | Genre: Pop
Studio Masters, Official Digital Download | Front Cover | © Parlophone UK

The album features sixteen tracks, all radically reworked, spanning Kylie’s incredible 25 year career. The album was recorded in London’s legendary Abbey Road Studios with Kylie’s band and a full orchestra. Nick Cave re-recorded his vocal on the famous duet, “Where The Wild Roses Grow”, especially for the album. Other highlights of the album include a wonderfully poignant “Better The Devil You Know”, the ever-amazing “Confide In Me”, a sultry “On A Night Like This”, a joyous “All The Lovers”, the beautiful “Finer Feelings” and a version of “The Locomotion” which swaggers with true 1950’s panache.

Over all 16 tracks one thing becomes very clear – stripped of her high end pop production, the emotional resonance of many of Kylie’s songs has never been clearer, nor has her voice ever sounded better.

During her 25-year career in the music biz, Kylie Minogue’s ability to re-invent herself and stay current is rivaled only by Madonna’s. Unlike her American counterpart, though, Kylie’s changes never seem desperate, and everything she does exudes a touch of class that makes her shifts seem far more organic. From chirpy teen popper to indie diva to dance-pop heavyweight, every step she’s taken has made perfect sense and in the process, she’s released some of the best pop records of her era. In 2012, as part of her own look back at the highlights of a long and successful career, Kylie and her band went to Abbey Road studios to run through a selection of her biggest hits and best songs. Joined by an array of backing singers and an orchestra, the songs are re-imagined in ways that bring out the underlying emotions behind the glittery pop facades. Stripping the songs down to their basics and then adding strings on top proves to be very effective, especially on “All the Lovers” or “Hand on Your Heart,” and most of the new arrangements are imaginative and sometime inspired. The piano ballad version of “Better the Devil You Know” works very well, as does the sultry trip-hop take on “Slow,” while the strings and vocals on “I Should Be So Lucky” turn the song into a classy ’30s musical showstopper. The most interesting reboot takes place on “Can’t Get You Out of My Head” where the insistent strings push the song along with a tightly coiled electricity that is impossible to resist. The only song that really falls flat is the cutesy, Motown-inspired take on “The Locomotion.” Though Kylie may not have the strongest voice around, she has more than enough charm and understated emotional strength to fill the more intimate arrangements with a solid and exceedingly warm center. The album stands as both as a reminder of all the classic pop songs Kylie has released and of her fearless nature. She’s always been willing to take risks, and despite the initial thought that her music may not stand up to the orchestral treatment, The Abbey Road Sessions is another victory in a career full of them.

Tracklist:
01. All The Lovers
02. On a Night Like This
03. Better the Devil You Know
04. Hand On Your Heart
05. I Believe in You
06. Come Into My World
07. Finer Feelings
08. Confide in Me
09. Slow
10. Locomotion
11. Can’t Get You Out of My Head
12. Where the Wild Roses Grow
13. Flower
14. I Should Be So Lucky
15. Love At First Sight
16. Never Too Late

Download:

https://subyshare.com/vs2qwldatmry/KylieMin0gueTheAbbeyR0adSessi0ns20182444.1.rar.html

Jimmy Page & The Black Crowes – Live at the Greek (2000/2017)
FLAC (tracks) 24 bit/96 kHz | Time – 01:51:04 minutes | 2,38 GB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © Classicberry & The Black Crowes Partnership

The Black Crowes were dogged with comparisons to the Rolling Stones and the Faces throughout the first decade of their career, so it came as a mild surprise that they teamed with Led Zeppelin guitarist Jimmy Page in late 1999 for a couple of concerts. Zeppelin had a mystique and majesty about them that the Crowes never attempted to emulate. They were an earthy, bluesy rock band and while they found a number of different ways to rework their influences, they never tried the stately grandeur that was Zeppelin’s second nature. So, some observers were curious to see how these two approaches worked. Well, it worked very, very well indeed. It shouldn’t have come as a surprise that it was a good, comfortable fit since Page always demonstrated a true love of blues and early rock & roll, even on Led Zep’s heaviest moments. What may be a surprise, at least to listeners that always dismissed the Black Crowes as revivalist hacks, is how supple and muscular the band sounds on Live at the Greek and how powerful vocalist Chris Robinson is. The double-disc album, released originally only through the internet but then through retail on TVT, essentially replicates an entire concert from Page and the Crowes, one of the first before they set out on a full-length American tour in the summer of 2000. They stick to Led Zeppelin classics and old blues and R&B standards like “Woke up This Morning,” “Sloppy Drunk,” “Mellow Down Easy,” and “Shake Your Money Maker,” plus the Yardbirds’ “Shape of Things to Come” and Fleetwood Mac’s “Oh Well.” No Crowes songs are here due to contractual reasons – the band left American/Columbia in 1999, and they were not allowed to recut any song they released on the label in the years immediately following their departure; but in a way, that only strengthens the album. By pounding out hard-driving blues-rock and classic Zeppelin tunes, the band is able to stretch out and reveal just what a capable, versatile band they are. The true sign of their abilities is that Page sounds looser and happier here than he has in years; he sounds like he’s truly enjoying himself, a quality that is debatable on the Page & Plant records, no matter what their virtues are. Live at the Greek isn’t a landmark release, and only hardcore Page, Black Crowes, and Zeppelin fans are likely to want this, no matter how vibrant and lucent these faithful interpretations are. But for those fans, they’ll be quite pleased with how good, how strong Live at the Greek is. ~ Stephen Thomas Erlewine

Tracklist:

1.Celebration Day – 3:42
2.Custard Pie – 5:19
3.Sick Again – 4:34
4.What Is and What Should Never Be – 5:27
5.Woke Up This Morning – 4:15
6.Shape of Things to Come – 3:09
7.Sloppy Drunk – 6:06
8.Ten Years Gone – 6:31
9.In My Time of Dying – 9:34
10.Your Time Is Gonna Come – 5:56
11.The Lemon Song – 8:54
12.Nobody’s Fault but Mine – 6:42
13.Heartbreaker – 5:50
14.Hey, Hey, What Can I Do – 3:31
15.Mellow Down Easy – 5:21
16.Oh Well – 4:11
17.Shake Your Money Maker – 4:25
18.You Shook Me – 8:26
19.Out on the Tiles – 3:46
20.Whole Lotta Love – 5:39

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https://subyshare.com/zr2co1oz1i1e/JimmyPageTheBlackCr0wesLiveAtTheGreek20009624.part1.rar.html
https://subyshare.com/ogithfgdam9p/JimmyPageTheBlackCr0wesLiveAtTheGreek20009624.part2.rar.html
https://subyshare.com/yd5zrih94ax9/JimmyPageTheBlackCr0wesLiveAtTheGreek20009624.part3.rar.html

John Coltrane – Trane: The Atlantic Collection (2017)
FLAC (tracks) 24 bit/44,1 kHz | Time – 46:48 minutes | 506 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Rhino Atlantic

What if John Coltrane’s Atlantic period was really his most exciting? After his great years under the Prestige and Blue Note banners, and before his fulminating recordings for Impulse!, the saxophonist would work for Ahmet Ertegun’s firm between 1959 and 1961. There, he would record four essential records which are held by some to be the quintessence of Coltrane’s art: Giant Steps (his first album made up exclusively of his own compositions) in 1960, Coltrane Jazz (his first collaboration with pianist McCoy Tyner and drummer Elvin Jones), My Favorite Things and Ol Coltrane(with Eric Dolphy), all three released in 1961. Although he was no longer signed with Atlantic, he would nevertheless release The Avant-Garde (where he was co-leader with Don Cherry), Coltrane Plays The Blues and Coltrane’s Sound. Nine numbers from this golden age have been selected for Trane: The Atlantic Collection. Remastered and available in Hi-Res 24-bit quality, for sure they represent 46 minutes of total genius, but it is difficult and frustrating to find oneself limited to this short selection, when the rest of albums count among the most essential pages in the history of jazz. With these records, the uniqueness of Coltrane finally breaks out into broad daylight. His style, which was unique at the time – technically and harmonically – literally moulded the canons of bop and proposed a totally different road to that being taken at the time by Miles Davis with Kind Of Blue, his angular brick of modal jazz. Upon its release, a large part of the jazzosphere was more than shocked by the complexity of the creations of Coltrane and his collaborators. Today, all the music presented in Trane: The Atlantic Collection has naturally passed into the pages of history. And re-listening to it, in the fine style in which it’s presented here, is an essential service that should be provided free to all on the NHS…

Tracklist:

1.My Favorite Things, Pt 1 (Single Version) – 2:49
2.Like Sonny – 5:52
3.Cousin Mary – 5:49
4.Giant Steps – 4:47
5.Central Park West – 4:16
6.Equinox – 8:39
7.Naima – 4:25
8.My Shining Hour – 4:52
9.Mr. Syms – 5:23

Download:

https://subyshare.com/kehi60g82av4/J0hnC0ltraneTraneTheAtlanticC0llecti0n201744.124.rar.html

Justin Tubb and Lorene Mann – Together and Alone (1966/2016)
FLAC (tracks) 24 bit/192 kHz | Time – 30:10 minutes | 1,11 GB | Genre: Country
Studio Masters, Official Digital Download | Front Cover | © RCA/Legacy

A fixture on the Grand Ole Opry, singer/songwriter Justin Tubb, the eldest son of the legendary Ernest Tubb, had a style all his own; but for one duet version of “Blue Eyed Elaine” on Ernest’s 1979 album The Legend and the Legacy, he always recorded independently of his famous father.

Justin was born in San Antonio, Texas and spent most of his life in the Lone Star State with his mother Elaine, who separated from Ernest in 1948. He got his professional start in local clubs during college, and eventually moved to Nashville. At his father’s suggestion, Tubb got a job working as a DJ in Gallatin, Tennessee, where he occasionally performed some of the songs he had written, and made his recording debut in 1953 with “Ooh-La-La.” Throughout the 1950s, Tubb recorded steadily, but had only moderate success with his solo efforts. He did a little better singing novelty duets with Goldie Hill; in 1954, they reached the Top Five with their version of Jim Ed and Maxine Brown’s “Looking Back to See,” followed by the Top 15 “Sure Fire Kisses.” In 1955 he joined the Opry, and in 1956 he had his first solo success with the Top Ten hit “I Gotta Go Get My Baby.”

Tubb signed to Starday in the early ’60s, released a few albums, and toured so much that he was temporarily dropped from the Opry for not appearing often enough. After 1963, he signed with RCA and released two duets with Lorene Mann, including “We’ve Gone Too Far Again.” He had one more minor hit with “But Wait There’s More,” his last chart appearance. He continued to record, tour, and appear on the Opry through the ’70s. He also continued to write songs, and his “Lonesome 7-7203” was a number one hit for Hawkshaw Hawkins, while “Be Glad” became a major hit for Del Reeves. Additionally, his “What’s Wrong with the Way We’re Doing It Now” became a popular song with fans of the traditional country sound. Tubb also wrote and recorded songs paying tribute to his father, including “Thanks, Troubadour, Thanks” and “Just You and Me, Daddy.” He died January 24, 1998. ~ Sandra Brennan

Tracklist:

1.We’ve Gone Too Far, Again – 2:12
2.Big Shoes – 2:29
3.So I Could Be Your Friend – 2:53
4.We’ve Got a Lot in Common – 2:31
5.Imagine That – 2:27
6.One of Them – 2:06
7.Please Don’t Take the Children from Me – 2:32
8.Together But Still Alone – 3:07
9.Walkin’, Talkin’, Cryin’, Barely Beating Broken Heart – 2:46
10.Hurry, Mr. Peters – 2:24
11.Stranger at the Funeral – 2:40
12.I Hope, I Think, I Wish – 2:08

Download:

https://subyshare.com/xpald5kl1akn/JustinTubbandL0reneMannT0getherandAl0ne196619224.part1.rar.html
https://subyshare.com/lt5tutsx9dfd/JustinTubbandL0reneMannT0getherandAl0ne196619224.part2.rar.html

Karl Bohm – Karl Bohm: The Early Years (2017)
FLAC (tracks) 24 bit/96 kHz | Time – 21:32:09 minutes | 18,8 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Warner Classics

The Austrian conductor Karl Bhm is one of the towering conductors of the 20th Century. As the embodiment of the long Austro-German musical tradition, he helped to write musical history. This 19-CD set assembles all the extant recordings he conducted for EMI (notably its German Electrola label) over the period 1935 to 1949 in Dresden, Berlin, Vienna and London includes a number of rarities and the world premiere release of a version of Mozart’s Serenata notturna recorded in Vienna in 1947. It was during these years that Bhm cemented his reputation as a major conductor of Austro-German repertoire. Collectors will also be pleased to know that this set contains all the recordings that featured in the now-iconic series of Dresden-themed LP boxes released by EMI to mark Bhm’s 85th birthday in 1979.

There are magnificent performances here, especially of Wagner (Act III of Die Meistersinger is particularly wonderful). It’s fascinating, too, to hear how different, and more characterful, the Vienna Philharmonic sounded in the 1930s and 1940s. – The Times, 8th December 2017

Tracklist:

1.Violin Concerto No. 5 in A Major, K. 219: I. Allegro aperto – 9:01
2.Violin Concerto No. 5 in A Major, K. 219: II. Adagio – 9:41
3.Violin Concerto No. 5 in A Major, K. 219: III. Rondeau – Tempo di Menuetto – 8:27
4.Horn Concerto No. 3 in E-Flat Major, K. 447: I. Allegro – 6:43
5.Horn Concerto No. 3 in E-Flat Major, K. 447: II. Romance – Larghetto – 4:26
6.Horn Concerto No. 3 in E-Flat Major, K. 447: III. Allegro – 3:20
7.Serenade No. 13 in G Major, K. 525, Eine kleine Nachtmusik: I. Allegro – 4:20
8.Serenade No. 13 in G Major, K. 525, Eine kleine Nachtmusik: II. Romanze – Andante – 4:40
9.Serenade No. 13 in G Major, K. 525, Eine kleine Nachtmusik: III. Menuetto – Allegretto – 2:15
10.Serenade No. 13 in G Major, K. 525, Eine kleine Nachtmusik: IV. Rondo – Allegro – 3:06
11.Die Entführung aus dem Serail, K. 384: Overture – 4:27
12.Le nozze di Figaro, K. 492: Overture – 4:07
13.Leonore Overture No.3, Op. 72b – 13:47
14.Symphony No. 9 in D Minor, Op. 125, Choral: I. Allegro ma non troppo, un poco maestro – 15:37
15.Symphony No. 9 in D Minor, Op. 125, Choral: II. Scherzo – Molto vivace – 9:47
16.Symphony No. 9 in D Minor, Op. 125, Choral: III. Adagio molto e cantabile – 16:33
17.Symphony No. 9 in D Minor, Op. 125, Choral: IV. Finale – Presto – 24:08
18.Egmont, Op. 84: Overture – 8:08
19.Violin Concerto in D Major, Op. 61: I. Allegro non troppo – 22:03
20.Violin Concerto in D Major, Op. 61: II. Larghetto – 10:51
21.Violin Concerto in D Major, Op. 61: III. Rondo – Allegro – 9:56
22.Piano Concerto No. 4 in G Major, Op. 58: I. Allegro moderato – 15:12
23.Piano Concerto No. 4 in G Major, Op. 58: II. Andante con moto – 4:12
24.Piano Concerto No. 4 in G Major, Op. 58: III. Rondo – Vivace – 9:20
25.Piano Concerto No. 3 in C Minor, Op. 37: I. Allegro con brio – 16:08
26.Piano Concerto No. 3 in C Minor, Op. 37: II. Largo – 10:14
27.Piano Concerto No. 3 in C Minor, Op. 37: III. Rondo – Allegro – 9:10
28.Piano Concerto No. 5 in E-Flat Major, Op. 73, Emperor: I. Allegro – 19:42
29.Piano Concerto No. 5 in E-Flat Major, Op. 73, Emperor: II. Adagio un poco mosso – 7:54
30.Piano Concerto No. 5 in E-Flat Major, Op. 73, Emperor: III. Rondo – 9:36
31.Symphony No. 4 in E Minor, Op. 98: I. Allegro non troppo – 12:34
32.Symphony No. 4 in E Minor, Op. 98: II. Andante moderato – 11:50
33.Symphony No. 4 in E Minor, Op. 98: III. Allegro giocoso – 5:56
34.Symphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato – 10:22
35.3 Marches militaires, D. 733: No. 1 in D Major (Arr. Weninger for Orchestra) – 4:23
36.La Damnation de Faust, Op. 24, H. 111, Part 1: III. Marche hongroise – 4:17
37.Capriccio italien, Op. 45 (Excerpt) – 8:12
38.Symphony in C Major, Op. 46: I. Allegro Moderato – 6:36
39.Symphony in C Major, Op. 46: II. Adagio – 3:15
40.Symphony in C Major, Op. 46: III. Presto – 5:50
41.Piano Concerto No. 2 in B-Flat Major, Op. 83: I. Allegro non troppo – 16:04
42.Piano Concerto No. 2 in B-Flat Major, Op. 83: II. Allegro appassionato – 8:02
43.Piano Concerto No. 2 in B-Flat Major, Op. 83: III. Andante – 11:49
44.Piano Concerto No. 2 in B-Flat Major, Op. 83: IV. Allegro grazioso – 9:07
45.Piano Concerto in A Minor, Op. 54: I. Allegro affettuoso – 14:31
46.Piano Concerto in A Minor, Op. 54: II. Intermezzo – Andantino grazioso – 4:58
47.Piano Concerto in A Minor, Op. 54: III. Allegro vivace – 9:40
48.Violin Concerto in D Major, Op. 77: I. Allegro non troppo – 20:16
49.Violin Concerto in D Major, Op. 77: II. Adagio – 9:14
50.Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo – 7:47
51.21 Hungarian Dances, WoO 1: No. 5 in G Minor (Arr. Schmeling for Orchestra) – 2:21
52.21 Hungarian Dances, WoO 1: No. 6 in D Major (Arr. Schmeling for Orchestra) – 3:21
53.Variations and Fugue on a Theme of Mozart, Op. 132: I. Thema (Andante grazioso) – 2:12
54.Variations and Fugue on a Theme of Mozart, Op. 132: II. Var. I (L’istesso tempo, quasi un poco piu lento) – 2:09
55.Variations and Fugue on a Theme of Mozart, Op. 132: III. Var. II (Poco agitato) – 1:56
56.Variations and Fugue on a Theme of Mozart, Op. 132: IV. Var. III (Con moto) – 1:17
57.Variations and Fugue on a Theme of Mozart, Op. 132: V. Var. IV (Vivace) – 0:46
58.Variations and Fugue on a Theme of Mozart, Op. 132: VI. Var. V (Quasi presto) – 1:34
59.Variations and Fugue on a Theme of Mozart, Op. 132: VII. Var. VI – Sostenuto (quasi adagietto) – 2:21
60.Variations and Fugue on a Theme of Mozart, Op. 132: VIII. Var. VII (Andante grazioso) – 2:21
61.Variations and Fugue on a Theme of Mozart, Op. 132: IX. Var. VIII (Molto sostenuto) – 6:14
62.Variations and Fugue on a Theme of Mozart, Op. 132: X. Fugue (Allegretto grazioso) – 8:55
63.Oberon, J. 306: Overture – 8:44
64.Der Freischütz, Op. 77, J. 277: Overture – 9:16
65.Der Freischütz, Op. 77, J. 277, Act 3: Was gleicht wohl auf Erden (Chorus) – 2:44
66.Faust, Act 4: Hoch; Ruhm und Ehre (Gloire immortelle de nos aïeux) (Chorus) – 2:54
67.Aïda: Prelude – 4:02
68.Otello, Act 2: Bei des Himmels ehernem Dache (Si, pel ciel marmoreo giuro) (Otello, Iago) – 2:59
69.Pagliacci, Act 1: Intermezzo – 3:34
70.La fanciulla del West, Act 3: Lasset sie glauben (Ch’ella mi creda) (Johnson) – 2:35
71.Cavalleria rusticana: Lasst uns preisen den Herrn (Regina Coeli) (Santuzza, Chorus) – 4:12
72.Cavalleria rusticana: Intermezzo sinfonico – 3:27
73.Die Fledermaus: Overture – 7:51
74.Tausendundeine Nacht, Op. 346: Intermezzo – 4:45
75.Kaiserwalzer, Op. 437 – 8:55
76.Donna Diana: Overture – 4:10
77.Rondino giocoso, Op. 4 – 3:53
78.Symphony No. 4 in E-Flat Major, Romantic: I. Bewegt, nicht zu schnell – 17:36
79.Symphony No. 4 in E-Flat Major, Romantic: II. Andante, quasi allegretto – 16:09
80.Symphony No. 4 in E-Flat Major, Romantic: III. Scherzo – Bewegt – 10:03
81.Symphony No. 4 in E-Flat Major, Romantic: IV. Finale – Bewegt, doch nicht zu schnell – 19:37
82.Symphony No. 5 in B-Flat Major: I. Introduction – Adagio – Allegro – 19:30
83.Symphony No. 5 in B-Flat Major: II. Adagio – Sehr langsam – 15:15
84.Symphony No. 5 in B-Flat Major: III. Scherzo – Molto vivace – 13:13
85.Symphony No. 5 in B-Flat Major: IV. Finale – Adagio – Allegro moderato – 21:35
86.Der fliegende Holländer, WWV 63: Overture – 9:54
87.Tannhäuser, WWV 70: Overture – 14:28
88.Tannhäuser, WWV 70, Act 2: Freudig begrüssen wir die edle Halle (Chorus) – 3:57
89.Lohengrin, WWV 75, Act 2: Gesegnet soll sie schreiten (Chorus) – 4:11
90.Lohengrin, WWV 75: Prelude to Act 3 – 3:10
91.Lohengrin, WWV 75, Act 3: Treulich geführt (Bridal Chorus) – 5:20
92.Die Meistersinger von Nürnberg, WWV 96: Prelude to Act 1 – 9:03
93.Die Meistersinger von Nürnberg, WWV 96, Act 2: Was duftet doch de Flieder (Hans Sachs) – 7:08
94.Hänsel und Gretel: Overture – 7:50
95.The Bartered Bride, JB 1, 100: Overture – 7:03
96.Till Eulenspiegels lustige Streiche, Op. 28, TrV 171 – 14:58
97.Don Juan, Op. 20, TrV 156 – 16:00
98.Salome, Op. 54, TrV 215: Dance of the Seven Veils – 8:34
99.Der Rosenkavalier, Op. 59, TrV 227, Act 2: Mit ihren Augen voll Tränen (Sophie, Octavian) – 3:23
100.Der Rosenkavalier, Op. 59, TrV 227, Act 3: Waltz – 7:38
101.Der Rosenkavalier, Op. 59, TrV 227, Act 3: Ist ein Traum, kann nicht wirklich sein (Sophie, Octavian) – 4:39
102.Daphne, Op. 82, TrV 272: O wie gern blieb’ ich bei dir (Daphne) – 3:48
103.Daphne, Op. 82, TrV 272: Götter! Brüder im hohen Olympos! (Apollo) – 4:11
104.Daphne, Op. 82, TrV 272: Wind … Spiele mit mir! (Daphne) – 7:25
105.Die Meistersinger von Nürnberg, WWV 96, Act 3: Prelude – 6:51
106.Die Meistersinger von Nürnberg, WWV 96, Act 3: Gleich, Meister! Hier! (David, Hans Sachs) – 3:33
107.Die Meistersinger von Nürnberg, WWV 96, Act 3: Am Jordan Sankt Johannes stand (David, Hans Sachs) – 3:43
108.Die Meistersinger von Nürnberg, WWV 96, Act 3: Wahn! Wahn! Überall Wahn! (Sachs) – 6:25
109.Die Meistersinger von Nürnberg, WWV 96, Act 3: Grüss Gott, mein Junker (Sachs, Walther) – 3:54
110.Die Meistersinger von Nürnberg, WWV 96, Act 3: Mein Freund! In holder Jundzeit (Sachs, Walther) – 4:06
111.Die Meistersinger von Nürnberg, WWV 96, Act 3: Morgenlich leuchtend im rosigen Schein (Sachs, Walther) – 12:18
112.Die Meistersinger von Nürnberg, WWV 96, Act 3: Ein Werbelied! Von Sachs? – Ist’s wahr? (Beckmesser, Sachs) – 3:38
113.Die Meistersinger von Nürnberg, WWV 96, Act 3: Das Gedicht? Hier liess ich’s (Beckmesser, Sachs) – 7:11
114.Die Meistersinger von Nürnberg, WWV 96, Act 3: Sieh, Evchen! (Sachs, Eva, Walther) – 5:48
115.Die Meistersinger von Nürnberg, WWV 96, Act 3: Hat man mit dem Schuhwerk nicht seine Not (Sachs, Eva) – 4:34
116.Die Meistersinger von Nürnberg, WWV 96, Act 3: Ein Kind wird hier geboren (Sachs) – 2:34
117.Die Meistersinger von Nürnberg, WWV 96, Act 3: Die selige Morgentraum-Deutweise … Selig wie die Sonne (Sachs, Eva, Walther, David, Magdalene) – 7:29
118.Die Meistersinger von Nürnberg, WWV 96, Act 3: Sankt Crispin, lobet ihn (Shoemakers, Tailors, Bakers, Apprentices) – 3:27
119.Die Meistersinger von Nürnberg, WWV 96, Act 3: Ihr tanzt? Was werden die Meister sagen? (David, Apprentices, Journeymen) – 5:06
120.Die Meistersinger von Nürnberg, WWV 96, Act 3: Silentium! Silentium! (Apprentices, All) – 3:35
121.Die Meistersinger von Nürnberg, WWV 96, Act 3: Euch macht ihr’s leicht, mir macht ihr’s schwer (Sachs, Pogner, Beckmesser) – 4:30
122.Die Meistersinger von Nürnberg, WWV 96, Act 3: Nun denn, wenn’s Meistern und Volk Beliebt (Sachs, Kothner, Beckmesser, People, Apprentices, Masters) – 5:35
123.Die Meistersinger von Nürnberg, WWV 96, Act 3: Das Lied, fürwahr, ist nicht von mir (Sachs, Masters, Apprentices, People) – 4:10
124.Die Meistersinger von Nürnberg, WWV 96, Act 3: Morgenlich leuchtend im rosigen Schein (Walther, People, Masters, Sachs, Pogner, Eva) – 7:35
125.Die Meistersinger von Nürnberg, WWV 96, Act 3: Verachtet mir die Meister nicht (Sachs, All) – 6:07
126.Die Meistersinger von Nürnberg, WWV 96: Prelude to Act 3 – 7:35
127.Die lustigen Weiber von Windsor: Overture to Act 1 – 8:02
128.Zar und Zimmermann, Act 3: Holzschuhtanz – 4:03
129.Undine, Act 2: Ballet Music – 4:15
130.Symphony No. 8 in B Minor, D. 759, Unfinished: I. Allegro moderato – 12:21
131.Symphony No. 8 in B Minor, D. 759, Unfinished: II. Andante con moto – 13:01
132.Symphony No. 2 in D Major, Op. 73: I. Allegro non troppo – 14:34
133.Symphony No. 2 in D Major, Op. 73: II. Adagio non troppo – 11:04
134.Symphony No. 2 in D Major, Op. 73: III. Allegretto grazioso – 5:47
135.Symphony No. 2 in D Major, Op. 73, IV. Allegro con spirito – 9:32
136.Suite No. 3 in D Major, BWV 1068: II. Air – 4:49
137.Symphony No. 35 in D Major, K. 385, Haffner: I. Allegro con spirito – 5:48
138.Symphony No. 35 in D Major, K. 385, Haffner: II. Andante – 4:59
139.Symphony No. 35 in D Major, K. 385, Haffner: III. Menuetto – 3:37
140.Symphony No. 35 in D Major, K. 385, Haffner: IV. Presto – 3:56
141.Symphony No. 1 in C Minor, Op. 68: I. Un poco sostenuto – Allegro – 13:27
142.Symphony No. 1 in C Minor, Op. 68: II. Andante sostenuto – 9:36
143.Symphony No. 1 in C Minor, Op. 68: III. Un poco allegretto e grazioso – 4:33
144.Symphony No. 1 in C Minor, Op. 68: IV. Adagio – Più andante – Più allegro – 17:12
145.Symphony No. 25 in G Minor, K. 183: I. Allegro con brio – 7:52
146.Symphony No. 25 in G Minor, K. 183: II. Andante – 4:17
147.Symphony No. 25 in G Minor, K. 183: III. Menuet & Trio – 4:28
148.Symphony No. 25 in G Minor, K. 183: IV. Allegro – 4:56
149.Symphony No. 41 in C Major, K. 551: I. Allegro vivace – 7:59
150.Symphony No. 41 in C Major, K. 551: II. Andante cantabile – 8:13
151.Symphony No. 41 in C Major, K. 551: III. Menuetto – Allegretto – Trio – 4:21
152.Symphony No. 41 in C Major, K. 551: IV. Molto allegro – 6:31
153.Der Schauspieldirektor, K. 486: Overture – 4:13
154.Serenade No. 6 in D Major, K. 239, Serenata notturna: I. Marcia – Maestoso – 4:33
155.Serenade No. 6 in D Major, K. 239, Serenata notturna: II. Minuetto – 4:51
156.Serenade No. 6 in D Major, K. 239, Serenata notturna: III. Rondo Allegretto – 4:08
157.Serenade No. 7 in D Major, K. 250, Haffner: IV. Allegro – 7:48
158.Divertimento No. 11 in D Major, K. 251: I. Allegro molto – 3:40
159.Morgenblätter, Op. 279 – 8:14
160.Rosen aus dem Süden, Op. 388 – 8:38
161.Sphärenklänge, Op. 235 – 8:43
162.Neue Pizzicato Polka, Op. 449 – 3:55
163.Notre Dame, Op. 2, Act 2: Intermezzo – 3:59
164.Turandot, Act 3: Tu, che di gei sei cinta (Liù) – 2:56
165.Die Walküre, WWV 86B, Act 2: Siegmund! Sieh’ auf mich! (Brünnhilde, Siegmund) – 18:28
166.Tristan und Isolde, WWV 90, Act 2: O sink’ hernieder, Nacht der Liebe (Tristan, Isolde, Brangäne) – 23:42

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Laurent Coulondre – Gravity Zero (2017)
FLAC (tracks) 24 bit/88,2 kHz | Time – 46:28 minutes | 905 MB | Genre: Jazz
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Sound Surveyor Music

Laurent Coulondre doesn’t just play keyboards, he merges with them. The young Frenchman says that he immerses himself totally into the “deep world” of his keyboards. This world can sometimes resemble an Escher-like maze: just when you think you’ve found the way out, you find yourself somewhere else. Coulondre’s music is funky and would not be out of place on Miles Davis’ On The Corner — yet it never sounds dated — if only because of the youthful energy of his playing. Coulondre’s whole body swings with the music as he loses himself in thrilling solos. In his homeland he is a popular sideman and he has played on the albums of trumpeter Nicolas Folmer and others. Coulondre’s latest album Gravity Zero was released this year. On it you can hear the exuberance that he will undoubtedly bring to the stage at the North Sea Jazz Festival.

Tracklist:

1.Nitro – 3:08
2.Absolutely Not – 4:54
3.Gravity Zero – 4:36
4.Ballade sous les pommiers – 5:05
5.Sticky Brushing – 2:02
6.Egyptian Queen – 5:38
7.Swingy Pencil – 5:41
8.Koowang – 2:00
9.Vamos Tío – 4:48
10.Suspension Bridge – 3:24
11.Song for DD (Bonus Track) – 5:17

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Les Vents Francais with Eric Le Sage – Winds & Piano (2014)
FLAC (tracks) 24 bit/44,1 kHz | Time – 02:59:29 minutes | 1,54 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Warner Classics

These are top-notch performances of not always top-notch music. The piano quintets of Mozart and Beethoven need no special pleading, and this international ensemble are at their best in the dreamy opening and the finale’s cadenza of the Mozart. The French timbre characterised by Franois Leleux’s plangent oboe sounds well suited to Poulenc’s racy sextet and the fine one-movement Divertissement by Roussel. More dispensable are Louise Farrenc’s amiable sextet, a pioneering work of 1852, and Andr Caplet’s oddly irritating quintet of 1899. The third disc has a sextet by Strauss’s friend Ludwig Thuille, boldly symphonic in scope, and Rimsky-Korsakov’s extremely enjoyable, bubbly quintet. But are eight piano-and-wind works in succession just too much of a good thing?

Tracklist:

1.Sextet for Piano & Winds, Op. 100: I. Allegro vivace – 7:21
2.Sextet for Piano & Winds, Op. 100: II. Divertissement – Andantino – 4:12
3.Sextet for Piano & Winds, Op. 100: III. Finale – Prestissimo – 5:27
4.Sextet for Piano & Winds in C Minor, Op. 40: I. Allegro – 11:32
5.Sextet for Piano & Winds in C Minor, Op. 40: II. Andante sostenuto – 5:33
6.Sextet for Piano & Winds in C Minor, Op. 40: III. Allegro vivace – 6:32
7.Divertissement for Piano & Winds, Op. 6 – 6:39
8.Quintet for Piano & Winds, Op. 8: I. Allegro brillamente – 8:01
9.Quintet for Piano & Winds, Op. 8: II. Adagio – 6:19
10.Quintet for Piano & Winds, Op. 8: III. Scherzo – 4:01
11.Quintet for Piano & Winds, Op. 8: IV. Finale – Allegro con fuoco – 7:29
12.Quintet for Piano & Winds in E-Flat Major, K. 452: I. Largo – Allegro moderato – 10:19
13.Quintet for Piano & Winds in E-Flat Major, K. 452: II. Larghetto – 8:29
14.Quintet for Piano & Winds in E-Flat Major, K. 452: III. Allegretto – 5:50
15.Quintet for Piano & Winds in E-Flat Major, Op. 16: I. Allegro, ma non troppo – 13:45
16.Quintet for Piano & Winds in E-Flat Major, Op. 16: II. Andante cantabile – 7:25
17.Quintet for Piano & Winds in E-Flat Major, Op. 16: III. Rondo – Allegro, ma non troppo – 5:43
18.Sextet for Piano & Winds in B-Flat Major, Op. 6: I. Allegro moderato – 10:20
19.Sextet for Piano & Winds in B-Flat Major, Op. 6: II. Larghetto – 6:59
20.Sextet for Piano & Winds in B-Flat Major, Op. 6: III. Gavotte – Andante quasi allegretto – 3:25
21.Sextet for Piano & Winds in B-Flat Major, Op. 6: IV. Finale – Vivace – 5:48
22.Quintet for Piano & Winds in B-Flat Major: I. Allegro con brio – 10:38
23.Quintet for Piano & Winds in B-Flat Major: II. Andante – Fughetta – Andante – 9:44
24.Quintet for Piano & Winds in B-Flat Major: III. Rondo – Allegretto – 8:03

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Lindsey Buckingham, Christine McVie – Lindsey Buckingham/Christine McVie (2017)
FLAC (tracks) 24 bit/48 kHz | Time – 39:33 minutes | 522 MB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © East West Records

Lindsey Buckingham Christine McVie (also referred to as simply Buckingham McVie) is a studio album by Fleetwood Mac vocalists Lindsey Buckingham and Christine McVie, released on June 9, 2017. Four of the five members of Fleetwood Mac are featured on the album; vocalist Stevie Nicks is the sole member absent from the album. The album sold over 22,000 units in the US in its first week and debuted within the top 20. It proved to be even more successful in the UK, where it debuted within the top 5. In November 2017, the album was also certified silver with sales exceeding 60,000 units.

Christine McVie rejoined Fleetwood Mac in 2013 after a 16-year absence. In the aftermath, the classic Rumours quintet — McVie, Lindsey Buckingham, Stevie Nicks, John McVie, and Mick Fleetwood — were readying the ground to record for the first time since 1987. Nicks, however, despite public affirmations that she was on board, bailed to pursue her solo work, creating the kind of melodrama that has made Fleetwood Mac one of pop’s most dysfunctional outfits. Buckingham and McVie had already written songs for the band project — together and separately — and decided to complete the record anyway with the rhythm section. Four-fifths of Fleetwood Mac albums have appeared before to very mixed results. While this set falls prey to that a bit given Nicks’ absence, the end result remains quite positive and, with more time, this version of the band could continue with great success.

The set commences with three absolute knockouts. Buckingham’s opener “Sleeping Around the Corner” first appeared as a bonus track on his Seeds We Sow, but this rework is better; it’s steeped in the melodic signature he’s so effectively employed with Fleetwood Mac as traces of early rock harmonies are wed to slightly wonky rhythm and keyboard charts, joined to a killer new bridge and refrain. It’s followed by “Feel About You,” one of the pair’s three co-writes. Framed by a marimba and John McVie’s bassline, its Caribbean flavor is offset by a doo wop-esque lyric line behind Christine’s breezy vocal — that still offers more than a hint of ache in its grain. Buckingham’s “In My World” combines Tusk’s production flare with the breathy call-and-response vocal moans from Tango in the Night’s “Big Love.” The glorious sun-kissed pop of McVie’s “Red Sun” is gorgeously crafted. It contains a stacked vocal hook that makes us forget about Nicks altogether. Buckingham’s “Love Is Here to Stay” sounds more like something off one of his solo albums, but it’s a gorgeous song and the interplay of voices in the backdrop embraces the whole band. The jointly composed “Too Far Gone” is a funky, love-it-or-hate-it track. Its big funky riff stands at odds with McVie’s vocal. But more than this, it contains Buckingham’s maddening trademark production excess that employs big tribal drum breakdowns that disrupt everything. Likewise, McVie’s “Game of Pretend” is a syrupy and uncharacteristically clumsy ballad that drags on far longer than it should and feels like filler. Her closer, “Carnival Begins,” is far more successful. It’s mercurial, dreamy, and actually recalls the Bob Welch-era Fleetwood Mac that delivered “Mystified.” Buckingham’s screaming guitar break at the end, however, reconciles it to the band’s current sonic sphere. While Lindsey Buckingham/Christine McVie isn’t perfect — and it was smart not to bill this effort as a Fleetwood Mac record — it’s far better than expected, and indeed, they should have made it happen long ago. While you can never tell what might happen with this crew, one can only hope that this pair teams up again soon.

Tracklist:

1.Sleeping Around the Corner – 3:48
2.Feel About You – 3:28
3.In My World – 4:25
4.Red Sun – 3:15
5.Love Is Here to Stay – 4:25
6.Too Far Gone – 3:21
7.Lay Down for Free – 3:56
8.Game of Pretend – 4:34
9.On With the Show – 3:47
10.Carnival Begin – 4:40

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Orchester Wiener Akademie, Martin Haselbock – Liszt: Faust Symphony, S. 108 (2017)
FLAC (tracks) 24 bit/96 kHz | Time – 01:08:20 minutes | 1,16 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Alpha

The Faust Symphony undoubtedly constitutes one of the principal works of Liszt’s Weimar period,if not indeed his orchestral masterpiece. Liszt had become acquainted with Goethe’s poem Faust in 1830, in the French translation of Grard de Nerval. He began composing the work in the 1840s, after a visit to the Goethe House in Weimar. Its first performance was arranged for September 1857, to mark the centenary of Grand Duke Carl August and the erection of a statue to Goethe and Schiller. On this occasion Liszt rounded the work off by adding a tenor solo and chorus at the end. The premiere took place on 5 September.This musical transposition of the poem is performed here by Orchester Wiener Akademie under Martin Haselbck, and follows their recording of Liszt’s transcriptions of works by Schubert, released in 2015 (Alpha 471).In parallel with this, the Viennese period-instrument orchestra is also continuing its Resound Beethoven project, the recording of the complete symphonies at the venues of their first performances.

Apart from Franz Liszt’s innovative symphonic poems, such as Les Prludes and Mazeppa, A Faust Symphony in Three Character Sketches, S. 108 was his most important orchestral work, influencing composers from Richard Wagner to Richard Strauss and Gustav Mahler, and at well over an hour in duration, greatly expanding the possibilities of the hybrid form. Whereas many Romantic masterpieces have been rendered with historically informed practices, period readings of the Faust Symphony are rare, so Martin Haselbck’s authoritative original-instruments performance with the Vienna Academy Orchestra is a welcome addition to the all too modest catalog of recordings of the work. While the chamber size of the orchestra and rather lean sections tend to concentrate the ear on fine details, and make the Faust Symphony less imposing than more conventional symphony orchestra versions, the smaller ensemble is closer to what Liszt conducted in Weimar, where he premiered the Faust Symphony in 1857, and he would have prized the clarity of this group’s sonorities and responsive dynamics. Haselbck and his orchestra recorded Liszt’s other orchestral music for a series on NCA, though the Faust Symphony was not included there, so this 2017 Alpha Classics release fills the gap for collectors. Highly recommended.

Tracklist:

1.Faust Symphony, S. 108: I. Faust – 26:59
2.Faust Symphony, S. 108: II. Gretchen – 17:36
3.Faust Symphony, S. 108: III. Mephistopheles – IV. Chorus Mysticus – 23:45

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Living Voices – Positively 4th Street and Other Message Folk Songs (1966/2016)
FLAC (tracks) 24 bit/192 kHz | Time – 34:41 minutes | 824 MB | Genre: Country
Studio Masters, Official Digital Download | Front Cover | © RCA/Legacy

The message folk songs that have become so important in popular music in recent months have been heralded for their timeliness. But everything in this album is not that simple, not that easily categorized–not when one really listens to the extraordinarily meaningful lyrics that are virtually always the thing.

Especially are things not so simple when one listens to the words written by Bob Dylan, the young front-runner of the message and/or protest folk song, folk rock, folk ‘n’ roll, anti-protest song, what-have-you. True, his words are as timely as today’s headlines, but, paradoxically, they are also timeless, frequently dealing with social-political ills we can exchange for those headlines but which also could be set down in many a generation and be topical.

Like all truly fine poets, Dylan writes not only for the moment but for all seasons. Take the two Dylan compositions found in this best-of-the-message-songs collection by the Living Voices, as arranged and conducted by Anita Kerr. There’s the package’s title piece, Positively 4th Street, plus Like a Rolling Stone–two of Dylan’s biggest. They sear but they are surprisingly subtle–paradoxes. Dylan is too clever to be blatant, so he clenches his fist, strikes out, but desists from name-calling. Positively 4th Street, on the surface, could by about anyone disappointed by his fellow men. Though our current concern over racial prejudice leaves little question about the intent behind such lines as “Don’t you understand, it’s not my problem” and “You got a lotta nerve, to say you gotta helping hand to lend. You just want to be on the side that’s winning.” Dylan stalks not only injustice but hypocrisy.

Likewise, Dylan’s Like a Rolling Stone couldn’t sound more contemporary, title-wise. But it’s really the age-old story of the fallen woman, all dressed up-or down-in message. It’s the tale of a great waste, of a gal who, like the cynic, knew the price of everything and the value of nothing…

Recorded at RCA Victor’s Music Center of the World, Hollywood, California Produced by Ethel Gabriel

Digitally remastered

Tracklist:

1.Positively 4th Street – 4:34
2.Universal Soldier – 3:04
3.Where Have All the Flowers Gone? – 3:19
4.Like a Rolling Stone – 6:04
5.Eve of Destruction – 3:04
6.John Brown’s Body – 2:46
7.Rusty Bells – 2:48
8.What Color (Is a Man) – 2:12
9.Dawn of Correction – 3:11
10.There But for Fortune – 3:44

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Louis Fremaux – Louis Fremaux – The Complete CBSO Years (2017)
FLAC (tracks) 24 bit/96 kHz | Time – 14:10:40 minutes | 15 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Warner Classics

his 12-CD set joins Warner Classics’ Icon series, which pays homage to some of the greatest recording artists of the recent past. The box is devoted to the French conductor Louis Frmaux, who, from 1969 to 1978, preceded Simon Rattle as Principal Conductor of the City of Birmingham Symphony Orchestra. For the first time, it assembles all the recordings that Frmaux and the CBSO made for EMI. Over the course of the 1970s their discography played a substantial role in building the orchestra’s international reputation before the arrival of Rattle as its Principal Conductor in 1980. Indeed, such was the orchestra’s prowess in the French music favoured by Frmaux that, in 1978, Rattle described the CBSO as “the best French orchestra in the world”.

The vast majority of this Icon set is devoted to French music: Berlioz (notably the Grande Messe des Morts, the first recording project of the CBSO Chorus, which Frmaux established in 1973); Massenet; Bizet (including his rarely-heard symphonic suite Roma); Lalo; Saint-Sans (including the Symphony No 3, a work closely associated with Frmaux); Faur (the Requiem); Chabrier; Debussy; Dukas; Ravel; Ibert (whose music occupies almost an entire CD); Honegger; Poulenc (the Gloria, Piano Concerto and Les Biches) and Satie. The British-born composers featured are: Litolff; Walton (who occupies an entire CD, dominated by the two Faade suites), and John McCabe (1939-2015), whose Notturni was premiered by Frmaux and the CBSO in 1970.

Appearing for the first time on CD is a selection of arias by Leoncavallo, Puccini, Bizet, Sullivan, Lehr and Johann Strauss II, sung in English by the tenor by the Birmingham-born tenor David Hughes (1929-1972), who, before turning to opera, had enjoyed success as a popular singer; the arias are complemented by overtures by Offenbach. Other soloists appearing on the set include tenor Robert Tear, cellist Paul Tortelier and pianists John Ogdon and Cristina Ortiz.

There’s a lot of French music in this set: earthy readings of Poulenc’s Gloria and Les biches alongside a host of rarities…Walton’s Bach-inspired ballet The Wise Virgins is fun, and there’s an electrifying disc of music by the underrated pianist-composer John McCabe…An excellent set — 12 generously filled discs in an attractive slimline box. Essential. – The Arts Desk, 22nd July 2017

Tracklist:

1.Grande Messe des morts, Op. 5, H. 75: I. Requiem et Kyrie (Introitus) – 11:43
2.Grande Messe des morts, Op. 5, H. 75: II. Dies Irae – Tuba mirum – 12:18
3.Grande Messe des morts, Op. 5, H. 75: III. Quid sum miser – 3:38
4.Grande Messe des morts, Op. 5, H. 75: IV. Rex tremendae majestatis – 5:34
5.Grande Messe des morts, Op. 5, H. 75: V. Quaerens me – 4:53
6.Grande Messe des morts, Op. 5, H. 75: VI. Lacrymosa – 9:56
7.Grande Messe des morts, Op. 5, H. 75: VII. Offertorium – 7:49
8.Grande Messe des morts, Op. 5, H. 75: VIII. Hostias – 3:32
9.Grande Messe des morts, Op. 5, H. 75: IX. Sanctus – 11:54
10.Grande Messe des morts, Op. 5, H. 75: X. Agnus Dei – 12:20
11.Le Carnaval romain, Op. 9, H. 95: Overture – 8:40
12.Tristia Op. 18, H. 119: III. Marche funèbre pour la dernière scène d’Hamlet, H. 103 – 7:34
13.La Damnation de Faust, Op. 24, H. 111: I. Marche hongroise – 4:51
14.La Damnation de Faust, Op. 24, H. 111: II. Danse des sylphes – 2:06
15.La Damnation de Faust, Op. 24, H. 111: III. Menuet des follets – 5:39
16.Benvenuto Cellini, H. 76b: Grande Ouverture – 9:42
17.Les Troyens, Op. 29, H. 133, Act 4: No. 29 Chasse royale et orage – 9:06
18.Les Troyens, Op. 29, H. 133, Act 1: No. 11 Marche troyenne – 5:26
19.Le Cid: I. Castillane – 3:10
20.Le Cid: II. Andalouse – 2:33
21.Le Cid: III. Aragonaise – 1:52
22.Le Cid: IV. Aubade – 1:23
23.Le Cid: V. Catalane – 3:12
24.Le Cid: VI. Madrilène – 4:05
25.Le Cid: VII. Navarraise – 3:18
26.Suite No. 4, “Scènes pittoresques”: I. Marche – 4:07
27.Suite No. 4, “Scènes pittoresques”: II. Air de ballet – 2:51
28.Suite No. 4, “Scènes pittoresques”: III. Angélus – 5:32
29.Suite No. 4, “Scènes pittoresques”: IV. Fête bohême – 4:57
30.La Vierge: Le Dernier Sommeil de la Vierge – 4:39
31.Roma, WD 37: I. Une chasse dans la Forêt d’Ostie – Andante tranquillo – Andante – 12:53
32.Roma, WD 37: II. Scherzo – Allegretto vivace – 5:23
33.Roma, WD 37: III. Une procession – Andante molto – 7:29
34.Roma, WD 37: IV. Carnaval à Rome – Allegro vivacissimo – 5:48
35.Symphonie espagnole in D Minor, Op. 21: I. Allegro non troppo – 7:44
36.Symphonie espagnole in D Minor, Op. 21: II. Scherzando – 4:21
37.Symphonie espagnole in D Minor, Op. 21: III. Intermezzo (Allegretto non troppo) – 6:20
38.Symphonie espagnole in D Minor, Op. 21: IV. Andante – 6:55
39.Symphonie espagnole in D Minor, Op. 21: V. Rondo (Allegro) – 8:47
40.Cello Concerto in D Minor: I. Prélude – Lento – Allegro maestoso – 13:49
41.Cello Concerto in D Minor: II. Intermezzo – Andantino con moto – 6:28
42.Cello Concerto in D Minor: III. Introduction – Andante – Allegro vivace – 7:32
43.Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo – 5:19
44.Cello Concerto No. 1 in A Minor, Op. 33: II. Allegretto con moto – 4:42
45.Cello Concerto No. 1 in A Minor, Op. 33: III. Allegro non troppo – 8:21
46.Symphony in C Major, WD 33: I. Allegro vivo – 7:24
47.Symphony in C Major, WD 33: II. Adagio – 8:58
48.Symphony in C Major, WD 33: III. Scherzo – Allegro – 4:37
49.Symphony in C Major, WD 33: IV. Finale – Allegro vivace – 6:18
50.Symphony No. 3 in C Minor, Op. 78, “Organ”: I. Adagio – Allegro moderato – 9:38
51.Symphony No. 3 in C Minor, Op. 78, “Organ”: II. Poco adagio – 9:38
52.Symphony No. 3 in C Minor, Op. 78, “Organ”: III. Allegro moderato – Presto – 7:23
53.Symphony No. 3 in C Minor, Op. 78, “Organ”: IV. Maestoso – Allegro – 7:38
54.Concerto Symphonique No. 4 in D Minor, Op. 102: II. Scherzo – 6:44
55.Requiem, Op. 48: I. Introit et Kyrie – 6:52
56.Requiem, Op. 48: II. Offertoire – 7:57
57.Requiem, Op. 48: III. Sanctus – 3:25
58.Requiem, Op. 48: IV. Pie Jesu – 3:52
59.Requiem, Op. 48: V. Agnus Dei – 6:06
60.Requiem, Op. 48: VI. Libera Me – 4:52
61.Requiem, Op. 48: VII. In Paradisum – 3:36
62.Cantique de Jean Racine, Op. 11 – 4:28
63.Ballade, Op. 19 – 13:14
64.Le Carnaval des animaux, R. 125: I. Introduction et Marche royale du lion – 2:00
65.Le Carnaval des animaux, R. 125: II. Poules et coqs – 1:14
66.Le Carnaval des animaux, R. 125: III. Hémiones (ou Animaux véloces) – 0:41
67.Le Carnaval des animaux, R. 125: IV. Tortues – 2:08
68.Le Carnaval des animaux, R. 125: V. L’Éléphant – 1:31
69.Le Carnaval des animaux, R. 125: VI. Kangourous – 0:49
70.Le Carnaval des animaux, R. 125: VII. Aquarium – 2:12
71.Le Carnaval des animaux, R. 125: VIII. Personnages à longues oreilles – 1:07
72.Le Carnaval des animaux, R. 125: IX. Le Coucou au fond des bois – 2:21
73.Le Carnaval des animaux, R. 125: X. Volière – 1:17
74.Le Carnaval des animaux, R. 125: XI. Pianistes – 1:15
75.Le Carnaval des animaux, R. 125: XII. Fossiles – 1:24
76.Le Carnaval des animaux, R. 125: XIII. Le Cygne – 3:15
77.Le Carnaval des animaux, R. 125: XIV. Final – 1:59
78.Le Carnaval des animaux, R. 125: XIII. Le Cygne – 2:36
79.6 Études, Op. 52: No. 6 Caprice, d’après l’Étude en forme de valse (Arr. E. Ysaÿe for Violin and Orchestra) – 8:10
80.Le Déluge, Op. 45: Prélude – 8:16
81.Wedding Cake in A-Flat Major, Op. 76 – 6:48
82.Allegro appassionato in B Minor, Op. 43 – 3:53
83.Danse macabre, Op. 40 – 6:47
84.España – 6:42
85.Prélude à l’après-midi d’un faune, L. 86 – 8:32
86.L’Apprenti sorcier – 10:27
87.Boléro, M. 81 – 15:30
88.Divertissement: I. Introduction – Allegro vivo – 1:09
89.Divertissement: II. Cortège – Moderato molto – Animato subito – 4:43
90.Divertissement: III. Nocturne – Lento – 2:13
91.Divertissement: IV. Valse – Animato assai – 2:55
92.Divertissement: V. Parade – Tempo di marcia – 1:39
93.Divertissement: VI. Finale – Quasi cadenza – Vivo (Tempo di galop) – 1:50
94.Symphonie marine – 14:07
95.Bacchanale – 8:28
96.Louisville-concert – 11:27
97.Bostoniana – 7:02
98.Pacific 231, H. 53 – 6:09
99.Gloria, FP 177: I. Gloria in excelsis deo – 2:45
100.Gloria, FP 177: II. Laudamus te – 2:58
101.Gloria, FP 177: III. Domine Deus – 4:16
102.Gloria, FP 177: IV. Domine fili unigenite – 1:21
103.Gloria, FP 177: V. Domine Deus, Agnus Dei – 6:35
104.Gloria, FP 177: VI. Qui sedes ad dexteram Patris – 5:54
105.Piano Concerto, FP 146: I. Allegro assai – 10:10
106.Piano Concerto, FP 146: II. Andante con moto – 5:25
107.Piano Concerto, FP 146: III. Rondeau à la française – Presto giocoso – 4:12
108.Les Biches, FP 36b: I. Rondeau – Très lent – Subito allegro molto – 3:30
109.Les Biches, FP 36b: II. Adagietto – 3:23
110.Les Biches, FP 36b: III. Rag-Mazurka – Presto – 5:31
111.Les Biches, FP 36b: IV. Andantino – 2:54
112.Les Biches, FP 36b: V. Final – Presto – 3:31
113.3 Gymnopédies (Orch. Debussy): No. 1 Lent et grave – 2:14
114.3 Gymnopédies (Orch. Debussy): No. 3 Lent et douloureux – 2:50
115.Façade, Suite No. 2: No. 1 Fanfare – 0:32
116.Façade, Suite No. 2: No. 2 Scotch Rhapsody – 1:13
117.Façade, Suite No. 1: No. 2 Valse – 3:11
118.Façade, Suite No. 1: No. 4 Tango-Pasodoble – 1:58
119.Façade, Suite No. 1: No. 3 Swiss Jodelling Song – 2:43
120.Façade, Suite No. 2: No. 3 Country Dance – 2:09
121.Façade, Suite No. 1: No. 1 Polka – 1:23
122.Façade, Suite No. 2: No. 4 Noche espagnole – 2:51
123.Façade, Suite No. 2: No. 5 Popular Song – 2:18
124.Façade, Suite No. 2: No. 6 Old Sir Faulk – 2:06
125.Façade, Suite No. 1: No. 5 Tarantella – Sevillana – 2:35
126.Gloria – 19:06
127.Orb and Sceptre – 7:02
128.Coronation Te Deum – 9:34
129.Crown Imperial – 9:09
130.The Wise Virgins: I. What God Hath Done Is Rightly Done – Vivace assai (from Was Gott tut, das ist wohlgetan, BWV 99) – 3:08
131.The Wise Virgins: II. Lord, Hear My Longing – 2:04
132.The Wise Virgins: III. See What Love Can Do – 4:16
133.The Wise Virgins: IV. Ah! How Ephemeral – 2:09
134.The Wise Virgins: V. Sheep May Safely Graze – 6:15
135.The Wise Virgins: VI. Praise Be To God – 1:49
136.Notturni ed alba: I. Hymnus Ante Somnum – Andante – 7:30
137.Notturni ed alba: II. Phantoms – Vivo – 2:56
138.Notturni ed alba: III. Te Vigilans Oculis – Lento – 2:33
139.Notturni ed alba: IV. Somnia – Agitato – 4:13
140.Notturni ed alba: V. Alba – Lento – 4:46
141.Symphony No. 2: I. Vivo – 4:35
142.Symphony No. 2: II. Andante – 4:13
143.Symphony No. 2: III. Allegrissimo – 3:48
144.Symphony No. 2: IV. Lento – 6:18
145.Symphony No. 2: V. Vivo – 4:16
146.Pagliacci, Act 1: “To act!… On with the motley” (Recitar!… Vesti la giubba) [Canio] – 3:53
147.La Bohème, Act 1: “Your tiny hand is frozen” (Che gelida manina) [Rodolfo] – 4:26
148.Carmen, WD 31, Act 2: “See how the flower” (La fleur que tu m’avais jetée) [Don José] – 3:46
149.La Jolie Fille de Perth, WD 15, Act 2: “Hear the voice” (À la voix d’un amant fidèle) [Smith] – 3:05
150.Tosca, Act 3: “When the stars were brightly shining” (E lucevan le stelle) [Mario Cavaradossi] – 2:48
151.Turandot, Act 3: “None shall sleep tonight” (Nessun dorma) [Calaf] – 3:01
152.The Gondoliers, Act 2: “Take a pair of sparkling eyes” (Marco) – 3:02
153.Paganini, Act 2: “Girls were made to love and kiss” (Gern hab’ ich die Frau’n geküsst) [Paganini] – 3:24
154.Frasquita, Act 2: “When the moon is shining white” (Hab’ ein blaues Himmelbett) [Frasquita] – 3:48
155.Frederica, Act 2: “O maiden, my maiden” (O Mädchen, mein Mädchen) [Friederike] – 2:43
156.Eine Nacht in Venedig, Act 1: “Love, I am here” (Komm’ in die Gondel) [Duke] – 3:06
157.The Land of Smiles, Act 2: “You are my heart’s delight” (Dein ist mein ganzes Herz!) [Sou-Chong] – 3:39
158.Orphée aux enfers: Overture – 9:39
159.La Grande Duchesse de Gérolstein: Overture – 6:50
160.La Belle Hélène: Overture – 8:58
161.Barbe-Bleue: Overture – 5:28
162.La Vie parisienne: Overture – 4:53

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Soloists of the Spannungen Festival 2016 – Mendelssohn, Penderecki: Sextets (2016)
FLAC (tracks) 24 bit/48 kHz | Time – 58:54 minutes | 581 MB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Avi Music

A unique meeting of musical and architectural history, the Spannungen Festival is an annual chamber music festival held at the Heimbach hydroelectric power station. This release features two sextets performed among the turbines, brass instruments and Art Deco lamps of Heimbach in 2016: Mendelssohn’s Sextet in D Major, with its piano-dominated score, contrasted with Penderecki’s colossal Sextet for Clarinet, Horn, String Trio and Piano, considered by some to be the first masterpiece of the 21st century.

Tracklist:

1.Sextet for Piano, Violin, 2 Violas, Cello and Double Bass in D Major, Op. 110: I. Allegro vivace – 11:11
2.Sextet for Piano, Violin, 2 Violas, Cello and Double Bass in D Major, Op. 110: II. Adagio – 4:13
3.Sextet for Piano, Violin, 2 Violas, Cello and Double Bass in D Major, Op. 110: III. Menuetto. Agitato – 2:17
4.Sextet for Piano, Violin, 2 Violas, Cello and Double Bass in D Major, Op. 110: IV. Allegro vivace – 9:37
5.Sextet for Clarinet, Horn, String Trio and Piano: I. Allegro moderato – 10:35
6.Sextet for Clarinet, Horn, String Trio and Piano: II. Larghetto – 21:06

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Michael Buble – Call Me Irresponsible (2007/2016)
FLAC (tracks) 24-bit/44,1 kHz | Time – 53:18 minutes | 601 MB | Genre: Jazz
Studio Master, Official Digital Download  | Digital Booklet, Front Cover | © 143 – Reprise

More than any of his contemporaries, vocalist Michael Bubl has bridged the gap between standards-oriented vocal pop and more contemporary pop vocals. Having perfected the mix on his superb 2003 effort, It’s Time, which found the Frank Sinatra-influenced singer covering both “I’ve Got You Under My Skin” and Leon Russell’s R&B ballad “A Song for You,” Bubl wisely doesn’t mess with a good thing on 2007’s Call Me Irresponsible. Once again delving into a mix of swinging big-band numbers and classic pop hits such as the wickedly hip ’60s standard “Comin’ Home Baby” (featuring backing vocals from Boyz II Men), the album is a breezy, stylish good time. And while such cuts as “The Best Is Yet to Come” and the laid-back title track comfortably cast Bubl as a modern-day crooner consistent with his billing, the unexpected reworkings of contemporary pop songs often make the biggest impact. To these ends, his bossa nova duet with vocalist Ivan Lins on Eric Clapton’s “Wonderful Tonight” and the reharmonized Willie Nelson perennial “Always on My Mind” work particularly well here, not as cheeky cabaret but as artfully crafted and devastatingly moving ballads. And it’s not just the cover tunes that drive the album; on the contrary, much like the Bubl co-written ballad “Home” defined the mood of It’s Time, his sparkling melodic pop original “Everything” helps make Call Me Irresponsible a truly welcome pop album by any standard. This CD was nominated for a Grammy award in 2007 as Best Traditional Pop Vocal Album, and “Everything” was nominated for Best Male Pop Performance.

Tracklist:

1.The Best Is Yet To Come – 3:05
2.It Had Better Be Tonight (Meglio Stasera) – 3:06
3.Me And Mrs. Jones (duet with Emily Blunt) – 4:34
4.I’m Your Man – 4:59
5.Comin’ Home Baby (duet with Boyz II Men) – 3:27
6.Lost – 3:41
7.Call Me Irresponsible – 3:17
8.Wonderful Tonight (duet with Ivan Lins) – 4:13
9.Everything – 3:33
10.I’ve Got The World On A String – 2:48
11.Always On My Mind – 4:30
12.That’s Life – 4:16
13.Dream – 5:07
14.L-O-V-E – 2:51

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